An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Early era miniature size Twin Takrut Sariga (Koo), in Nuea Tong Daeng Sacred Copper, from the Great Luang Phu Tim of Wat Laharn Rai, at sometime attached to a miniature Singh Sam Khwan Mai Gae Sacred Wooden Singha Himapant Lion attached, from the Great Luang Por Horm of Wat Sak Hmak (Probably by a Devotee). LP Horm was a close accomplice of Luang Phu Tim which explains this combo set's composition.
The Takrut is an extremely difficult amulet to encounter in the present day, and highly renowned for its powerful Metta Mahaniyom Mercy Charm, Seductive Speech Influence, Power of Attraction and even Protective Magic
The Takrut Sariga Koo of LP Tim is an amulet of legendary proportions within the pantheon, which has gained immense fame for the fact that he how has faith in Luang Phu and wears the Takrut Sariga, is bound to experience success and advancement in wealth, professional status and increase happiness in life.
Above; Singh Sam Khwan Carved Sacred Wood Singha Himapant Lion Brass Frame Circa 2500 BE Luang Por Horm Wat Sak Hmak. The Sacred Singha Himapant Forest Lion, is carved from Nuea Mai Paya Ngiw Dam, and is empowered for Protection and Prosperity from the Great Olden Days Master Luang Por Horm of Wat Chak Hmak, top master of the mid 20th Century (2433 - 2520 BE)..
LP Horm was one of the top Masters of the province,and indeed the whole country. Other great masters of his time considered his peers included Luang Phu Sukh of Wat Pak Klong Makham Tao, Por Tan Klai of Wat Suan Khan, Luang Por Ee of Wat Sattaheeb Luang Por Wat Pak Nam, the Great Kroo Ba Srivichai, Luang Por Him, Luang Por Thin, Lueang Por Te of Wat Sam Ngam, Pra Ajarn Fan, Luang Por Opasi, and Kroo Ba Indto
Amongst all of these Masters, Luang Por Horm was given the comparison to the be like the white elephant of Siam, and who was a monk whose temple was very small on the shores of the eastern coast of the gulf of Central Thailand, for his powers and attainments gained him great fame amongst his devotees and respect from his peers in the Sangha.
Luang Por Horm was invited by the Sangha to almost every important Buddha Abhiseka blessing ceremony and religious ceremony, around the country, for his great abilities, and was seen present in some of the most sacred and important blessing ceremonies in Thai History. He would only be absent when ill, or had other duties to perform on the same date, otherwise would always conced to travel and assist in empowerment rituals. His presence was always asked for because the devotees in Thailand believe very strongly in the Abijna powers of LP Horm, and so any edition blessed by him in solo or in unison is highly revered by the devotee for its powerful Buddha Magic.
Luang Phu Tim
The legend of LP Tim's Power, has come from the vast number of devotees who almost all say that since they owned an amulet of Luang Phu Tim, their lives changed for the better in rapid fashion, and then continued to improve on a constant basis.
The historical documentation of the Takrut Sariga of Luang Phu Tim records that the archbishop of Rayong invited four of the Greatest Monks of the Province, to make Takrut Sariga, each according to their own personal methods, which were all then placed together into a monks alms-bowl filled with prayer water, and each of the four monks then sat in meditation one by one, and empowered them with their psychic powers, and bestow their blessings continuously until the Takrut floated up from the bottom, to the surface of the holy water within the alms-bowl of their own miraculous accord.
The first two Masters who sat to perform empowerment, were not able to make the Takrut rise up and float miraculously. The third Master who sat to empower was Luang Por Horm, of Wat Sak Hmak, who sat for an incredibly long time trying to make the Takrut float in the air, but was also unable to make the Takrut float so fluently like LP Tim.
The archbishop saw that there was still no success with his mission to empower with miraculous events, and called the fourth and final Master to come and attempt the feat. This fourth Master was of course, Luang Phu Tim Issarigo, of Wat Laharn Rai. Luang Phu came and sat before the almsbowl and entered into meditation....
Within only a few minutes of Luang Phu Tim sitting in meditation, the holy prayer water in the almsbowl began to form into a whirlpool, and the one of the Takrut began to float up towards the surface of the holy water within the almsbowl. Luang Por Horm was watching, but was not yet convinced that Luang Phu Tim had succeeded. And so, he asked Luang Phu Tim to continue, and see if he could make the Takrut race around the circular edge of the alms-bowl on the surface of the water, and said that if he managed it, he would offer his reverence to Luang Phu Tim.
Luang Phu Tim then stared at the Takrut which floated on the surface, and immediately, the Takrut began to revolve rapidly around the circular edge of the alms-bowl. All of those present including the other three Masters were astonished to witness this miraculous event, and the rumours of the event spread rapidly throughout the land.
It was from this point onwards the the name of Luang Phu Tim began to gain National Fame, and overtake the popularity of the other Masters of Chonburi and Rayong who were previously much more famous and preferred, such as Luang Por Horm of Wat Sak Hmak, or Luang Por Chern. This was the first event which brought Luang Phu Tim's inimitable powers to public knowledge and paved the way for his great trajectory to become one of the greatest Masters in all recorded history of Thai Amulets.
When Luang Phu Tim would make Takrut Sariga, he would always seek out and choose the most appropriate astrological alignments for the day of empowerment, which always had to be on a Monday. He would prepare mostly copper Yantra Foils and sometimes Brass, Silver, Aluminium, Lead or even Gold foils, and cut them into tiny pieces, and then inscribe them and empower them only on Mondays.
He would enter Meditation and begin to chant the Ongarn Kroo Master Spell in its full compendium of Incantations, until he could hear the sound of Sariga Birds on the Astral Plane, where the dimension of the Himapant Forest lies, which is the land of the Sariga Bird and other denizens, such as the Rachasri, Hongsa and other animal Deities.
When he would become able to hear the sound of the Sariga Birds he would begin the inscription of the Yant Sariga. He would only be able to make a limited number of Takrut in the space of one day, not more than 100 per session, because the Wicha demands that the Takrut must be completed before mid-day, otherwise the power will not remain within them. So he would always stop to make them when mid-day approached.
The Takrut Sariga of Luang Phu Tim is famed for its powerful Metta Maha Niyom Maha Sanaeh Maha Hlong magic to seduce, enchant, and induce helpfulness in the hearts of others.
Wicha Sariga
The Nok Sariga (or, ‘Salika’) is a Golden Tongued Heavenly Bird which is attributed with immense Metta Mahaniyom and Maha Sanaeh qualities, and is along with the Hongsa, one of the Best Devas to seek assistance in ‘Jerajaa’ Magic (convincing speech).
Jerajaa means ‘Discussion’. The Golden Tongued Sariga bird enchants and charms the listeners of he who possesses the Wicha, bringing a hypnotic and charming effect, to influence and convince, making people see things your way. Good Business is to be expected with the Sariga.
Magpies are known for their tendency to pick up shiny glittering objects, such as jewelry, and whisk them away to their nests, ad hoard them. This is no different when it comes to the tendencies of the Celestial Magpie, who is indeed just as attracted to treasures as any Magpie. The Wicha Sariga is a very popular type of magic with shopkeepers, and traveling salespersons.
