An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Roop Muean Pong Prai Kumarn Ta Bronze Wanich Nuea Pong Prai Kumarn Hlang Yant Ha (Yant Ongk Pra on rear face) - first edition amulet of extreme rarity, of Luang Phu Tim. Only 96 of these amulets were made in the first edition 2518 BE release. This exhibit is an especially attractive example, with Bronze Wanich coating, and highly refined features. This amulet is in excellent pristine condition, and highly eligible for entry in competition. The front face features the image of Luang Phu in meditative contemplation. The fluffy Pong Prai Kumarn powders are revealed through the surface of the golden Bronze Wanich.
The rear face features the Sacrted Yant Ha of Luang Phu Tim, and is also covered with Luang Phu Tim's inimitable Bronze Wanich. This is the all-time classic Original Wat Laharn Rai first edition 2518 BE Release of the Pim Jantr Loi, which saw only 96 amulets made in various block presses. This particular exhibit has pristine features and is 'Ongk Kroo Doo Ngaay' (easily identifiable for its classic appearance, with no visual discrepancies, and the evident presence of authentic Pong Prai Kumarn Luang Phu Tim). The Pong Jantr Loi also had a second edition made after Luang Phu's passing, which were pressed using the 96 originals as blueprints, and released in the 100 days of mourning ceremony.
This first edition is much more sought after and valued due to Luang Phu having blessed them personally and their extreme limited edition. The Muan Sarn Sacred Powders of the Roop Muean Jantr Loi Pong Prai Kumarn Luang Phu Tim, are one and the same as the powders found in the extremely expensive Pra Khun Phaen Pong Prai Kumarn amulets of this Master. For this reason, are considered a perfect alternative (and more affordable,) to the Pra Khun Phaen Pong Prai Kumarn Luang Phu Tim.
The famous Pong Prai Kumarn powders of Luang Phu Tim are considered by most people to be the most powerful Muan Sarn powders of All Time for Maha Lap Maha Pokasap and Maha Sanaeh Metta Maha Niyom power. The Original amulets of Luang Phu Tim which were released at Wat Laharn Rai, are known to differentiate themselves from other editions released by Luang Phu Tim at other temples. This is for his use of Bronze Wanich golden paint, to cover only amulets in the editions he released through his own temple.
Other temple releases of his amulets are of course equally authentic and Sacred, but less preferred than the ones which came through direct release at the temple of Wat Laharn Rai. Half the reason being, that Luang Phu would use a much more highly concentrated mixture of Pong Prai Kumarn in the editions he released at his own temple at Wat Laharn Rai.
Whereas the related temples where he allowed release and assisted in the blessings, would also mix other Muan Sarn Sacred Powders into the mixture, which despite also being extremely sacred and powerful, would then allow for less quantity of Luang Phu's highly prized and revered powerful Pong Prai Kumarn powders to be added.
It is hence considered that the Wat Laharn Rai release versions are believed to be much more powerful Maha Lap and Maha Sanaeh type Magic, which are two of the preferred powers with those who like to use Seduction for Love and Business, and Gambling, Lottery and Wealth Attraction. In addition, Luang Phu Tim's amulets are world famous for Kong Grapan Chadtri Klaew Klaad Protection.
The second reason for the Wat Laharn Rai releases being the most highly revered and preferred above other editions which Luang Phu blessed and released at other temples, is more of a speculative one. By this, we mean that the Wat Laharn Rai release editions tend to win over other editions in competition. They are also considered to have more aesthetic beauty to them for their high presence of Pong Prai Kumarn and the special high quality 'Bronze Wanich' golden coating.
It is a part of the amulet appreciation society expert's method of authentication to examine and study the appearance of how bronze Wanich golden paint develops in surface texture, tonality and porosity of the surface, as well as the appearance of Luang Phu Tim's famous Pong Prai Kumarn which rises up and through the surface of the fine golden painted surface.
We ourselves feel that all of Luang Phu Tim's amulets are equally Sacred and Powerful in their own way, regardless of which edition or which temple he blessed them at, but we do, as do all Amulet Appreciation Fanatics, recognise the categories of preference within the heirarchies of different editions, which is for us one of the more subtle and fascinating parts of the study of high end amulets within the collector scene, and part of the fine art of learning how to recognise and value Sacred Amulets of High Preference and Rarity.
The amulets of Luang Phu Tim amulet, are amongst the most popular amulets in the whole Pantheon of Thai Buddhist Amulets of the last century, and of all time, and is now almost impossible to encounter commonly anywhere except the high end emporiums, and around the necks of the rich and famous. The Pim Jantr Loi is a very rare amulet of Luang Phu Tim, which was only made in extreme limited number of 96 amulets of this 2518 BE fist edition block press, and is a seriously sought after acquisition for the serious collector of Luang Phu Tim's Pantheon of Amulets.
The powerful Pong Prai Kumarn powders are undoubted for their immense Maha Sanaeh Maha Lap power, which has made the amulets of Luang Phu Tim so highly regarded not just for their Master-Class Status, but for their Magical Power to Invoke Prosperity and Invincibility, Luck and Mercy Charm.
The Sacredness is equal to the somewhat more expensive Pra Khun Phaen Pong Prai Kumarn, the Muan Sarn Sacred Powders are the same, and in addition, the Bronze Wanich, is also the very same which Luang Phu used to paint the Pra Khun Phaen Amulets of his pantheon, and is one of the recognition factors used to identify his amulets..
This of course makes this amulet a perfect acquisition as both a Master-Class Exhibit and Powerful Amulet of World Fame, but also to use as 'Ongk Kroo' (teacher) amulet to obtain an authentic study material, to train the eyes as to the appearance of the Muan Sarn and Surface textures of Luang Phu Tim's amulets. With time and patience viewing the Muan Sarn Sacred Powders under the eye loupe, you will be able to train yourself in recognising the authentic amulet when coming across one in future. Notice the full fluffy texture of the surface, and the greeny-white marbled Pong Prai Kumarn powder rising up top the surface. This is one of the most difficult effects for forgers to reproduce, and assists you in authenticating his amulets, to know the difference.
Hence, the amulet is also a perfect 'Ongk Kroo' reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
We highly recommend this amulet, as a sound investment and a last chance to obtain and be the proud owner of an authentic 1st Edition Wat Laharn Rai release model of the Eternal Classic Roop Muean Pong Jantr Loi Pong Prai Kumarn of Luang Phu Tim.
Luang Phu used the Bronze Wanich used in this amulet, to paint the famous Nang Paya Plai Diaw, Nang Paya Plai Koo, Look Om Pong Prai Kumarn, and the Classic Pra Khun Phaen Pong Prai Kumarn Amulets for which he became so famous. A perfect study piece, and an incredibly Sacred Amulet for Bucha to receive guaranteed Magical Power.
A highly attractive and rare Sacred Amulet, that is truly Powerful and stands as the Master Class Amulet of its Category, and is considered a Most Highly Prized addition to any Master Class Collector's Showcase, and more importantly, is a most powerful amulet to possess for Bucha, and receive its Blessings. History has proved the amulets of Luang Phu Tim time and time again to be one of the most powerful and famous amulets in Thai Amulet History.
The making of the Muan Sarn Pong Prai Kumarn Luang Phu Tim, came from the Wicha which Luang Phu had inherited through apprenticeship form one of his high Kroo Ba Ajarn, Kroo Ba Sangkh Tao, who was also his true Uncle. Part of the formula included Pong Prai Maha Phuudt, which was made from the Skull of a male Kumarn who died in the Womb, and who died on a Saturday and was cremated on a Tuesday. This is part of the ancient Khmer Necromantic Formula for Authentic Powerful Prai Occult Magic, as practiced in Ancient Times.
Due to the fact that Monks are not allowed to seek and find this Sacred and Extremely Powerful Necromantic Substance, Luang Phu would perform Korb Kroo Initiation for protection against Black Magic and the Phuudtaa Spirit Phantoms, so they could go forth to seek and find the substances to donate to him for the making of the Pong Prai Kumarn.
The Initiated Lay Devotees and Apprentices to his sorcery, would then wait for the news of the right circumstances of death of Kumarn Ghosts, and go out to collect the substances and prepare them as instructed with the Wicha. They would seek the permission of the relatives of the dead, to obtain the substances to enable the ghosts of the deceased to receive merits to free them from their Karmic residues by donation of their mortal remains to be made into amulets.
They would receive the ceremonial ritual liberation of their souls from Luang Phu Tim, who would speak with the spirits of the dead to receive their acknowledgement for the process of transformation through the Nibbana Sutra, and the Muan Sarn would then be prepared according to the Dtamra Saiyasart of Necromancy, to make the Pong Prai Kumarn.
Luang Phu instructed his apprentices and the relatives of the Funerals to take care not to incinerate the whole skeleton, but to keep the skulls to bring to Luang Phu to use them for the making of the Pong Prai Kumarn. This is one of the reasons why his Pong Prai Kumarn is so powerful, because it does not contain the skeleton bone powders, rather, only those of the skulls.
As a result, Luang Phu Tim's Pong Prai Kumarn has been recorded by experience of devotees to posses the highest Maha Pokasap Power of all Pong Prai Kumarn ever made, with Immense Metta Maha Niyom and Klaew Klaad Power, to induce Mercy Charm, Attract Lucky Fortunes (e.g. Lottery Winnings), and to Protect from Deadly Accidents and Disasters.The power of the Pra Roop Muean Jantr Loi amulet is said to be just the same as the Pra Khun Phaen, with the only difference being the design.
The Roop Muean Jantr Loi is hence a preferred choice of both the wise investor and devotee, as well as the perfect choice for those Devotees who seek the immense power of Luang Phu Tim;s amulets, but cannot find or afford a Pra Khun Phaen Pong Prai Kumarn. One can consider this exhibit to be an extremely rare opportunity to acquire one of Luang Phu's rarest amulets, of which only 96 were ever made in first edition, and a powerful Master-Class amulet of the highest esteem from one of the Greatest Thai Buddhist master Monks in History
Luang Phu Tim Isarago, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders. Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Khun Phaen Pong Prai Kumarn, Pra Kring, Rian (coins) and Look Om powder balls. As to the classic 'Rian coin image amulets, many have become all time favourites, and eternally, world famous classic amulets of the high end variety.
Since his passing, his devotees and apprenticed monks, have now become the world's top living masters for the making of Pra Khun Phaen Pong Pra Kumarn, and literally dozens of encyclopaedic books, have been printed, documenting both this great master monk, and his classic amulets of high esteem.
Buddhist monk coins with his image and others with Buddha images and other deities and imagery are amongst the most highly collected amulets and most expensive of all of the great Luang Phu Tim. He has various direct lineage apprentices, Who are continuing to progress and spread his most powerful and world-famous Wicha.
Of all of these masters, perhaps the most famous, preferred, was Luang Por Sakorn, of Wat Nong Grub, who is also now deceased, and whose amulets are fast becoming just as highly sought after. In second place one could possibly estimate the great Luang Phu Sin, of Wat Laharn Yai, and in third place, possibly, Pra Ajarn Somkid, of Wat Beung Tata (Rayong).
