An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Khun Phaen Hnaa Tong (Pra Khun Phaen with gold face) Hlang Yant Takrut Tone (with Yant Takrut Tone spells and Takrut Tone scroll insert) - Fang Pra Nakprok (Pra Nakprok Buddha insert) - by Luang Por Tone - Wat Khao Noi Kireewan. Issued and empowered as Luang Por was still Living in the time between 2525 and 2537 BE) Sacred powders are visible on the rear face, which is not gold covered.
They were made in various powder mixes, including Nuea Pong Prai Kumarn Dam, and Nuea Khaw Pong Puttakun. If black powders, the amulet is stonger towards Kong Grapan, with Maha Sanaeh as secondary effect. If white powders, then it will lean towards Metta Mahaniyom and Maha Sanaeh more than Kong Grapan.
In the case of this amulet, both Kong Grapan and Maha Sanaeh are very prominent, leaving the choice of color a mere issue of deciding whether ones lifestyle and profession needs more attraction and metta, or also protective magic to assist those who do not fall for your charm.
Silver Takrut insert with Yant Takrut Tone embellish the rear face, which is crowned with a Nakprok Buddha in Nuea Tong Daeng (gold and brass sacred metals smelted into an alloy). Because of the Nakprok, this Khun Phaen will be especially powerful for those born on a Saturday, but is of course a powerful amulet of great fame in any case for any person as well.
You can see the ink stamp Yantra markings of Luang Por Tone from the hand pressing of the amulets on the rear face.
A Essential Rarity, this is a classic and powerful Pra Khun Phaen amulet with the finest of Sacred Powder ingredients, from one of Chonburi Province's Great Legends, Luang Phu Tone. Luang Por Tone is of course one of the direct Looksit to Luang Phu Tim, which can be seen in his magical amulets. He is becoming one of the high end collector's finer acquisitions, whose amulets are now extremely rare, despite the fact that they have not yet reach the sky-high price level of the amulets of Luang Phu Tim.
He is less heard of in International Waters than Luang Phu Tim's other Prime Looksit Luang Por Sakorn of Wat Nong Grub, but his amulets are rarer and demand much more seeking to acquire one of his amulets. A very niche genre for the aficionado of the 'Pra Saay Chonburi' (Chonburi Temple Lineage Master Amulets). The Chonburi Province Amulet Genre is perhaps the most highly regarded and best documented of all the various Genres of amulets in Thailand, and enjoys extremely high status as a province that has produced some of the greatest Guru Masters, and amulets in History. Luang Phu Tone belongs to this list of Great Chonburi Masters
The Khun Phaen Hnaa Tong has a generously applied gold coating on the front face, and is Pim Yai (larger size Pim). This rare amulet was released in both white and black powder forms.
Luang Phu Tone was born in 2466 BE on a Monday, as the son of Mr. Kim and Mrs. Daeng, with the surname 'Leuang Orn'. His parents were Market Farmers. When Luang Phu became old enough to begin studies, he was sent to learn at Wat Nern Sangkh temple school, and remained at the school until finishing Primary 4th Grade.Luang Phu Tone ordained at the age of 30 on the 14th May of the Year 2495 BE, at Wat Nern Sangkh Saritaram, in Tambon Rai Hlank Tong, in Chonburi. His Upachaya Ordaining Officer was the great Luang Por Tong Hyib, the abot of Wat Bote, and Pra Atigarn Iam was his Gammawajajarn Prompting Officer, and Pra Luang Por Bpom was his Anusawanajarn Witness.both monks coming from Wat Rai Hlak Tong. Luang Phu was given the monks Surname(Chaayaa) of 'Gandtasilo' which means 'He who has perfect precepts'.
Luang Phu Tone is renowned to have Witayakun Powers to perform Buddha-Magic using Psychic Ability. This is considered to be the difference between a Monk who can Invoke and Summon Powers through the use of Incantations, and a Monk who can Imbue Magical Power which arises through his own Psychic Abilities (Abhinya).
Because of his rare abilities with Psychic Empowerment, he is often called to the Major Buddha Abhiseka Ceremonies around the country to assist in empowerment of amulets, and installation of Buddha Images. He was almost always seen to be present in all major ceremonies of the Chonburi Province Lineage Temples, where he was seen as an essential member of amulet empowerment ceremonies.
Luang Phu Tone is also renowned for another special ability which is not common, that of 'Sek Nam Mont Prasan Graduk' - Empowering Holy Water with Incantations to heal Bones. He also is Adept in prevention of Black Magick, for he himself learned the methods of making Ya Sang Khao Tong Poison Potions, Curses using Human Hair, and of Projecting Tapu Loeng Sop Coffin Nails into the stomach of a victim. All Adepts of White Magic should learn the methods of Black Magick, for prevention purposes, and Luang Phu Tone has mastered both Paths.
In olden days, when somebody wished to kill somebody, and knew the secrets of Wicha Akom Sai Lang Dark Arts, they would not need to use a weapon to succeed. They would use the infamous 'Ya Sang', a Sorcerous Potion based both in natural poisons extracted from forest plants and roots, and other susbstances, along with Magical Substances prepared using dark Arts, which when mixed into a potion, becomes a deadly and untraceable weapon, which can kill a person at a distance, by adding some of the Ya Sang to their food or drink. Some Ya Sang can be smeared on the person and will also work to make the person ill, insane, or even cause death. It is not possible to find traces of Ya Sang, because of the use of unknown ingredients, and the fact that the main source of the damage comes from the Magical Incantations performed on the potion. Luang Phu Tone is an Adept Master of both 'Phuug Ya Sang'(making the cursed potion) and 'Gae Ya Sang' (heal the curse).
Luang Phu Tone was apprenticed to the Great Luang Por Tab of Wat Hua Thanon, in Psanikom, Chonburi, who was one of the Greatest Masters of Kata Akom of the Chonburi Province. he was also a student in Magic to the Great Luang Por Do of Wat Na Madtum, who was also one of the most famous Masters of the time, especially for his Wicha See Pheung Metta Balm.
Tudong Tales;
Luang Phu Tone was also a Master of Tudong Practice of the 13 Tudong Methods in Forest wandering. He travelled in solitary through the forests right up to the northern Lanna regions bordering Laos and Burma, for a period of 32 Years!
Friends with Luang Phu Tim (Wat Laharn Rai) - The Building of Wat Khao Noi Kireewan. During the times when Luang Phu Tone was wandering on Tudong, he would often travel to meet with Luang Phu Tim Issarigo, of Wat Laharn Rai, because they were friends from childhood, and were very close. It was Luang Phu Tim who inspired Luang Phu Tone to settle and build a temple at Khao Noi in Chonburi Khao Noi was a high hill with deep thick forest covering it, and was a very quiet place removed from hustle and bustle of the world. Luang Phu surveyed the hill and decided it would be an apt place for practicing the Dhamma and Meditation.
During the time he was still living, Luang Phu Tim always gave encouragement and support to Luang Phu Tone, in his Projects. Luang Phu Tone wold often visit Luang Phu Tim and stay at the temple with him for periods of a month or two at a time, and gather Wicha and Experience with the Great Master.
Luang Phu Tim would also always invite Luang Phu Tone to practice empowering amulets with him, to m,ake his own, and also always gave Luang Phu Tone many of his own amulets to take back to Wat Khao Noi Kireewan to distribute to his devotees.
Luang Phu Tone says that every single Wicha and Method of Magic that Luang Phu Tim had explained to him, had all brought results and worked as expected, and that he has based his empowerments on the successes which have been received using the techniques he learned from Luang Phu Tim.
Luang Phu Tone arrived to begin his latter life's work of temple building at Khao Noi on the 23rd May 2512 BE, and at first stayed in the forest with his meditation umbrella and mosquito net, until the first Kuti Hut was built by the first Folk of Khao Noi who noticed Luang Phu's presence and were filled with faith in his practice.
A small Kuti hut was built for Luang Phu to reside in. From one smnall hut in the forest, Luang Phu managed to develop into a temple, and build many ancilliaries, and now the temple is officially registered in the state registry and with the sangha committee as a fully fledged Buddhist Temple. To this day, Luang Phu continued his work to improve and expand the temple, working on the construction of an Uposatha Shrineroom (Chapel), which is still in progress, due to Luang Phu's passing before it was finished.
Luang Phu Tone passed away on the 30th April 2551 BE, leaving his devotees heartbroken. SAs usual with the passing of a Great Monk, the amulets of Luang Phu Tone were fast snapped up by devotees and collectors alike, and now they are incredibly rare to find. his Khun Phaen Song Phol amulets are amongst the most highly sought after, for their power to bring good Business and Wealthy Windfall,s and Maha Sanaeh Seductive Influence, and Metta Mahaniyom Mercy Charm. They are also in addition, aesthetically very pleasing to the eye, and can be considered one of the most beautiful Khun Phaen designs.
