An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Cord and lacquer wrapped Takrut Tone Yantra spell scroll with chueak akom enchanted cord wrap, lacquered exterior and gold leaf blessing, from the Great Master of the Yant Hanuman Chern Tong, Luang Phu Noo Chinagamo of Wat Tung Laem (2438 BE - 2529 BE). This Takrut measures 3 Inches Long. The Takrut of LP Noo are renowned primarily for their Maha Ud, Klaew Klaad and Kong Grapan protective magic, and Serm Yos status and promotion.
Luang Phu Noo was a great master of Ratchaburi Province, who was highly renowned for his Wicha Hanuman Chern Tong, which he would apply to his amulets, Pha Yant, and Sak Yant Magical Tattoos. Luang Phu Noo was an adept Master of the Wicha Hanuman Chern Tong, and in his time was highly in demand for his Yant Hanuman Chern Tong tattoos, and his amulets with Hanuman on rear face (Hanuman with Victory Flag).
Luang Phu Noo's amulets are only partially documented since his later official releases, such as his Rian Roop Khai Hlang Hanuman Chern Tong monk coin, and his Pra Somdej Hlang Hanuman amulets. But Luang Phu Noo also made mmany Krueang Rang Talismanic amulets and Pha Yant cloths, and hand inscribed Takrut Yant scrolls, most of which are to date not completely documented with exactitude.
Biograpy of Luang Phu Noo Luang Pu Noo Chinagamo, was born in the Year 2438 BE, with the layman's name of 'Noo Jaroen Raksa'. After the young Noo had finished year 4 of primary school, he was ordained as a Samanera Novice Monk at Wat Nong Po, in Potaram, Ratchaburi. After his ordination as a young novice monk, he studied the Pariyatti Dhamma, and attained the level of Batchelor of Arts, and thereafter, a Doctorate Degree in Dhamma Studies, whilst still at such a young age.
Luang Por Noo then developed a deep interest in Wcha Akom Buddha Magic and Occult Practices, & Spellcasting using white magic and Buddha magic. He received mentorship in magical Wicha from the Great Luang Por Larb, of Wat Saen Dtor in Kanjanaburi. After this he received Wicha from Luang Por Hlung of Wat Tung Samor for a further 3 years of intensive practice. Then in the year 2458 BE, Luang Por Noo came fully of age, and was ordained as a fully-fledged adult Bhikkhu at Wat Mai Jaroen Pon, in Kanjanaburi. His full ordination was attended by Luang Por Pliw of Wat Samnak Dtakror as his Upachaya ordaining officer. LP Noo spent one year practicing Vipassana Kammathana Mindfulness meditation with LP Pliw.
Thereafter, Luang Por Noo, already adept with experience since his younger years as a novice, went on to spend a year learning magical Wicha from the legendary Luang Por Hnoeng, of Wat Klong Madan in Supanburi. Luang Phu Noo then furthered his study and practice of magical arts with Luang Por Jantr of Wat Ban Yang, in Ban Poeng. His advancements here led him to expand even further his aptitude, by practicing with the Great Luang Por Chaem of Wat Ta Gong in Nakorn Pathom.
After Luang Phu Noo finished his study, he returned to Wat Samnak Dtakror, until one day the Sangha Comittee beseeched Luang Phu Noo to become the abbot of Wat Gradtay Dten in Kanjanaburi. But Luang Phu Noo did not stay very long at the temple, and became restless with the banal worldly chores of administrating a temple, and he disrobed, and became a lay practitioner in Khao Yoi in Petchaburi. Despite disrobing, Ajarn Noo continued to spend his time in temples practicing, until he decided to return to the Sangha once more as a fully ordained Bhikkhu.
The ordination ceremony was held on the 30th of April 2502 BE, at Wat Gut Bang Kem in Khao Yoi, Ratchaburi. His Upachaya was Luang Por Kasem Suttakun, with his Anusawanajarn witness being Luang Por Pra Maha Bray. He was given a new Chaya monks name of 'Chinagamo'. After ordination, he resided at the temple of Wat Thai Tammaram, in Surat Thani in south Thailand. He remained at this temple for a period of about three years, after which he returned to Wat Bang Nam Kem for one year of further practice.
After this, Luang Phu Noo traveled to stay and practice at Wat Samnak Dtakror, where he stayed until the year 2510 BE. It was in this year of 2510, that the folk of Tung Laem municipality, many of whom were working and living in the area near Wat Samnak Takror, who had met and become faithful devotees of LP Noo, came to ask him to come and stay at Wat Tung Laem, for there were no monks staying there at alland the temple was in danger of becoming abandoned. So Luang Phu Noo accepted, and as soon as he arrive dto stay there, began projects to build and restore the temple, and improve it. At first, Wat Tung Laem consisted of one Kuti monk hut with grass roof and a shrine.
Luang Phu Noo began by building a new Kuti from wood, with a tin roof to begin with. He then stayed there practicing and receiving devotees, and raising funds to build with, intil in the year 2518 BE, Luang Phu Noo had built various necessary installations for the temple, and began the foundations for an Uposatha Shrineroom Building, to make it a fuly fledge temple with prayer room for the monks to chant, and for ordination of monks.
The raising of the 'Chor Fa' roof strust for the finished work of the Uposatha Building was completed in the year 2523 BE. Once the Uposatha was cnstructed, Luang Phu Noo then developed the remaining buildings to complete the temple including a Sala Brian study hall, Roeng Krua Refectory, and all the different types of buildings and annexes needed for proper practices within a Buddhist temple.
Luang Phu Noo then served the devotees over the years, as the temple grew in size and number of monks who came to stay, until he passed away at age 92, on the 9th of September 2529 BE. He was succeeded by Pra Atigarn Nin Thawaro as the abbot to follow him.
Luang Phu Noo's most famous amulet. is of course the Rian Roop Muean Hlang Hanuman Chern Tong monk coin with hanuman Yant on rear face.
High end collectors favor especially the first edition, which is hardly to be hoped to find in the present day, and with so many devotees revering Luang Phu Noo, it is so that all the subsequent editions of his Rian Luang Phu Noo Hlang Hanuman Chern Tong are equally revered by true devotees.
In fact, some devotees and collectors make it a point to try to own every single edition of the amulet, which is a common thing to see with devotees of any monk to be honest. Collectors like their collections to be complete, for a complete collection is of course also a rarity in itself, as well as Thai Buddhists consider the attempt to gather all releases of an amulet, as a way of building merit with that particular master, and to amplify blessings received, and lucky fortunes.
