An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Presenting an extremely rare and beautiful Sacred Necklace, with 1st Edition Rian Kroo Ba Kam Saen 2516 BE Guru Monk Coin, Takrut Sangwal 108 Takrut Scrolls, with Takrut Sariga Paed Dork (8 scrolls bound in one spell), and 2 Takrut Sariga Koo Wicha Boran Lanna.
The Sangwal necklace forms a total of 118 Takrut Yantra Scroll Spells on Red Spellbound Cord to be worn as a rosay-necklace, from Olden Days Chiang Mai Guru Master Monk; Kroo Ba Kam Saen, of Wat Pha Don Moon. The Wicha of attaching multiple takrut with a monk coin is a classic Lanna tradition, which probably cam from the Mahayana Influence which can be detected in some aspects of Lanna Northern Thai Buddhism, despite it being in principle a Theravada Tradition. This type of Takrut necklaces are seen to be made by various great Lanna Masters, such as Kroo Ba Wang, Kroo Ba Chum, Kroo Ba Phad and Kroo Ba Kam Saen.
This Sangwal is a very special and rare exhibit to come across with four different Wicha bound into one necklace; the 108 Yantra scrolls of the rosary, the 8 Takrut Sariga Paed Gum, the 2 Takrut Sariga Koo, and the Rian Kroo Ba Kam Saen Monk Coin. Such a compendium of course contains all imaginable blessings and forms of magical spells, to cover every angle in life and bring auspicious advancements in all areas and walks of life, ranging from protection to prosperity, health and happiness.
The Sangwal itself has 108 individual incantations within them containing Buddhist Prayers. The two Takrut Sariga Koo attached below provide Powerful Kaa Khaay and Maha Lap Maha Sanaeh. The Takrut Paed Dork which forms the junction section of the Sangwal necklace uses a very ancient Wicha of the Lanna Sorcery Grimoires,which incorporates four pairs of Takrut spells into one all encompassing Wicha as a compendium. The Wicha takrut Sariga Paed Dork will both Protect and Enhance Immense Mercy Charm, Improve Salesmanship Abilities and Seductive Influence, Induce Compassion and Attraction in the hearts of Others, and convince the Devas to assist you and protect you. The Rian Kroo ba Kam Saen monk coiun provides powerful Kong Grapan Chadtri and Klaew Klaad with Metta Maha Niyom and Serm Duang.
The Takrut is said to be incredibly useful in assisting to increase sales and improve business, and can be hung above the entrance to your shop, or placed in your cashtill, or be worn by you the sales person. It will both protect and nurture your success and popularity, attracting wealth and helpful aquaintances.
The Takrut can be prayed to simply by using the Kata Ārātanā Pra Krueang, and can add any of the general Kata for Metta, maha Sanaeh, Maha Lap, or Protection you may wish to Invoke. The Takrut is eight directional, and covers all major blessings needed for a happy healthy wealthy life.
Kata Ārātanā Pra Krueang
Puttang Ārātanānang, Tammang Ārātanānang, Sangkang Ārātanānang
Make your wish or prayers and continue with;
Puttang Bprasittimē, Tammang Bprasittimē, Sangkang Bprasittimē
Kroo Ba Kam Saen of Wat Don Moon, was a top Gaeji Ajarn Guru Monk of the Lanna Tradition, famed for his Wicha Wua Tanu Sacred Arrow Bull. He was a direct student of the Great Arahant Monk Luang Phu Mun Puratto, and cose friend and colleague of Luang Phu Hwaen Succino, of Wat Doi Mae Bpang.
Luang Phu was born in 2436, and passed away in 2522 BE, and is considered an Arya Sangha Guru Monk of highest reverence in the Lanna Tradition. His powerful Wua Tanu, Takrut, See Hoo Ha Ta, and Monk Coin amulets.
His amulets are eminent members of the Dtamra Krueang Rang Lanna (Legendary Pantheon of Historically famous Lanna Occult Charms), joining the ranks of his Peers, the Great Kroo Ba Wang, Kroo Ba Chum, Kroo Ba Nanta, Kroo Ba Srivichai, and the other Great Lanna Masters
Kata for Metta Maha Sanaeh
There are many different ancient Kata in existence for the invocation of Metta / Maha Sanaeh in the Practice of Thai Buddha Magic. Incantation is one of the base elements of Magical Empowerment, and serves many purposes from calling upon Devas and Spirits to assist, up to invoking the strengths or qualities of a particular animal or element to assist in achieving ones desired results.
Of the Metta Mahaniyom and Maha Sanaeh category of Magical incantation, the qualities available for application are those of Inducing Compassion, Popularity, Attractiveness, Charm, Attract generosity from others, Increase Popularity, Enchantment (Love Charms), Promotion (Popularity), and Good Business sales.
Kata Maha Sanaeh
Janto Apagandtaro Bpidti Bpiyo Taewa Manussaanang Idthiyo Bpuriso Ma A U U Ma A Iswaasu Igawidti
Chant 3 times before going out to meet other people, and it will make those we are about to meet feel Metta and be attracted to us. You can also make the incantation and blow it into the palm of your hand for safe traveling.
Kata Rak Tae (True Love Enchantment Spell)
Om Namoputtaaya Puttang Saradti Tammang Saradti Sangkang Saradti Jidtang Samaaraema Ma Aehi Aehi Chayya Aehi Sappae Chanaa Pahuu Chanaa Aehi
You can make this Incantation and cast it by blowing into a bonbon or lozenge, and then suck on the lozenge when speaking with the person we wish to Enchant. They will become Enamored in You the more you speak.
Kata Mad Jai (Fetters of the Heart Spell)
Na Phuug Mo Mat Put Rat Taa Reung Ya Greung Kare Om Swaaha Puttang Radtanang Tammang Radtanang Sangkang Radtanang
Chant before going to sleep to make Your partner think about and Miss You (fall in Love)
Kata Jai Awn (Heart Softener Kata for Mercy)
Bpanjamang Sirasang Khaadtang Na Ot Jai Na Gaaro Hodti Sampawo Dtiiwaana Na Gaarang Bpanja Sampawang.
Use this when needing to Plead with your Debtors, or other similar situations where you need Mercy.
Kata Jao Nai Metta (mercy from your Boss)
Bpanjamang Sirasankhaadtang Naahaaya Na Gaaro Hodti Sampawo Iswaasu
You can chant this into face powder or perfume and use it before meeting with your Employer or Superiors, to make then feel favorably towards You.
Kata Metta Mahaniyom
Na Maedtaa Mo Garunaa Put Bpranii Taa Yin dee Ya Aen Duu Sappa Sittimang Biyang Ma Ma
Chant into your perfume, face powders and apply to your skin. Chant and blow into Takrut, Yantra cloths or other amulets.
Kata Samak Ngaan (Applying for getting a Job Spell)
Puttassaahang Niyaataemi Sariran Chiwidtan Jidtang Namo Midtaa Manussaa Ja Na Maedtaa Mo Garunaa
