An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
Â
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
Â
Â
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
Â
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Â
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
Â
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
Â
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
Â
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
Â
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Â
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Chueak Takrut Kart Aew - 3 Magically hand inscribed Yantra foil Scrolls, on Spellbound Cord Belt, the larger central takrut having the Code 3 Stamp of the Artisan Chang Patttana Anugul, with a further 2 Takrut Sariga for Metta, from the Great LP Tim, of Wat Laharn Rai. This rare talismanic Amulet from the Great Master LP Tim comes with Certificate of Authenticity in A4 size which we send to you encased in sealed plastic for durability, which you can frame and put on your wall for admiration of your collection.
Extreme Few Individually Combined Talismanic Amulets such as these were made, by Hand, which Limited the Number of Amulets Possible to Make within the Timeframe. They are clearly unique and rare items, primarily due to the diligently hand-crafted process involved in their creation. Given the limited timeframe available for their production, the number of amulets that could be made was inherently restricted.
The powerful combination of various Talismanic occult and Buddhist blessings and magic spells (in this case the Takrut Tone with the twin takrut Sariga Koo), each with their own symbolic meaning and power, makes handmade and blessed Takrut like these particularly special.
The time-intensive nature of this work, involving the careful integration of the Wicha Takrut Tone and Wicha Sariga, maha Amnaj Maha ud with Metta Maha Niyom and Maha Sanaeh, using psychic powers to fuse them, and inscribe the spells upon the Yantra foils by hand, caused the quantity of amulets madfe to be very low. This scarcity, coupled with the unique craftsmanship, contributes to the significant value and allure of these amulets in the eyes of collectors and enthusiasts.
The Takrut Sariga Koo, a creation of the highly revered Luang Phu Tim of Wat Laharn Rai, is an amulet that holds a legendary status within the Thai Buddhist amulet pantheon. This amulet has garnered significant fame due to the belief that those who have faith in Luang Phu and wear the Takrut Sariga are destined to experience success, advancements in wealth, improved professional status, and increased happiness in their lives.
The Takrut Sariga Koo is a miniature size Takrut (a type of amulet that resembles a scroll) made from Nuea Tong Daeng, a sacred copper. The amulet features two celestial magpies, known for their attraction to shiny and valuable objects, which is believed to bring wealth and treasures to the wearer.
The creation of these Takrut is a meticulous process, with Luang Phu Tim carefully choosing the most appropriate astrological alignments for their empowerment, which always had to be on a Monday. He would prepare copper Yantra foils and inscribe them with the Sariga Bird Yantra, a symbol associated with immense Metta Mahaniyom and Maha Sanaeh qualities. These qualities are known to enchant and charm the listeners of the wearer, bringing a hypnotic and charming effect that can influence and convince others, making them see things your way. This makes the Takrut Sariga Koo a popular choice among shopkeepers and traveling salespersons.
The historical documentation of the Takrut Sariga of Luang Phu Tim records a significant event where he was invited to empower Takrut Sariga along with three other great monks of the Province. It was Luang Phu Tim's Takrut that floated up in the air miraculously, marking the beginning of his rise to national fame and the recognition of his inimitable powers. This event paved the way for Luang Phu Tim to become one of the greatest Masters in the history of Thai Amulets. The legend surrounding the Takrut Sariga of Luang Phu Tim is based on numerous devotees' testimonies, who report significant improvements in their lives after becoming owners of Luang Phu Tim's amulets. The historical records detail an event where the archbishop of Rayong invited four of the province's most esteemed monks to create Takrut Sariga using their unique methods. These Takrut were then placed in a monk's alms-bowl filled with prayer water, and each monk took turns meditating and empowering the Takrut with their psychic abilities, continuing until the Takrut miraculously rose to the surface of the holy water.
Entering a deep meditative state, Luang Phu Tim would recite the Ongarn Kroo Master Spell, encompassing its entirety of incantations. He continued this practice until he perceived the sounds of Sariga Birds in the astral plane, a dimension associated with the Himapant Forest. This realm is believed to be the habitat of the Sariga Bird and other animal deities, including Rachasri and Hongsa.
Luang Phu Tim initiated the inscription of the Yant Sariga once he discerned the Sariga Birds' sounds in the astral plane. Due to the Wicha's requirements, he could only produce a limited quantity of Takrut daily, typically not exceeding 100 pieces per session. This constraint stemmed from the stipulation that the Takrut must be completed before midday, as the power would otherwise dissipate. Consequently, Luang Phu Tim always ceased his work on the Takrut as midday approached.
