An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Rian Kring Ajarn Chum Chai Kiree Hlang Pra Pid Ta Guru Coin Amulet with Kring Bead Rattle inside the Buddha on rear face - 66 Birthday Edition 2518 BE - Nuea Solos Tat (Solasa Loha + Galai Tong with Tat Kring Bead).
This is extremely rare Amulet of the Pantheon of Ajarn Chum, and highly prized possession of Devotees of Ajarn Chum Chai Kiree, of the Dtamnak Dtak Sila Khao Or Southern Academy of Sorcery. The amulet is a twin sided amulet with Ajarn Chum on one side, and Pra Pakawambodee (Pra Pid ta Nirodha Buddha) on the other side.
The coin is made from Nuea Solasa Loha Galai Tong (Gold Galvanized over 16 kinds of Sacred Artifact Alloy), and has an inimitable surface sheen that is the first criteria used by experts in authenticating this coin, which has many fake editions imitating it, but which no single forgery edition has managed to replicate properly. Inside it is a bead of Chanuan Metal with Solos Tat Elemental relics in it.
Hence, this coin is a perfect Ongk Kroo for study of how an authentic Rian Kring Ajarn Chum should appear, and to use it to remember its features and characteristics, as a reference model when comparing with other examples of this coin. We have taken as clear photos as we could so that our readers can study the appearance of the authentic coin for gathering knowledge.
The front face of the amulet features the image of Ajarn Chum Chai Kiree, in 'Kreung Ongk' (Half Torso Cameo Bust), and has the words 'Solos Tat Ajarn Chum Chai Kiree 66 Pi Run 1 2518' around the edge. the Khom Agkhara 'Put' and 'To' are placed either side of Ajarn Chum's head.
The rear face has a Pra Pakawambadee (Pra Pid Ta) amulet heat fixed on to the surface of the coin, which has a Kring bead of Sacred Elemental Substance (Tat) inserted within, taken from the World Famous Pra Pid Ta Hlaem Sai 2481 BE first edition amulet ceremony at Wat Chai Mongkol on Songkhla.
At that time, Ajarn Chum was a Bhikkhu (Ordained Buddhist monk), who was staying at the temple of Wat Chai Mongkol. he attended the full 16 Days and Nights of that empowerment ceremony, and kept an amount of the Sacred Chanuan Alchemical metals from the smelting ceremony, and used them for the 2518 BE Rian Kring Solos Tat coins.
Ajarn Chum Chai Kiree was the Greatest Lay Master in all Living History of Thai Buddha Magic, and his powers remain undoubted by his many tens of thousands of Devotees around the world, since his Merits have spoken for them-self, through his amazing abilities which he carried since childhood, and the easily noticeable real effects which can be sensed coming from his amulets.
Second to none for truly potent Magical Power, Ajarn Chum commands a top position in the History of Thai Buddhist Amulets and the Status of Occult legend. Ajarn Chum was arguably the most powerful and famous Laymaster of all Thai Occult History, and his amazing miraculous feats of Magickal Prowess are still the talk of every Samnak Saiyasart around the country, many years after his passing.
His public shows of Miraculous Magick, has amazed a whole generation of faithful devotees. They are filled with faith in his inexplicable shows of power, and the miraculous events which many people who rever his amulets have encountered, has served to raise Ajarn Chum Chai Kiree to the Status of Grand Master of the Khao or Academy of Occult Sorcery. When Ajarn Chum was just 7 years old, he once grabbed the rifle barrel point of his father's friends gun who had come to visit, and chanted a mere 11 syllable Kata.
The gun exploded and broke in half the next time it was used to shoot with. These events caused the villagers to believe in his powers, and have faith in his Magick. When he reached the age of Ordination, he ordained under Pra Ajarn Kong and stayed at Wat Chai Mongkol, until his disrobing. After this, he studied hard further as a Lay Practitioner and studied the Buddha-Dhamma. Later, he moved to Pattalung, and became a practitioner at the Dtamnak Dtak Sila Khao or, under Ajarn Iad (Wat Don Sala), as his Mentor in Magickal Sorcery.
He already had fifteen years of ordained study and practice behind him befriended with the Great Luang Por Kong, and now became the Legendary Master of Khao or Sorcery. He is famous for many Miraculous feats from his amulets, including his famous Noo Kin Nom Maew Metta Oil, which he made, and tested with a show of putting baby mice and a cat who was giving milk into the same cage, after smearing some oil on them all.
The mice ran to the teats of the cat, and the cat gave milk to the mice. Ajarn Chum had a very strange ability to decipher difficult methods of Sorcery and had a special mind that was attuned to mysterious forces. Ajarn Chum always used his famous magical 'Nam Man Solos Mongkol'' oil, to smear on the heads of the Devotees before performing Kong Grapan Magic.
The Sacred Chanuan for these coins is Solos Tat, made from 16 kinds of Sacred Element; 1. Lek Lai, 2. Jao Nam Ngern, 3. Gold, 4. Silver, 5. Bronze, 6. Copper, 7. Brass, 8. Leaden Mineral, 9. Wolfram Mineral, 10. Rae Jakr Narai (Vishnu's Chakra Mineral), 11. Rae Sangkwanorn (Ayuttaya temple roof leaden nails), 12. Rae Chin (Ancient Silvery Leaden Artifacts), 13. Rae Dtakua Dam (Black Lead Mineral), 14. Rae Dtakua Thuean (Wild Leaden Mineral), Rae Lek Nam Pi, and 16. Rae Yord Pra Prang (metal from the top of the old temple Chedi Stupa).
The amulets were blessed in the same method as the Pid Ta Hlaem Sai of 2481 BE ceremony, performing 16 days and nights of consecutive empowerment. The coins were blessed in the same ritual along with the Grom Luang Chumporn Coin Amulets of 2518 BE also a highly revered and sought after amulet of Thai Buddhist People and of devotees of Ajarn Chum. The ceremony was held with the Summoning of Luang Por Tuad, Luang Por Kong, Khun Phaen, and Pra Pikanes Deity to Manifest and assist Ajarn Chum in the Empowerment at the Samnak of Ajarn Chum.
Ajarn Chum summoned and beseeched the Devas, and began to empower, performing single individual empowerment on each single coin, one by one, in the tradition of the Wicha Solos, and performed continually until 16 days and 16 nights had passed, and then the amulets were taken to the temple of Wat Traimit Voraram in Bangkok, and empowered in the Uposadha Shrineroom of the Temple for a further 7 days and nights.
The amulets received a final empowerment on Thursday 8th May 2518 (Wai Kroo Ajarn Chum), to be handed out during the Master Day Ceremony.
Kata Bucha Pra Krueang Ajarn Chum Chai Kiree
Na Rong Hai - Na Maa Khao Haa - Na Jidtang Maa Ni Maa Maa - Jidtang Maa Ni Maa Maa (3 Times)
Chant
Na Mo Tassa Pakawadto Arahadto Sammaa Samputtassa
Na Mo Tassa Pakawadto Arahadto Sammaa Samputtassa
Na Mo Tassa Pakawadto Arahadto Sammaa Samputtassa
Then Chant
I Sawaasu Susawaa I - A Sang Wi Su Lo Bu Sa Pu Pa (3 Times)
Facts that are hardly known; The Rian Kring Solos Tat was actually first made in 2517 BE with the year 2517 embossed, but Ajarn Chum did not like the image, which he said looked too much like an Ordained Monk, and was disrespectful to the Sangha, and so forbade its release. Hence, the devotees beseeched another edition, which was released in the Year 2518 BE, with the new date embossed.
