An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Takrut Tong Daeng Klaew Klaad Kong Grapan Chadtri from Luang Por Doon Adtulo, of Wat Buraparam (Surin). This powerful Takrut Tone on Sacred Copper Yantra Foil from the Great Luang Phu Doon, of Wat Buraparam measures 4 Inches long, and is bound with cord wrapping. Takrut from Luang Phu Doon are highly renowned for their Klaew Klaad and Kong Grapan Chadtri Protection.
The Takrut is made from a Copper Yantra Foil spell which is rolled up to make a Takrut Tone scroll spell, for Klaew Klaad and Kong Grapan Chadtri Protection and Invincibility, and 'Krob Jakrawal' Universal Blessings, which include Increased Status and Promotion, Maha Amnaj Commanding Power and Influence, Metta Maha Niyom, mercy Charm, and Serm Duang Karmic Improvement. This Takrut is one of the slimmer Takrut and is less heavy to wear on a cord belt, than many of his heavy duty versions.
Luang Phu Doon is famous for his Dhamma Parable teaching;
"จิตที่ส่งออกนอก เป็นสมุทัย ผลอันเกิดจากจิตที่ส่งออกนอก เป็นทุกข์ จิตเห็นจิตอย่างแจ่มแจ้ง เป็นมรรค ผลอันเกิดจากจิตเห็นจิต เป็นนิโรธ"
"The Mind which looks Outwards, is Samutaya (cause of suffering and dissatisfaction), the Fruits of a Mind which looks Outwards, is Dhukkha (Suffering and Dissatisfaction), a Mind which sees the Mind Clearly, is Magga (the Path to the End of Suffering and Dissatisfaction), and the Fruit which is born of a Mind which can See the Mind, is Nirodha (Cessation of Suffering and Dissatisfaction)".
Luang Phu Doon Adtulo was born in Ban Prasat, in Tambon Chaniang, Surin Province on the 4th October 2431 BE, in the second Waning Quartal of the 11th Lunar Month. Luang Phu Doon was born as the second of four children. All of his other siblings died before reaching the age of 70, but it was Luang Por Doon who lived the longest, reaching an old age of 96 years Old.
Luang Phu Doon spent his early adult years working as an actor in the theatre, but after a few years began to repeatedly ask his parents for permission to ordain as a Buddhist Monk, for he was always attracted to the Dhamma, and spent a lot of his times in temples to learn the Dhamma and practice.
His parents would always refuse, saying that he was the older son and the main breadwinner of the family, and that also, if he did ordain, that they expected him to never disrobe, or at least, to reach the status of temple Abbot before disrobing. After years of repeatedly asking his parents for permission, they finally gave in, and so, Luang Phu Doon was ordained in the year 2453 BE, at the age of 22 years old, at Wat Jumpol Sutawas in Surin.
Pra Kroo Wimon Silaprodt (Luang Por Tong) was his Upachaya ordaining officer, Tan Pra Kroo Beuk was his Pra Gama Wājājārn (prompter), and Pra Kroo Rit was his Anusāwanājārn. He was given the Sangha name of 'Udtalō' which means 'Incomparable to Others', and hence became 'Pra Luang Phu Doon Udtalō Bhikkhu'
After ordination, Luang Phu Doon would travel some 10 Km to the temple of Wat Kor Ko, to learn Kammathana Vpassana practices with Luang Por Aeg as his first Instructor. In those days, Kammathana practice was done by adopting the views and methods of the Kroo Ba Ajarn who was teaching, and so Luang Phu Doon had to apply his practice exactly as Luang Por Aeg stipulated.
Luang Por Aeg would teach a method wheredy all that was practiced, was to light 5 candles, and to chant a prayer 'Khor Anchern Pra Pīti Tang Ha Jong Ma Ha Rao' (meaning 'I beseech the 5 Pīti Raptures to come to me'). Otherwise, no other applied methods were given, and so Luang Phu Doon would repeat this practice time after time, but would never get any of the 5 Pīti raptures to awaken within at all.
What is Pīti??
Pīti in Pali (Sanskrit: Prīti) is a mental factor (Pali:cetasika, Sanskrit: chaitasika) associated with the concentrative absorption (Sanskrit: dhyana; Pali:jhana) of Buddhist meditation. Pīti is a very specific joy associated with a state of deep tranquillity. It is often translated with the English words "joy" or "rapture" and is distinguished from the longer-lasting meditative "pleasure" or "happiness" (Pali, Sanskrit: sukha) that arises along with pīti. As the meditator experiences tranquillity (samatha), one of five kinds of joy (piti) will arise. These are:
Weak rapture only causes piloerection.
Short rapture evocates some thunder "from time to time".
Going down rapture explodes inside the body, like waves.
Exalting rapture "makes the body jump to the sky".
Fulfilling rapture - this seems to be a huge flood of a mountain stream.
Note; only the last two (Exalting, and Fulfilling Rapture), are considered specifically piti. The first four are just a preparation for the last one, which is the jhanic factor
Luang Phu Doon practiced and practiced repeatedly, but none of the 5 Raptures associated with the 5 candles came to him, and after a year or so, he became bored with the practice, which seemed more symbolic than practical and applied methods. Luang Phu Doon also began to practice fasting, and became very thin and wizened, but this too did not seem to bring any results in Enlightenment.
Luang Phu Doon remained a total of 6 years at Wat Kor Ko, practicing to no avail in his advancement of Enlightenment, but he remained diligent and true to the methods given to him. He was also selfless in the fact that he was often given tasks of helping to build ox carts, and look after the cattle in the fields, which is not the duty of an ordained monk, but he accepted these tasks just the same, selflessly. This was to be his first years of diligence and renunciation doing as he was asked, and was to form a basis which would bring him many fruits later.
After 6 years at Wat Kor Ko, Luang Phu Doon finally let go of any hope of the methods working, and went to study Paryatti Dhamma Theory at Wat Sutat Temple, in Ubon Rachathani, and became the first student from Ubon Rachathani to attain the Batchelor of Arts Degree in Dhamma Theory. Luang Phu Doon studied Pali Sanskrit Grammar, and became able to Translate Tripitaka Suttas from Pali to Thai.
Due to the fact that Wat Sutat was a Dhammayut Nikaya lineage temple, and Luang Phu Doon was a Maha Nikayta lineage monk, Luang Phu saw fit to ask to change lineages to become a Dhammayut Nikaya. And so in the year 2461 BE, he changed lineages, and remained at Wat Sutat.
Luang Phu Doon Practices Tudong with Ajarn Mun Puritadto
It was hereafter at Wat Sutat, that the Great Arahant Luang Phu Mun Puritadto came to visit, and Luang Phu Doon was able to listen to this great Attained Master Monk teach Dhamma. After one single Dhamma talk, Luang Phu Doon became so fervently faithful of the methods of Luang Phu Mun, that he beseeched his Metta to allow him to follow and practice with Ajarn Mun.
Luang Phu Doon then went on Tudong Forest Wandering with the great Ajarn Mun Puritadto, and remained practicing the Vipassanā Kammathāna methods as taught by the Great Master and Guru of the Thai Forest tradition Tudong Sangha lineage, Pra Ajarn Luang Phu Mun Puritadto.
Above Pic; Luang Phu Ajarn Mun Puritadto
After some years, the Bishops of Nakorn Rachasima asked Luang Phu Doon to return to Surin, to preside over the restoration of the temple of Wat Buraparam in Surin. Luang Phu then had to cease his Tudong Practice with Luang Phu Mun, and dedicated the rest of his life to diligently improving and administering the temple of Wat Buraparam.
It was then during his Years of Post Tudong mastery, where Luang Phu Doon began to release amulets to his Devotees, using the powers and Wicha he had developed in the forest throughout the many years he spent practicing under the great Master of all Forest tradition Sangha Monks, Luang Phu Mun Puritadto. Luang Phu Doon began to officially release amulets somewhere around the year 2470 BE onwards.
Luang Phu Doon is considered one of the Great Arya Sangha Ascended Masters and is a highly revered monk for Thai Buddhist Folk, wand even revered by many members of the Royal Family of Thailand.
Luang Phu Doon Passed Away on the 18th of December 2522 BE and was visited by many of the high members of the Royal Family, who travelled to Wat Buraparam to pay respects and to perform the Funeral Cremation Pyre lighting ceremony for Luang Phu Doon.
The amulets of Luang Phu Doon are all highly Sacred and Revered objects for Thai Buddhist People, and are extremely rare to find. Luang Phu Doon amulets are all highly esteemed classics and are members of the Pra Niyom Category, valid for entry in competitions of National Status.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
