An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Takrut Tone Maha Ruud Nuea Tong Daeng Thak Chueak Long Rak amulet with hand inscriptions of the great Olden Days Master of Nontaburi Province, Luang Por Kee of Wat Hoo Chang. This Takrut is of the "Takrut Ruud' variety; The word 'Ruud' means 'To stroke in a sliding movement', and refers to the Ancient Thai Wicha, which is applied by sliding the Takrut around the four sides of the waist, by threading a cord through the Takrut or the case of the Takrut, and tying it around the waist. The Takrut is then used to slide around the left, front, right and rear sides of the Torso, invoking different forms of Magic for differing purposes.
The Takrut is thus a Powerful All-Rounder, to cover changing situations as the day passes.These Takrut were so popular, that LP Kee made repeated editions from 2485 up to the year 2522 BE. This exhibit is estimated early era and made circa 2490 - 2500 BE.
If you wish to use the Wicha Maha Ruud for this Takrut, you can wear on a 'Chuek Kart Aew' cord around your waist, feeding the cord through the two rings of the tube which the Takrut is in. You can slide the Takrut to reside on either side, front or back. Chant the 'Kata Pluk' (Invocation of the power of the Takrut), as often as possible.
The Takrut performs many uses; 1. Metta Mahaniyom 2. Klaew Klaad 3. Choke Lap 4, Gae Athan 5, Maha Saneh.
- Wear it facing forwards, Sarapat Nerk, Klaew Klaad Kong Grapan, Gan Sadtru - will allow you to Fulfil your Wishes, and also Protect from Danger and Enemies
- Wear it facing backwards, Klaew Klaad, Gae Aathan/Pongan Phii - Will Protect from Back Stabbers and chase away Demons and Enemies
- Slide it to sit on your right flank - Maha Sanaeh; Ladies will fall for You, Customers will Flock to You and Purchase Your Wares.
- Slide it to sit on your left flank, Mahaniyom Kaa Khaay (Good money and business sales, more customers)
Below; Takrut Maha Ruud LP Kee, of Wat Huchang with a Por Khun Palad bound to Chueak waist cord belt, by a devotee collector, for Wicha Maha Ruud
Kata Pluk Takrut Maha Ruud
Sotaaya Na Ma A U Gu-Garanii Asang Wisulo Bu Sa Pu Pa
Luang Por Kee of Wat Huchang was a highly renowned monk for his purity of practice. He ordained about the age of 20 years old, and was known to have spent most of his time on Tudong Forest Wandering, in solitude for many years, before returning to Wat HuChang, and beginning to restore and improve the building facilities of the temple. Apart from being a direct Looksit of Luang Phu Iam, he was also apprenticed in Wicha, to LP Taen of Wat Tam Sen and Luang Por Tiam of Wat Gasatrirat.
He was a 'Pra Nak Pattana' (Monk who focuses on building temple up, and creating auspicious projects, buildings, charities, and institutions to help living beings). He was born in the year 2444 BE into a family who were mainly employed in the medical or natural healing profession. He already knew the Wicha for making holy healing prayer water long before he became a monk, because of his experience with the family practice.
Luang Por Kee was a Looksit of Luang Phu Ee of Wat Sattaheeb, and usually used the Wicha of LP Ee or the Wicha of his other Kroo Ba Ajarn Grom Jaab, one of the teachers of Luang Por Parn of Wat Bang Nom Kho. He taught all of his Wicha to the current abbot, also famous for Palad Khik, Luang Por Dtee, who is also extremely favored for Palad Khik, Taw Waes Suwan, Brahma amulets, and other talismanic charms such as the Bia Gae.
LP Kee was not only famous for his Moink Coins and Takrut, but also extremely highly revered for his Palad Khik amulets. LP Kee's amulets, especially his Takrut, aand Por Khun Palad Khik, were highly sought after even in his time. LP Kee was renowned for his Miraculous ritual, that would make Palad Khik rise up, and stand up on their own when LP Dtee would stroke the head of the Palad Khik and chant "NA NA NA NA". The Takrut of Luang Por Kee, became very popular with bandits and gangsters, as well as his Palad Khik becoming popular with amorous Casanovas, who live a life of nocturnal activities to seduce lovers. Devotees would stroke the head of the Por Khun Palad Khik three times and chant 'NA NA NA" before approaching a lady or before confronting an enemy.
Luang Por Kee is often confused with Luang Por Dtee, also of Wat Huchang, because both are of the same temple, and many people do not know which Master was the Kroo Ba Ajarn and which was the successor. LP Dtee is the current abbot and was the first apprentice in magic to LP Kee, who passed away in the year 2522 BE, after bestowing all the Wicha he had to LP Dtee to continue the lineage. One reason their amulets are hard to differentiate is that they made almost identically using the same methods and inscriptions, and that both monks passed their magical tests at Wat Pradoo Song Tam.
It is the tradition at Wat Pradoo Song Tam, to grab the hand of the apprentice and force his hand to inscribe the Khom Agkhara spells in exactly the same way with all students, and so the inscriptions of Luang Por Kee and Luang Por Dtee, both famous for Palad Khik, and both attributed to the temple of Wat Hoo Chang, are very similar, and takes an expert to separate one from the other. One easier way to tell, is that LP Kee has slightly more graceful handwriting than LP Dtee, and that LP Kee made small and medium sized Palad Khik mostly, whereas those from LP Dtee were often much larger, ranging as large as up to 6 inches.
Luang Por Kee was officially ordained as 'Pra Kroo Gittinontakun, but his real name being 'Kee' he was lovingly referred to as Luang Por Kee. He passed his mastery of Buddha Magic and Occult Sorcery at Wat Padoo Song Tam, and also under the Great Luang Por Ee of Wat Sattaheeb. The Palad Khik of Luang Por Kee, and Luang Por Dtee, are equally classed by most groups of aficionados as one of the top 4 Palad Khik of all time (Ajarn Spencer says this is debatable,. and unimportant, as everybody has their own opinions, and does not believe in 'top tens' type measurements - he says "what are the top ten football teams of the world? ask ten people, get ten different answers").
What is for certain however, is that the Palad Khik, Takrut of Luang Por Kee, and his successor LP Dtee, abbot of Wat Hoo Chang, are both highly esteemed on a National and Historical level, to the point where they can be mentioned among the list of the great Palad Khik of the greatest Masters in recorded history. Which number of 'Top Ten' it is, is irrelevant to our proprietor Ajarn Spencer, who places importance on the monk, the amulet, and the authenticity, power and beauty of the amulet.
The amulets of Luang Por Kee became very popular, his Takrut for Protection, his Pra Somdej and other Muan Sarn powder amulets, and Monk Coins for Metta and Maha Lap, and his Palad Khik are legendary, because many market traders and other devotees who received one all recounted high business success and improvements in quality of life, or stories of gun-stopper magic and evasion of deadly accidents. This caused his amulets to become a common folk tale, and well known around the country, making the success of devotees who wear his amulets common knowledge. This is hence how LP Kee came to be a Master Monk of National Fame and Status.
Luang Por Kee was often visited for help by devotees for his Wicha in healing illnesses and exorcising ghosts, demons and possessed people. His amulets remain amongst the hardest to find of the Great Monks of his Era, for he never made amulets in very great numbers, nor in so many editions, and because of the high repute for their protective power against dangers, illnesses and black magic are legendary..
