An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
The Original Pra Khun Phaen of all Khun Phaen Amulets; Pra Khun Phaen Kru Ban Krang Pim Yai Plai Koo Niyom double Khun Phaen votive tablet from the world famous historical archaeological hiding place amulet find of Wat Ban Krang. Estimated at around half a millennia old (500 years), during the time when King Naresuan Ruled and Fought the Burmese and United Siam.
Naresuan is one of Thailand's most revered monarchs as he is known for his campaigns to free Ayutthaya from the vassalage of the Taungoo Empire. During his reign, numerous wars were fought against Taungoo Burma. Naresuan also welcomed the Dutch
The Khun Phaen Kru Ban Krang Ancient Amulet find of Wat Ban Krang in Supanburi, is one of the most ancient amulet finds in the history of the Supannburi Province, which after its discovery became the symbolic and most eminent amulet of Supannburi.
The Pra Khun Phaen Ban Krang Amulet is almost certainly is the amulet which gave rise to the name of one of the most famous kinds of amulet of all time, preferred since then to this very day, namely the Pra Khun Phaen amulet.
The amulets are designed in the form of Buddha Images seated within crystalline arches, buy through historical and cultural influence have come to be known as 'Pra Khun Phaen'.
It is assumed that the Pra Kru Wat Ban Krang amulets were created during the time of King Somdej Pra Naresuan Maharach, as he came to Supannburi to defeat and banish the Burmese Invaders, and commissioned the making of amulets for distribution to the soldiers, to protect them in battle against the Burmese Invaders.
In those days, there was the belief that 'Pra Dtawng Yoo tee Wat' (Buddhas, Monks and Amulets belong in the temple), once the wars were over, the soldiers did not keep the amulets, rather, returned them to Wat ban Krang, and built a Chedi Stupa to place them within.
Wat Ban Krang is an ancient temple which was built during the times when Siam was ruyled by the Ayuttaya Era Kingdom, and is situated in Tambon Sri Prajant to the west of the Supannburi River (also kown as the Ta Jeen river).
This assumption is more or less officially believed because one of the Pra Kru Ban krang amulet models (Pim), has an identical Pim which is found at Wat Chai Mongkol (the temple of Ajarn Kong, Kroo Ba Ajarn to Khun Phaen in the Khun Chang Khun Phaen story), namely the 'Pra Khun Phaen Klueab' lacqer glazed amulet. They are identical in design factors, but differ in the admixture of Muan Sarn Powders, with the Wat Ban Krang models possessing less finesse of detail, for they were made earlier and with more time pressure to finish them during the time of war, in order to dfistribute them quickly.
The Pra Khun Phaen Kru Ban Krang amulets are confirmed to have been certainly made before the ones discovered in burial at Wat Chai Mongkol. When the Kru Ban Krang amulet find was discovered, they were found in great numbers of more than 10,000 amulets, but most were broken or damaged in one way or another. All models were made from the same Muan Sarn Admixture, namely 'Nuea Din' Sacred Baked Earths. Examination of the Muan Sarn revealed the amulets to possess grains of sand and earths of differing types, with small stony pieces of gravelly looking Sacred Elements and porous holes.
The amulets are famously revered for possessing Kong Grapan Chadtri and Klaew Klaad Invincibility and Evasion Magic for survival of all dangers and victory over all enemies. After the find, locals began to wear the amulets, and found that there was an additional Magical effect of Maha Sanaeh Metta Maha Niyom Kaa Khaay.
The belief arose in the increased power of attraction, good business, and Mercy Charm, endowing the wearer with the seductive charming and lucky abilities and invincibility qualities which are allocated to Khun Phaen in the Khun Chang Khun Phaen story, and the Magic of Khun Phaen's Mastery of Wicha Kumarn Tong.
This was the reason for the Pra Khun Phaen Amulet in general to become known as a Maha Sanaeh Metta Maha Niyom imbued amulet with power of attraction, and mercy charm.
Various Pim were found, some in very small numbers and were not well documented due to their small numbers, whereas the group of models which were found in higher numbers were documented and are the ones we have known for decades from the pictures that grace the pages of top amulet encyclopedic works and magazines. The major accepted Pim (models) of the original documentary works and studies were;
Pim Song Pol Yai, with a Buddha seated in Meditation and both hands resting pointing downwards in the center of the lap. Pim Song Pol Lek, smaller version with a seated Buddha in Meditation with hands laid flat on the lap. The Pra Khun Phaen Pim Ha Liam Song Pol Yai is a five sided amulet with the Buddha sat within the 'Sum Ruean Gaew' crystal arch. The image is defined with large chest, and one hand rested on lap, with right hand touching the earth in the Mara Vichaya Posture of Subduing Maras.
Pim Ha Liam Ok Lek five sided with small chest, and one hand rested on lap, with right hand touching the earth in the Mara Vichaya Posture of Subduing Maras.
Other various Pim such as Pim Plai Diaw, Plai Koo, Pim Tewada Pim Hnaa Ruesi, Pim Ok Krut, Pim Plai Koo Hnaa Glom, and other models found in lesser and greater proportions.
The Pra Khun Phaen Ban Krang is perhaps the most famous of all Khun Phaen amulets, and is of course the first ever amulet to have received the name of 'Pra Khun Phaen' and is hence the great grandfather and original cause of the creation of all other amulets of the Dtamra Pra Khun Phaen since their discovery.
