An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Officially Certificated Authentic Pra Somdej Wat Rakang Pim Gae Talu Sum Block Chang Luang Wijarn of Somdej Pra Puttajarn (Khrua Dto) Prohmrangsri, the Great Master of Wat Rakang, with Red Lacquered Surface, and all the classic features of an Ongk Kroo Model of this All Time. This particular exhibit is Extremely attractive to the eye, with its thick layer of ancient Chinese herbal red lacquer, and gold leaf coating on the surface. The Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri is the Number one Pra Somdej amulet of all time, and the most eminent member of the five regional top amulets within the Benjapakee Pantheon of Classic Thai Buddhist Amulets. One can also say it is perhaps the most famous of all Thai Amulets, and carries the nickname 'King of Thai Amulets'.
The Pra Somdej Wat Rakang Pim Chang Luang Wijarn is a rare and exquisite Master Class ancient amulet from the esteemed Benjapakee Immortal Classic Family. This exceptional piece is a testament to the exceptional craftsmanship and spiritual significance of the Benjapakee tradition. The amulet is adorned with a Rak Chart, an ancient red lacquer design that adds to its allure and mystique.
This particular model is an extremely attractive Pim Niyom example of the 'Chang Sip Moo' Artisan Chang Luang Wijarn, a revered artisan known for his exceptional skill and attention to detail. The Somdej Pra Puttajarn (Dto) Prohmrangsri, a great master of Wat Rakang Kositaram, is credited with creating this masterpiece. The Pra Somdej Wat Rakang Pim Chang Luang Wijarn is a true collector's item, offering a glimpse into the rich history and cultural heritage of Thailand's ancient traditions.
Free Express Shipping Worldwide and optional free solid silver casing - select the free silver casing option in the encasement options before chekcout to take advantage of this free offer is included with this amulet. This Masterpiece, is a truly ancient amulet, with a beauty from the gold leaf and lacquer The amulet comes with A4 sized certificate of authenticity, confirming this exhibit as a Pra Somdej Wat Rakang Long Rak Chart Pim Gaes Talu Sum from the Block Chang Luang Wijarn Mold, The Artisan Chang Luang Wijarn was the Kroo Ba Ajarn (teacher) of all the other artisans of the Chang Sip Moo artisans, including the great Chang Luang Sittigarn and Chang Luang Wijit. The Pra Somdej is one of the 'Benja Pakee' official set of five national amulets of Thailand seen as the most sacred, desirable and representative of every region of Thailand.
The rear face of this exhibit is inimitable and has immensely beautiful markings, of a classic Pra Somdej Wat Rakang. Various exhibits display different textrures on the rear faces, for they were laid on various surfaces to sun dry, ranging from marble stone to mai gradan wooden boards. In truth, no two Pra Somdej Wat Rakang are the same, and each amulet has its own individual character, which is of course one of the many aspects which form part of what makes the Pra Somdej Wat Rakang the title holder of 'The King of Thai Amulets'.
The amulet comes with the A4 size certificate of authenticity as a Pra Somdej Wat Rakang Long Rak Pid Tong of Somdej Pra Puttajarn (Dto) Prohmrangsri, with definition of the preferred artisan as authentic issued from the Pra Tae Mueang Siam Amulet Association. The Pra Somdej Wat Rakang is a truly ancient amulet, dating back to the period of Circa 2390 - 2396 BE, a testament to the rich history and cultural heritage of Thailand's sacred traditions. The rear face of this exhibit is a masterclass in uniqueness and beauty, featuring classic Pra Somdej Wat Rakang markings that are both intricate and awe-inspiring.
What is more, the rear faces of these ancient amulets are not uniform, but rather display a range of textures that are a direct result of the artisanal process. The amulets were laid on various surfaces to sun dry, resulting in a diverse array of textures that are as fascinating as they are beautiful. Some exhibits display a stone-like fossilized effect, reminiscent of ancient stone carvings, while others exhibit a granular texture, evoking the roughness of stone. Others still feature a crackled appearance, as if the amulet has been imbued with the wisdom of the ages. And then there are those that display fine scratches, a testament to the artisan's use of mai gradan wooden boards to dry the amulets, leaving behind a subtle yet enduring mark. This variability in texture is a hallmark of the Pra Somdej Wat Rakang, and is a direct result of the artisan's use of natural materials and traditional techniques. Each amulet is a unique and precious artifact, imbued with the history and spirituality of the Benjapakee tradition. Whether you're a seasoned collector or simply someone drawn to the beauty and mystique of these ancient relics, the Pra Somdej Wat Rakang is sure to captivate and inspire.
An Immortal Classic and one of the most famous Thai Buddhist Amulets of all time, as well as being amongst the top preferred amulets of the serious devotee and wealthy collector of the accepted amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram, whose Pra Somdej are the number one amulets of all time, be they from Wat Rakang, Wat Bang Khun Prohm, or Wat Gaes Chaiyo. All Pra Somdej are equally Sacred, be they straight from Wat Rakang, or found in smaller Kru such as the Kru Tap Khaw, or the Kru Wat Kanlayanamit, all Pra Somdej Wat Rakang of Somdej Dto have the same spiritual value, if not the same monetary price,
Made almost 1.5 -2 centuries ago, the Pra Somdej Wat Rakang can be considered the number one amulet of all time in Thailand for its historical fame and legendary status, and the immense Grandeur of its maker. The Pra Somdej Wat Kanlayanamit is considered to be among the most affordable of all and are hence extremely popular since their discovery
The standard Pra Somdej Amulets of Somdej Dto, are officially recognized as coming from one (or all) of four Royal temples; Wat Intrra Wiharn (Bang Khun Prohm Nai), Wat Gaes Chaiyo, Wat Hmai Bang Khun Prom, and of course last but not least, Wat Rakang Kositaram. Most of these amulets are given a Puttapisek blessing ceremony in the temple where they were made, but then travel to at least two or three of the other temples to be laid under the 'Pra Pratan' (main Buddha statue in the shrine), and absorb the prayers of the Sangha (Monks), for further sacredness and power. However, as Somdej Dto created many large Buddha statues for other temples, it has to be stated, that his amulets have also been found hidden within various, including the Wat Kanlayanamit, Wat Sadter and Kru Tap Khaw hiding place finds.
This amulet comes with its certificate of authenticity in form of a A4 sized plastified certificate photo of the Chomrom Pra Tae Mueang Siam Amulet Appreciation society and complimentary box with authenticity confirmation sticker. We offer free Solid Silver, Stainless Steel, or Waterproof Casing with this amulet, whichever you prefer, or solid gold at extra price. Free Express Shipping is also included in the price
The face of the amulet shows the presence of all the classic features and muan sarn ingredients of a true Pra Somdej Wat Rakang of Somdej Dto, with a beautiful texture and varied surface effects, resulting from shrinkage and drying over almost two centuries of ageing, and which has added to the character and increases the ease of authentication. This kind of surface pattern is highly preferred among aficionados and serious devotee-collectors, for its classic aged appearance.
The contents of the Muan Sarn Sacred Clay reveal the necessary aspects and content expected from an authentic Pra Somdej Wat Rakang. The design of the front face is exquisite, as were all the block presses carved for Somdej Dto by the artisan Luang Wijarn, one of the royal artisans of the Chang Sip Moo group of artisans. Pra Somdej Wat Rakang is one of the classic Pra Somdej amulets of Somdej Dto available, along with Pra Somdej Wat Gaes Chaiyo, and the Pra Somdej Wat Bang Khun Prohm amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and their high price range.
The Pra Somdej Wat Rakang is of course the most sought after amulet of Somdej Dto. Especially the most accepted models such as this Gaes Talu Sum, or the other Pim Niyom classic, which were limited to 9 or 10 Pim (designs) and released directly at Wat Rakang.
In truth, no two Pra Somdej Wat Rakang are the same, and each amulet has its own individual character, which is of course one of the many aspects which form part of what makes the Pra Somdej Wat Rakang the title holder of the 'King of Thai Amulets'.
Another thing that is hardly ever revealed, is that up until around the end of the 20th Century, the Pra Somdej released directly at Wat Rakang were the only ones accepted by undisputed monopolistic societies in those days. In truth, when we consider the documented edition which is historically recorded, was made towards the end of Somdej Dto's life, and in truth, Somdej Dto was making and distributing (and hiding) amulets during his whole lifetime, and was distributing throughout his 25 years of disappearance on Tudong traveling the Land.
Since then these closed minded monopolists have had their bubble burst, as the era of Internet allowed more ease of communication between people, and knowledge became easier to spread, and various amulet finds in temples where Somdej Dto stayed have come to light.
Hence, the appearance of the Muan Sarn clay of some exhibits is 'Nuea Jad Haeng', dry and coarse surface effect, whereas others have a more fossilized shiny appearance with no Kraap Kru or lacquer. The amulets were treated with lacquer and gold leaf on most versions, which becomes more visible in models which devotees have cleaned off the Kraap Kru residue, which builds up on the surface of hiding place amulets over decades and centuries. The Pra Somdej Wat Rakang now has other accepted finds, such as the Kru Wat Kanlayanamit, along with the Pra Somdej Wat Rakang Kru Wat Sadter finds, which have now become equally favored and fervently collected by devotees of Somdej Dto Prohmrangsri, and both hiding place finds.
The 'Nuea Ha' visual content of the Muan Sarn Clay differs from that found in the Pra Somdej Wat Rakang Kru Wat Bang Khun Prohm, and the Pra Somdej Wat Rakang of Wat Sadter and Wat Kanlayanamit, in the sense that all three of those Kru chambers were 'Kru Piak' (endured floods), and the Kru Wat Kanlayanamit find amulets came from a 'Kru Haeng' (dry chamber). The amulet comes with the A4 size certificate of authenticity as a Pra Somdej Wat Rakang Long Rak Pid Tong of Somdej Pra Puttajarn (Dto) Prohmrangsri, with definition of the preferred artisan as authentic, and issued from the Pra Tae Mueang Siam Amulet Association.
The Pra Somdej Wat Rakang is an Immortal Classic, a title bestowed upon it by virtue of its enduring popularity and reverence among Thai Buddhist devotees. It is also one of the most famous Thai Buddhist amulets of all time, a testament to the exceptional craftsmanship and spiritual significance of the Benjapakee tradition. As one of the top preferred amulets of serious devotees and wealthy collectors, the Pra Somdej Wat Rakang is highly sought after for its rarity, beauty, and historical significance.
The Pra Somdej Wat Rakang is a creation of the revered Somdej Pra Puttajarn (Dto) Prohmrangsri, a master monk of Wat Rakang Kositaram, who is widely regarded as one of the greatest amulet makers of all time. His Pra Somdej amulets are considered to be the number one amulets of all time, and are highly prized by collectors and devotees alike. Whether they originate from Wat Rakang, Wat Bang Khun Prohm, or Wat Gaes Chaiyo, Somdej Pra Puttajarn's Pra Somdej amulets are renowned for their exceptional quality, beauty, and spiritual power. The Pra Somdej Wat Rakang, in particular, is a masterpiece of amulet making, and is highly sought after by those who appreciate the art and spiritual significance of these ancient relics.
The Pra Somdej Wat Rakang is a true masterpiece, crafted nearly two centuries ago by the skilled hands of Somdej Pra Puttajarn (Dto) Prohmrangsri, a master monk of Wat Rakang Kositaram. This exceptional amulet can be regarded as the number one amulet of all time in Thailand, not only due to its historical significance but also because of its legendary reputation and the enduring fame of its maker. Somdej Pra Puttajarn's status as the greatest amulet maker in Thai history is unparalleled, and his Pra Somdej amulets are highly prized by collectors and devotees alike for their exceptional quality, beauty, and spiritual power.
As the creator of the Pra Somdej Wat Rakang, Somdej Pra Puttajarn has left an indelible mark on the world of Thai amulets. His amulets are highly sought after, not only for their historical significance but also for the spiritual power and blessings they are believed to possess. The Pra Somdej Wat Rakang, in particular, is considered a rare and precious artifact, imbued with the wisdom and spiritual energy of its creator. Its reputation as one of the most famous and revered amulets in Thai history is a testament to the enduring legacy of Somdej Pra Puttajarn and the timeless appeal of his craftsmanship.
The Pra Somdej Amulets of Somdej Dto, are officially recognized as coming from one (or all) of four Royal temples Classed as three, because Wat Bang Khun Prohm Nai and Wat Intra Wiharn Bang Khun Prohm, are both located within the same temple boundary). Namely; Wat Intra Wiharn (Bang Khun Prohm Nai), Wat Gaes Chaiyo, Wat Mai Bang Khun Prom, and of course last but not least, Wat Rakang Kositaram. Most of these amulets are given a Puttapisek blessing ceremony in the temple where they were made, but then travel to at least two or three of the other temples to be laid under the 'Pra Pratan' (main Buddha statue in the shrine), and absorb the prayers of the Sangha (Monks), for further sacredness and power.
Points of Comparison
The Pra Somdej amulet, is one of the 'Benja Pakee' official set of five national amulets of Thailand seen as the most sacred, desirable and representative of every region of Thailand. In recent decades various Kru hiding place finds have been discovered in temples where Somdej Dto built statues and traveled, such as the Kru Wat Kanlayanamit, and Kru Wat Sadter finds. The contents of the Muan Sarn Sacred Clay reveal the necessary aspects and content expected from an authentic Pra Somdej Wat Rakang. The design of the front face is exquisite, as were all the block presses carved for Somdej Dto by the artisan Luang Wijarn, one of the royal artisans of the Chang Sip Moo group of artisans.
The Pra Somdej Wat Rakang is one of the classic Pra Somdej amulets of Somdej Dto available, along with Pra Somdej Wat Gaes Chaiyo, and the Pra Somdej Wat Bang Khun Prohm amulet as far as popularity, beauty, sacredness of Puttapisek ceremony and price range.
The Pra Somdej Wat Rakang amulet is the Keystone and Master amulet (Ongk Kroo) for all other Pra Somdej amulets. It is an image in the likeness of the Buddha sitting on a Dais, which was essentially created by Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram. There are various different ‘Pim’ (models) with varying design features
The Pra Somdej Wat Rakang, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Dto. Its general appearance is that of an oblong about 2.4 cm wide up to 4 cm high (varies between these sizes), made from white sacred powders mixed together.
The Pra Somdej Wat Rakang Kositaram Pim Gaes Talu Sum is Similar to the Pra Somdej Pim Pra Pratan, but has the ‘Pra Gaes’ Topknot piercing the arch at the top of the amulet. The Pim Jarod Sum touches the arch or approaches it.
The main Ingredients of the amulets (Muan Sarn Samkan) were made from a base of sea shells, dried rice left from alms round, the five sacred magic powders of Somdej Dto, and ‘Nam Man Dtang Iw’ (special oil for mixing). Nam Man Dtang Iw, or Tung Oil in English, is a preferred oil for mixing and curing amulets with, for it is superior to any other oil as far as water resistance is concerned (one reason why Pra Somdej amulets can be soaked in water without going soft). The oil is much more resistant to mold than its derivatives, such as linseed oil.
In the Wongarn Pra Niyom Amulet Aficionado circles, this is called 'Nuea Rak Dtaay' meaning 'the lacquer has passed away'. This is used to refer to the effect of the laquer breaking off leaving stains in a crackled pattern, that lends an effect to the surface of the amulets, and only serves to enrichen its character and eye- pleasing effect. Some exhibits remain with highly evident lacquer traces, whereas others have been cleaned at some point (some devotees would clean the amulets, others would leave them in their natural state, according to personal preference).
The Dtamra must be made by creating exactly 84,000 amulets, equal to the number of Suttas of the Tripitaka. There are different Pim Song (shapes and sizes) of Pra Somdej Wat Rakang, but those which are officially recognized and listed by the ‘wongarn Pra Krueang’ as far as Somdej Wat Rakang amulets are concerned, basically consist of the following officially recognised Pim of Pra Somdej amulets; Pim Pra Pratan, Pim Yai Niyom, Pim Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Gaes Talu Sum, and Pim Thaan Saem.
The Pra Somdej Wat Rakang amulet is the Keystone and Master amulet (Ongk Kroo) for all other Pra Somdej amulets. It is an image in the likeness of the Buddha sitting on a Dais, which was essentially created by Somdej Pra Puttajarn (Dto) Prohmrangsri, of Wat Rakang Kositaram. There are various different ‘Pim’ (models) with varying design features.
The Pra Somdej Wat Rakang, are considered to have extremely powerful Buddha magic in them due to the richness of sacred powders and powerful blessings contained within from great master Somdej Dto. Its general appearance is that of an oblong about 2.4 cm wide up to 4 cm high (varies between these sizes), made from white sacred powders mixed together. The Pra Somdej Wat Rakang Kositaram Pim Gaes Talu Sum is Similar to the Pra Somdej Pim Pra Pratan, but has the ‘Pra Gaes’ Topknot piercing the arch at the top of the amulet. The Pim Jarod Sum touches the arch or approaches it, but does not pierce.
The main Ingredients of the amulets (Muan Sarn Samkan) were made from a base of sea shells, dried rice left from alms round, the five sacred magic powders of Somdej Dto, and ‘Nam Man Dtang Iw’ (special oil for mixing). Nam Man Dtang Iw, or Tung Oil in English, is a preferred oil for mixing and curing amulets with, for it is superior to any other oil as far as water resistance is concerned (one reason why Pra Somdej amulets can be soaked in water without going soft). The oil is much more resistant to mold than its derivatives, such as linseed oil.
The Dtamra must be made by creating exactly 84,000 amulets, equal to the number of Suttas of the Tripitaka. There are different Pim Song (shapes and sizes) of Pra Somdej Wat Rakang, but those which are officially recognized and listed by the ‘wongarn Pra Krueang’ as far as Somdej Wat Rakang amulets are concerned, basically consist of the following officially recognised Pim of Pra Somdej amulets; Pim Pra Pratan, Pim Yai Niyom, Pim Chedi, Pim Prok Po, Pim Gaes Bua Dtum, Pim Gaes Talu Sum, and Pim Thaan Saem.
Somdej Wat Rakang amulets have various surface textures, categorized as 'Nuea Laiad' (fine texture cement mixture), 'Nuea Hyaab'' (rough textured cement mixture), 'Nuea Gae Nam Man Dtang Iw' (old looking textured cement mixture), otherwise known as 'Nuea Sangkhayaa', and 'Nuea Gae Bpoon' (old cement mixture).The basic structure of the design of the classic Somdej, (and almost all Somdej amulets from other temples too), is that of the Lord Buddha sitting inside a Bell (the word 'Rakang' means 'Bell' – 'Wat Rakang' means 'Temple of the Bell').
This is the primary importance of the Somdej amulet in the sense that Somdej from most temples depict the Buddha sitting within a bell which is represented by the arch. The arched structure in amulets is called a 'Sum'. Although these rules do not necessarily always apply (there are a lot of Somdej which are in circulation which are most certainly authentic, but which are not preferred in the collector scene)
There are many less preferred editions which do not fulfill these standard rules of recognition, which is of course one of the reasons why some Somdej Wat Rakang amulets are able to sell for high prices and enter competition, get certificated etc, and why some are not, despite their most probable, or in some case, certain authenticity.
The difference in the various mixtures made for each 'Pim' have led to differing textures and appearances in the Pra Somdej collections, which provides for a varied and fascinating niche interest, which one can verily spend a whole lifetime studying and accumulating experience and knowledge about this, the King of all amulets.
