An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An extremely Unusual and Rare item, Dtao Pra Pid Tawarn Silapa Nakorn - Cast Sacred Metal Loi Ongk Statuette with a Turtle Back Pra Pid Tawarn with one hand covering eyes, nose and mouth (5 Orifices) one hand covering the penis orifice, and the feet covering the anal orifice (Pra Pid Sadta Tawarn). The statuette is made from Nuea Tong Lueang Sacred Brass Alchemical Alloy, and is an ancient talismanic occult charm from the Masters of Old, of the Dtamnak Dtak Sila Khao Or Southern Academy of Sorcery.
This amulet is procedent from the Samnak Khao Or from around the 2490-2500 BE period, during the times when the great Khao Or Sorceror Monks of Old like Por Tan Klai, Pra Ajarn Kong, Ajarn Jek, Ajarn Nam, Ajarn Iad, Luang Por Dit, Ajarn Khun Pan, and Ajarn Chum, were the names of the day. Many aficionados of Khao or amulets would consider this amulet to be from Luang Por Jek, but in truth, any or all of the Great Khao Or Masters of the time will have been present in the empowerment of Khao Or amulets, which are always blessed by varuous Masters in Buddha Abhiseka.
In those days, masters would join in Unison to bless and empower amulets, and each master would take some of them back to their respective temples, resultiing in the 'same' amulet being revered by different devotees of different masters in each district, whereas in truth, amulets like these which do not record themself into any specific edition (Nork Pim), usually belong to more than one Master's Empowerment.
The amulet is extremely unusual in its design formula, as a mixture of the Dtao Ruean Turtle, and the Pra Pid Tawarn Nirodha Buddha. Blessed with the ancient magic of the Khao Or Sorceror Monks who empower their amulets within the Holy Cave at Khao Or, with thousand year old ritual methods.
Forged with Alchemical metalurgy, the amulet is charged with power of the Wicha Len Prae Tat, and the Wicha Kasin Fai, Riak Tat See, Hnun Tat See, which are inherent magical formulas of Southern Khao Or Animist Sorcery.
These masters and indeed those southern Khao Or Masters of the present day, continue this 1000 years old Khao Or Sorcery tradition of preserving the ancient artistic style of the Nakorn Sri Tammarat Ancient Sri Vichai Empire in making case metallic talismanic charms and amulets. The many different original cast metal designs found in the pantheon of Khao Or lineage amulets is immense, with almost each and every amulet being an individual masterpiece.
Pra Pid Tawarn means ‘Buddha closing the orifices). Pid Tawarn can close 2, 3, 5, 7, or 9 orifices, 5 being called Pra Pid Panja Tawarn, 7 being called ‘Pra Pid Sadtatawarn’ and 9 being called ‘Pra Pid Navatawarn’. This image has cleverly honed the imagery to have closed all orifices, which is of course the most powerful Wicha. This Pidta is in addition 'Dtao Ruean' (Sacred Turtle) which is immensely powerful Maha Lap Maha Pokasap Magic, Protector and Long Life Bringer.
The image has rather strange anatomical features and curvy limbs, with curly decorative embellished style of unalome spiral Yantra emblazoned on the belly of the Turle shell, which is typical of the ancient aritstic style of the Ancient Nakorn Sri Tammarat Kingdom. This is part of what makes the amulets of the Southern Khao Or Tradition so inimitable, and powerful, for the Khao Or Magical Lineage is over 1000 years old with unbroken transmission of Wicha, since the days of the Sri Vichai Empire.
The amulets of the Olden Days Khao Masters are legendary, and are amongst the most Highly Sought After amongst aficionados of this kind of amulet, who have great faith in the certain power of Khao or Amulets. Of course, the amulets are not only powerful magic charms, but also considered valuable for their artistic, historic and anthropological aspects. Many collectors of private museums who collect Buddhist and South east Asian Arts collect antique Khao Or Amulets for their showcases and private museums.
Origins of the Pra Pid Ta amulet.
The Pra Pid Ta is considered to be an amulet with ‘Maha Ud’ and ‘Kong Grapan’ power (invincibility and gunstopping power), but is also made as a wealth bringer, in which case, the amulet will be called ‘Pra Pid ta Maha Lap’. In order to inflect a greater resonance for wealth attraction and auspicious blessings, in addition to the Maha Ud and Kong Grapan magic.
Ancient artisans sometimes would use the image of the Sangkajjaiyana Buddha of riches and happiness, and carve it in the Pid Ta posture. The Pra Pid Ta Silapa Mueang Nakorn amulet is an artistic interpretation found often in ‘Gru’ hiding places in the South of Thailand.
They have been found in many different materials, including bronze, and copper sacred alloys.These Southern Nakorn Sri Tammarat period syled amulets have a much more attractive and special look to them compared to those from other regions in that time. Luang Por Jek and all the Khao Or Masters throughout History have preserved this method of Alchemical casting and Artistic Design, and even the Masters of the Present Era continue this tradition with the famous Pra Pid Ta Pang Pagan, and Pra Pid Ta Yant Yung, and other images which we can see reflected in the amulets of their forebearers, such as Luang Por Jek, Luang Por Parn, Luang Por Dit, Ajarn Pan and the like.
