An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A Classic Preferred Model, the Takrut Tone Sorng Kasat Thak Chueak Lai Hyak Khang (Zig Zag on the side) model amulet, from the Great Luang Por Tob of Wat Chon Daen (Wat Chang Phueak). An extremely rare classic 'Krueang Rang Niyom' preferred Category Takrut Tone Yantra Scroll amulet, visibly from the hand of Luang Por Tob using his 2K (copper, and leaden foils) concentrically wrapped into one scroll, wrapped with Chueak Akom magical spellbound cord wrap. Made during the middle Era of Luang Por Tob's trajectory, between around 2485-2490 BE. the Takrut Tone of Luang Por Tob is highly renowned for its powerful Kong Grapan Chadtri, Klaew Klaad, and Maha Ud power. His most preferred Takrut are those which are made in 2K and 3K (2 or 3 different types of metal Yant Foils concentrically wrapped), for their ease of recognition, and the good amount of documentation on this particular model, which reinfoces its authenticity with greater ease than lesser known models.
This exhibit is 5 Inches long, and is 'Krob Suudt', meaning the Takrut contains all the features of the preferred 'Niyom' class amulets of Luang Por Tob, for the visible classic double concentric scroll in '2K' (Sorng Kasat), a method used to bind the spell using 2 different types of metallic Yantra foils; lead, and copper, to combine and channel twin magical forces using the conductivity of 'Sorng Kasat' '2 Kings' double metallic concentric Yantra Foils. The Takrut has been obviously been reinforced with cord wrap a second time during later years by a devotee, using the precise same zig-zag method used by the #1 artisan of Luang Por Tob Inches, The Leaden and Copper Yantra foils visible at the open ends, show their obvious age, revealing an early-mid era Takrut of Luang Por Tob witin the Cord Wrap covering. The Takrut is 5 inches long and advisable for wearing on a waist cord, weighing in at 80 Grame cord wrap, which is pristinely woven. s (up to 100 Grams with Casing).,
Luang Por Tob Tamma Banyō, or, ‘Pra Kroo Pichit Pacharājarn, of Wat Chon Daen, also known as Wat Chang Phueak, or, ‘the Temple of the White Elephant’, in Pechaburn, was a Nationally and Internationally famous Gaeji Ajarn Buddhist Master, renowned for his merits in building important and highly required edifices for various Buddhist Temples and for the Sangha in general around the whole province of Petchaburn.
Luang Por Tob was born on third of March 2424 BE, and was the son of Mr Phueak Muang Dee, and Mrs Intr Muang Dee. His family were relatively comfortable and did not go without or suffer to any extent.
His parents gave him the name ’Tob’. When the young Tob reached the age of 16, he was taken to the temple of Wat Chang Phueak to place under the tutelage and care of Pra Ajarn Sī by his parents, to ordain as a Samanera Novice Monk. After his Ordination, Luang Por Tob studied the Dhamma Vinaya and Wityākom Occult Sciences to a highly advanced level.
In the year 2445 BE, he reached the age of 21, and was ordained as a fully fledged adult Bhikkhu in the Buddha Sasanā, at Wat Silāmōng. Pra Kroo Mueang was his Upachāya, and Pra Ajarn Parn as his Pra Gammawājājārn, and Pra Ajarn Si as his Pra Anusāwanājārn.
He was given the Ordained name of ’Tammabanyõ’, which means ‘He who has Great Knowledge in Dhamma’. After his ordination as a Bhikkhu, he traveled to practice Vipassanā Kammathān and Buddha Magic (Wityākom/Wicha) with Pra Ajarn Parn, and once more excelled to the point of reaching adept mastery of the various Wicha taught to him by Pra Ajarn Parn. After completing his studies of Wicha with Pra Ajarn Parn.
Below, the forging of three different types of metallic magical Yantra foils in '3k' ('Sam Kasat', meaning 'Three Kings), into one spellbound Wicha. The Takrut of Luang Por Tob which use this methodology are the most highly preferred, for their ease of recognition, and reputed magical power.
Luang Por Tob then went on Tudong forest wandering, to practice solitude and develop his Kammathāna practice. During the time he spent on Tudong, he met many great Masters, and learned their Magical Wicha.
During the times of Tudong, Luang Por Tob met and became very close friends with the great Luang Por Khien Tamma Ragkhidto, who was one of the Great Famous Masters of the Petchaburn Province in that Era. Luang Por Tob and Luang Por Khien became very close friends and companions.
Luang Por Tob, made merits building temples, Sala Bprian Dhamma Halls, Uposatha Shrine Rooms for temples in need, and restored many shrines, buildings and delapidated temple facilities scattered around the province. He made countless merits both with worldly acts, and with the spiritual teachings of the Buddha-Dhamma, and the memory of his great deeds remains in the minds of the devotees to this day, and has passed into the living memory of the current generation of Devotees.
When Luang Por Tob went on Tudong to the municipality of Chon Daen, and stayed in the forest close to the locality, the local Buddhist Folk of Chon Daen came to pay reverence, and asked Luang Por Tob to build the temple of Wat pra Puttabat Khao Noi, which was at the time was only a small Samnak Songk Sangha station in the forest.
Luang Por Tob accepted and built Kuti Hut dormitories for the Monks, an Uposatha Shrine Room, a Sala Bprian, and improved the facilities of the temple, transforming it into a large and popular temple for the local community, which was then raised in official status from the status of ’Samnak Songk’ and registered as a ‘Wat’ (fully fledged Temple).
In the year 2490, Luang Por Tob was promoted in status to be awarded the status of Upachaya Monk (ordaining officer). In 2497 BE, he recieved the Royal decree of elevated status of ‘Pra Kroo Sanyabadtr. He was given the new name of Pra Kroo Wichit Pacharājārn
Luang Por Tob passed away on the 14th of March 2519 BE, on the fourth phase of the fourth lunar month, at the age of 95 years old, after 75 years of ordained life.
The current abbot of Wat Chang Phueak (Wat Chon Daen), Pra Kroo Wimol Pacharagij, who is a direct transmission lineage Looksit of Luang Por Tob, says that Luang Por Tob had given instructions before his death, that his body should not be cremated, because one day in the future, his body would become of use to the temple in some way.
So after his death, the Looksit of Luang Por Tob took his body, and placed it inside a glass coffin. The provincial offices then built a Roop Muean statue of Luang Por Tob, and a shrine area for its placement, so that Devotees could worship Luang Por Tob’s image and his Relics.
In the present Era, Wat Chang Phueak (Wat Chon Daen) is a place where Buddhists from around South-East Asia and the rest of the World come in Pilgramage and to sight-see. Hundreds and Thousands of devotees visit the temple every day to pay reverence to the relics of Luang Por Tob, and beseech his blessings. Luang Por Tob’s body has not deteriorated, and has calcified to become stone over the years, and remains in the same condition as it was when he was first placed into the glass coffin.
Each year, the temple performs a ritual to change his robes. The used robes which are removed, are cut up into pieces and given to the Devotees to use as articles of Faith, Good Fortune and Protection of the Blessings of Luang Por Tob.
The amulets of Luang Por Tob are amongst the most highly preferred of any master, with his Roop Lor Hnaa Farang, and the Rian Dode Rom Parachute coin, and Rian Paetch Rab coin being the most highly sought after amulets in his image, and his Takrut Tone spells being the most highly preferred of his Talismanic ‘Krueang Rang’ type amulets
Wadthumongkol - the Amulets of Luang Por Tob
As far as amulets are concerned, Luang Por Tob excelled in this Wicha, and created more than 200 different kinds of amulets during his trajectory as a Sorceror Monk, including Muan Sarn Sacred Powders amulets, Roop Lor Loi Ongk Statuettes, Takrut and other amulets. So many of his amulets have become world famous classics and highly renowned for their magical power. His famous Roop Lor Hnaa Farang, Roop Lor Hua Mai Kheed, and Roop Lor Awk Sir are immensely sought after by collectors and devotees of the amulet appreciation societies, and fetch very high prices these days.
His charms and Talismans are legendary for their power of Kong Grapan Chadtri, Klaew Klaad, and Maha Ud Magic. His Takrut Tone Tak Daay Cord-Bound Yantra scroll spells are the most highly sought after amulets in the ’Sian Pra’ amulet collector societies, and carry heavy prices to them, and are in some models, immensely rare to find, especially 2K and 3K versions. Luang Por Tob was the Kroo Ba Ajarn of many of the great Masters we know in recent times, including the great Luang Phu Khui of Wat Sap Takian, who is also now yet another deceased Master, whose amulets, and Wicha Kong Grapan Chadtri were legendary.
Luang Por Tob is one of the most respected masters for possessing the Wicha of Luang Phu Sukh, used for his powerful Takrut amulets, and whose Pra Somdej, Monk Coins, and Metallic Roop Lor Boran amulets are amongst the rarest and most fervently guarded by devotees and collectors.
