An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Sanglajjai Mini Bucha statuette in Nuea Samrit Chanuan Muan Sarn with Kring Bead insert sealed into the base, from the Wat Prasat Bunyawas 2506 BE Uposadha Rebuilding Edition. This amulet was one of a plethora of amulets made with block presses donated from a multitude of temples and great Gaeji Ajarn Master Monks, to assist in the rebuilding of the Burned Uposadha Shrine Room at Wat Prasat.
The amulets were given a very Large Buddha Abhiseka Blessing Ceremony, and were made in many different types and models, many amulets being made in Sacred Powders and Metallic amulets. The Edition received 3 days and 3 nights of Chanting, from the 6th to 9th of March 2506. The second Ceremony was performed for 4 days and 4 nights, from the 13th to 15th of November 2506.
These were handed out to the congregation who came to paste to gold leaf on the Buddha image which was being installed and blessed with the Buddha Abhiseka (opening of the eyes of the Buddha ceremony). The very same ceremony also installed and consecrated a Buddha footprint image which was also installed in the temple on the same day and covered with gold leaf by the congregation.
This is one of the rarer models of the Great 2506 BE Wat Prasat Bunyawas Amulet Blessing Ceremony, known as the third largest and most historically important ceremonies in the history of Thai Buddhist Amulet making. A highly revered, and rare Sacred amulet, which was graced with the presence, and empowerment of 234 Master Monks, over two consecutive Buddha Abhiseka ceremonies.
This edition is given great notability with devotees of the 2506 BE Wat Prasat series for the high quantity of Muan Sarn Powders andf Chanuan Sacred Metals used in the series. The amulets of this edition became rare already in the first couple of years after their release, and became very rare already, and were hard to encounter as early as 2510 BE.
A Highly favored amulet, for its famously Powerful Maha Lap, Metta Maha Niyom, Maha Pokasap and Maha Sanaeh Power of the Sangkajjayana Buddha. Pra Sangkajjai represents one of the Pra Sidtisawok Aedtakka (One of the Buddha’s the most admired and praised practitioners). The Buddha praised him for his ability to put long complex teachings into short understandable formulas.
Free registered air parcel shipping worldwide is included. Pra Sangkasjjai, has a golden tinted skin complexion, and was originally so similar in appearance and stature to the Lord Buddha, that sometimes people would mistake him for the Buddha if seen from a distance. For this reason, he used his mind powers to force his body to grow fatter, and not so handsome as before, in order to not confuse others if he was the Buddha or not.
The ancient masters would often use the visual symbolism of Pra Sangkajjai’s features to create statues in this image, which has served as an important preserver of the Faith over the Centuries. Pra Sangkajjai is hence a very old form of Buddha image dating back to the early times of Buddhism. Pra Maha Sangkajjai was originally called ‘Ganjana’, which means ‘Gold’ in Pali
He was the son of a Brahman called Bpurohidtgajjayana Kodtra in the City of Usenni. He studied and completed the Traiwaet (Tri Veda). After his father passed away, he inherited the title of Bpurohidt (advisor to the King). This happened in the time of the King Jantabajjodti. Pra Sangkajjai had 7 close companions who came with himn to attend the Buddhas teachings at Wat Weluwanaram, and after listening to the Dhamma, becamse Arahants instantly and asked to ordain. In the Turasutra it is mentioned that Pra Sangkajjai lived to the age of 120 years old. Pra Sangkajjai Amulets.
The making of amulets in the image of Pra Sangkajjai have been made since ancient times by many different Temples and Samnak. The Sangkajjai amulet has always been a very preferred amulet and believed ot have great power, for the insertion of the ‘Puttakun’ qualities of the Sangkajjai Buddha of Metta Mahaniyom and Maha Sanaeh. The Wicha invokes these powers to become a Sacred Na spell within the image of the amulet.
This is a Classic Buddhist Family Heirloom type amulet, that can only increase in Sacred Value (and of course monetary value), as Time passes. The perfect collection for devotees of the Pantheon of amulets of Wat Prasat, and a perfect Set of Heirloom amulets
What are Family Heirloom Amulets?
Family Heirloom, or simply 'Heirloom' amulets, is a phrase coined by Ajarn Spencer Littlewood to translate the inherent meaning within the Thai words 'Pra Koo Baan Koo Mueang' (พระคู่บ้านคู่เมือง - Buddhist Images that are if National Buddhist Importance), and 'Pra Khong Moradok' (พระของมรดก - Historically Valuable Inheritance). By this, Ajarn Spencer means, that amulets of this kind are highly valued as items to collect and keep to pass down through all generations of one's family lineage (descendants), for them to remember the Buddha, and their own Ancestors, and carry the Merits of their Ancestors with them, as well as giving Merits back to their dead Ancestors who they inherited the amulets from.
Kata Bucha Pra Sangkajjai
Kata Hua Jai Bucha Pra Sangkajjai
Arahandti Gajjaayana Thaero Mahaa Poko Pawandtumae.
This Kata calls luck and fortune and brings wealth, and other great treasures.
Full Version Kata Bucha Pra Sangkajjai
Gajjaiyana Ja Mahaa Thaero Putto Puttaanang Puttadtang Puttanja Putta Sapaa Sidtang Puttadtang Samanubpadt-dto Puttachodtang Namaa Mihang Bpiyo Taewa Manussaanang Bpiyo Prahma Namudtamo Bpiyo Naaka Subannaanang Bpiyinsiyang Namaa Mihang Sappae Chanaa Pahuu Chanaa Bpuriso Chanaa Idthii Chanaa Raachaa Paakinii Jidt-dtang Aakajchaahi Bpiyang Ma Ma
Chanting this Kata is Good for increasing popularity, business sales and promoted status. In addition, Sangkajjai amulets have the special abstract magical quality of increasing your common sense, mindfulness and wisdom is also present within this amulet. This particular aspect of the Sangkajjai magic is what is called a ‘Prisnatam’ (mysterious phenomenon).
The 2505-2506 BE (1961) Wat Prasat Bunyawas Edition Amulets, is a universally accepted and officially recognized edition of classic Buddhist Amulets, of extremely high esteem. One reason it is so highly respected as the sacred edition of Amulets, is the fact that the creation of the sacred Muan Sarn Powders for this edition were given extreme attention to detail, and were gathered together over a long period of time, and donated from many great masters.The blessing ceremony for these Amulets is also a historically famous blessing ceremony, for its immensity, and the presence of great powerful guru monks.
The temple of Wat Prasat Bunyawas was built in 2376 BE, and was first given an official boundary and a name in 2379 BE, being first named 'Wat Klong Sam Sen', because it was located over the Sam Sen tributary canal. Its name was later changed to 'Wat Khwid', because of the 2 Sacred Giant Khwid Trees, which stood beside the Uposadha Shrine Room.Later, in the year 2498 Buddhist Era, the temple was burned in a terrible fire.
Many of the temple buildings were destroyed, including the Uposada shrine room. Pra Kroo Samuh Ampol Palawatano, the Abbot at the time, decided to build a new shrine room instead of repairing the ruins of the old one.
This was because of a seemingly miraculous event; Luang Phu Tim, the Great Guru Master Monk and Abbot of Luang Phu Tuad's Legendary Wat Chang Hai temple, had had a vision of the great Bodhisattva Luang Phu Tuad, Who appeared to him in a dream, and told him to go to Bangkok and help to repair a temple which had been burned to the ground. Luang Phu then traveled up from the south to Bangkok, and started asking around at Way Iam Woranuch, to find out if that had been a fire in any temples lately. When he heard about the great fire burning the temple down, he went to speak with the Abbot Pra Kroo Samuh Ampol. After having spoken, Luang Phu Tim presented the Abbot with some original 2505 BE Luang Phu Tuad amulets (now one of the two most famous classic top editions of millionaire Amulets of Luang Phu Tuad).
He said they should be used to press a block mold for the making of a new series of Amulets to fund the rebuilding of the shrine room and the rest of the temple. He also donated an amount of the Famously Powerful and Rare 'Din Kakyayaks' Magickal Peat Earth to use as Muan Sarn for the amulets, and some other Muan Sarn remaining from the 2497 BE first ever edition of Luang Phu Tuad amulets. These ingredients were the added to a large array of other Historically Famous Sacred Muan Sarn, including broken sacred amulets from many great Masters, and many very famous miraculous editions of classic Amulets.
Some of the more well known amulets used to break up and mix in with the sacred powders included; Pra Somdej Wat Bang Khun Prohm 2500 BE, and Pra Somdej Wat Bang Khun Prohm 2509 BE (The two most famous classic and expensive editions of Wat Bang Khun Prohm amulets). As far as the famous Luang Phu Tuad models of this edition, they were made to place 84,000 of them within the Chedi Stupa, at Wat Bunyawas (this is known as 'Kru' hiding place chamber, used to place amulets for safekeeping and folate to distribution to extend the period of the preservation of the existence of the Buddhist religion).
A Large number of extra Amulets were also made in addition to the 84,000 placed within the Chedi, to hand out to Devotees at the temple, during the blessing ceremony. The Luang Phu Tuad series was completed first and released in the year 2505 Buddhist era. As to the many other different models (such as this Pra Sangkajjai statuete) which were made, they received a second blessing and were released in the year 2506 Buddhist era.
Below; 1. Luang Phu To Wat Pradoo Chimplee. 2 - Luang Por Noi Wat Dhamma Sala, along with other Great masters at the Wat Prasat Bunyawas Blessing Ceremony 1 - Luang Phu To Wat Pradoo Chimplee 2 - Luang Por Noi Wat Dhamma Sala
Four full days and nights of chanting were performed over these amulets by the 234 monks. The ceremony was so massive that it was considered to be the largest and most important sacred blessing ceremony of Amulets, since the great 25 centuries of Buddhism ritual, in the year 2500 Buddhist era.
