An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
This most beautiful Ganesha Coin in Nuea Tong Daeng Rom Man Pu (reddish oily polished copper), is a very rare to see acquisition, that was blessed and empowered by the Great Sak yant Master Luang Por Lae of Wat Pra Song in Petchburi. Released in the year 2539 BE, the amulet is now not only of a respectable age, and from a deceased Great Guru Master whose amulets are not often seen in circulation, but also is in pristine condition and still in the original box from the temple.
The image of Pikanes is incredibly detailed and surely designed by one of the Artists of the University of Fine Buddhist Arts. Its detail and balance of proportion is of the finest craftsmanship, as is the metallurgical aspect of this sacred amulet for prosperity and professional success.
The amulet is encased in Waterproof Gold Plated Casing, ready for wearing. This amulet was released in two versions of casing; solid silver, and gold plated.
The rear face of the amulet bears a 'Siarn Por Gae' Lersi Head Image, invoking the blessings and protection of the Lersi to guard over and and improve the lives of the wearer. The Lersi are protectors and guardians of those who follow the Buddha and who revere the Hermit Gods. They are the originating authors of the Vedas, which are in truth a collection of Psalms of Heaven which were heard by the Lersi in their meditative states, as the Celestial Devas and the Khon Tan performed their renditions of the Music of the Spheres, and their songs of Heaven were heard, and written down by the Lersi.
The Lersi are originators of many things, such as the Vina, a musical instrument invented by naradha. There is a Lersi Hermit God for each and every profession and trade, who can be revered and worshiped to increase success, status and prosperity.
Ganesha, or as we call him in Thai 'Pra Pikanes' bestows similar blessing to the Lersi, as well as in fact being a Lersi himself, but also more than just a Lersi, rather, also a Celestial Deity of the Highest Order, being the son and offspring of the God Shiva, one of the three most iimportant Deities of the Hindu Trinity.
Pra Pikanes protects, removes obstacles, and improves your status and professional success. He is highly revered not only by thos who are in commerce professions, but also and especially those who are actively involed in the performing arts professions, such as acting, dancing, musicians, and other sorts of performance artists.
Kata Pra Pikanes
Om Sri Kanesaya Namaha
Use when putting the amulet on and off each day, and as a short Kata when passing Holy Places with Images of Ganesha, or when during daily activities.
Kata Bucha Pra Pikanes (Thai Brahman Pali Adaptation)
Ongaarapintunaathang Ubp-Bpannang Prahm-Mano Ja Into
Pikanesadto Mahaa Taewo Ahang Wantaa Mi Sappadtaa
Sittigijjang Sittigammang Sittigaariyang Bprasitti Mae
Chant this 3, 5, 9 or 108 Times
Apart from wearing the amulet, you can use it as a ritual object to make prayer water (through immersion in the water bowl, and chanting with incense, flowers and offerings, preliminary prayers), or to place on a small tray on the altar and make offerings as a Bucha Deity.
Thai Kata for Chanting Daily to Pra Pikanes
Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Tudtiyambpi Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Dtadtiyambi Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Ganesha or, as we say in Thai ‘Pra Pikanes’ is the Deity for removal of obstacles and attainment of success. Pra Pikanes has many different forms, with different meanings. he may have four, six, eight, twelve or even fourteen arms, but almost never two arms, this being a Tabu. Pra Pikanes may carry any of a number of 57 different Cosmic weapons or regalia in his hands. This particular Posture is four armed with whip, axe and consumables. This Posture and combination induces not only the removal of obstacles and success, but also wealth and plentiful treasures and possessions and well being. The amulet is made from Sacred Powders, and hand painted and covered with a fine ceramic glaze. The rear face has Sanskrit Agkhara and Sacred Na Inscription. The hand waving an axe, is a symbol of the retrenchment of all desires, bearers of pain and suffering. With this axe Ganesha can both strike and repel obstacles.
4 Armed Ganesha
Ganesha has four arms which symbolize his status as the universal ruler and establish his power over the four categories of beings – those who can live only in water, those who can live in water and on earth, those who can live only on earth and those who can fly in air. Significance of four : It was god Ganesha who instituted the four castes and the four Vedas. One hymn in Sri Bhagavat Tattva , says: ‘In heaven, this child will establish the predominance over gods, on earth over men, in the nether world over anti-gods and serpents. He causes the four ruling forces of the elements to move, for which he has four arms.
Kata to the 108 Ruesi;
Om Surawepoya Ruesi Poya Na Ma Ha
Kata Bucha Ruesi;
Om Imasaming Pra Bprakone Tap Pra Muneetewaa Hidtaa Dtumhe Bparipunchandtu
Tudtiyambpi – Imasaming Pra Bprakone Tap Pra Muneetewaa Hidtaa Dtumhe Bparipunchandtu
Dtadtiyambpi – Imasaming Pra Bprakone Tap Pra Muneetewaa Hidtaa Dtumhe Bparipunchandtu
Kata to ask for the blessings of the Ruesi;
Om dtwa mewamaadtaa ja bpidtaa dtwa mewa dtwa mewa pantusaja sakhaa dtwa mewa dtwa mewa witayaa tarawinam dtwa mewa dtwa mewa sarawam ma ma tewa tewa
Kata Bucha Por Gae Ruesi Dta Fai
Ugaasa imang akkee paahoo buppang Ahang wantaa aajaariyang sappasayang winaassandti
sittigaariya abparabpachaa imasaming pawandtume
tudtiyambi – imang akkee paahoo buppang Ahang wantaa aajaariyang sappasayang winaassandti
sittigaariya abparabpachaa imasaming pawandtume
Dtadtiyambpi – imang akkee paahoo buppang Ahang wantaa aajaariyang sappasayang winaassandti
sittigaariya abparabpachaa imasaming pawandtume
Katas for Revering the Ruesi
Various Kata (general and specialized) for praying to the Ruesi, and empowering your Ruesi amulets, Por Gae Masks and Statues
General Kata (Good for all Ruesi)
Namasa Dtisadtawaa Isisitti Lokanaatathang
Anudt Dtarang Isee Ja Pantanang
Saadtraa Ahang Wantaami Dtang Isisittiwesa
How to Pray to the Ruesi Narot
Offer Hmak Plu (Betel nut and Areca leaf), tobacco and grapefruit. Also offer flower garlands which have jasmine flowers in them.
Kata for Bucha Ruesi Narot
Ugaasa Wantami Bhante Sappatang Abparaatang Kha Ma Dta Mae Bhante Mayaa Gadtang Bpunyang Saaminaa Anumotittappang Saaminaa Gadtang Mayhang Naadtappang Saatu Saatu Anumotaami
Wantaami Narata Burapaajaariyang Sappa Maetosang Khamadta Mae Bhante
It should be noted that to correctly Bucha Ruesi Deities, one should also have Korb Kroo ceremony performed on you in order to receive protection and lineage of the Ruesi Masters.
Kata Bucha Phu Ruesi Nakarach
Om Mahaa Swaahome Na Leu ler Asisidti Tanuu Jaewa Sappae Aawutaanija Pakka Pakadtaa Wijuninaani Lomang Maamae Na Pussandti
โอมมะหา สวาโหม นะ ฦา ฤา อสิสิติ ธะนูเจวะ สัพเพ อาวุธทานิจะ ภัคคะภัคตา วิจุนินานิ โลมังมาเม นะผุสสันติ
Kata Por Phu Ruesi Narai
- Om Namo Por Phu Ruesi Narai Na Ma (chant three times)
then chant;
Sahassa Naedt-Dto, Por Phu Ruesi Narai, Tippa Jagkhung Wisotaaya
Om Imasming Saggaara Wantanang Por Phu Ruesi Narai
Buchidt Dtawaa Mahaa Laapo Sukhang Palang Pawandtume
Luang Por Lae was famous for his Sak Yant tattoos with his special formula of Nine types of Hanuman/Vanora. However, it is said that after the occasion of having tattooed a 'very important person' he desisted from tattooing the 9th Hanuman and Hanuman number 10, and only would tattoo up to 8 of them on any one person. His amulets are a cult niche collectors material, and are always difficult to find,for it is indeed true, that his Devotees in Petchburi and surrounding province, are so possessive and non commercial with them that only few amulets from this master ever get to leave the locality, and have mostly been kept within the fold of his parishioners.
He is of course an especially revered master to those who are devotees of sak yant tattooing, and of those who have become enchanted with the many forsm of amulet he made during his lifetime, such as a large array of Hanuman amulets, Ganesha, Taw Waes Suwan, and Por Gae Lersi amulets which were made frm hand carved ivory. He has one of the more attractive pantheons of amuet designs within his magical trajectory, and many of his amulets are considered to be pieces of fine miniature Buddhist art in theor own right.
He is also a highly regarded historically famous master, due to the fact that he learned underr tutelage in Sorcery and Dhamma, from the incredible number of 14 other great Guru Master Ajarns, including Luang Por Derm, Luang Por Jong, Luang Por Tong Suk of wat Tanode Luang, Luang Phu Bun of Wat Klang Bang Kaew, Luang Por Chaem of Wat Ta Gong, and Luang Por Te of Wat Sam Ngam, amongst many other famous names.
