An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An absolutely pristinely well-kept exhibit of the highly documented and preferred Pra Somdej Sae Yid Khang Yant Unalome Ancient Buddha Amulet, seated on 13 Tiered Dais, with split torso design (Ok Wee), and 'Hak Sork' (broken elbows) an extremely rare and classic Sacred Votive tablet from Olden days Master Luang Phu Liam of Wat Sri Rueang Bun, and is an esteemed member of the Dtamra Pra Somdej of Master Class Status.
The image, and the aspects of the Muan Sarn Sacred Powders, have the inimitable features of the style of amulets which are so highly recognisable, as those of Luang Phu Liam, of Wat Sri Rueang Bun. The slim torso, has a split all the way down the middle (Ok Wee) and slanted curved elliptical elongated ears (Hoo Bai Sri).
Below; the rear face reveals the fine Puttakun Powders and other Yantra Powders, and elements of Muan Sarn present within the Sacred Clay.
Luang Por Liam of Wat Sri Rueang Bun is a monk whose life story is not so very well recorded, because he was one of the gaeji Ajarn of Olden days, in times when it was still not common practice to record the Biographies of Monks, but from gathering info from many different books and articles, it is possible to piece together the most important facts.
Luang Phu Liam was the Abbot of Wat Sri Rueang Bun between 2457 and 2480 BE, after which he retired from the duties of Abbot due to old age and and lived until the year 2488 BE when he died at the age of 82 . Luang Phu Liam was born in theIsan country, who after his ordination as a monk, began the practice of Tudong solitary wandering, and wandered westwards until he reached Nontaburi.
It was here that Luang Phu Liam stopped, to dwell in the area close by to Wat Sri Rueang Bun, and this is how he came to stay there. He was known for his diligence and self controlled practice of Vinaya in the 227 Rules of practice of Ordained Bhikkhus.
The local devotees of Wat Sri Rueang Bun had great reverence for Luang Phu Liam, for his merciful abilities in Traditional Medicine and Healing Practices. At the time that Luang Phu Liam came to stay at Wat Sri Rueang Bun, the temple was in disarray, with hardly any monks staying there, and the temple had no Abbot.
So the local folk beseeched Luang Phu Liam to stay there permanently and be the Abbot. Luang Phu was about 55 years old at that time, and Wat Sri Rueang Bun was a very peaceful small temple with open spaces, which fitted with his advanced practices of serenity and silence.
And so, Luang Phu accepted the offer to remain at Wat Sri Rueang Bun. Luang Phu became very renowned for his abilities to spray holy water and banish ghosts and demons who had possessed people, and even victims of rabid dog bites, who were howling with madness, would be instantly healed when Luang Phu performed his holy water ceremony on them.
As time passed, Luang Phu began to restore and build up the temple, and the people's faith and reverence for his selfless deeds grew and grew, and devotees began to increase steadily, coming to help Luang Phu in the development of the temple. As Luang Phu saw so many devotees come to help with the work and to make donations, he felt the need to give them something in return for their help, and to protect them and bring them good fortunes.
So Luang Phu began to make Pong Lop Sacred Yantra powders and performed his most powerful Metta Maha Niyom Magic to empower them, and mixed them according to the Dtamra Pra Somdej with Plueak Hoy seashell powders, to add Kong Grapan Chadtri power along with Kluay Nam Wa bananas, in the same formula used by Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram.
He then pressed these powders into the form of amulets, which consisted of 20 or so different design models. The artisans who made the 'Mae Pim' block press molds were expert in their work and created the different designs based on the same form as was used by the Great Luang Phu Poo of Wat Intra, and also basing some designs on models from the Dtamra Wat Chalerm Pragiart, and the amulets of Luang Por Kram of Wat Pra Ngern.
In addition, a few original design models were created, that are particular to Luang Phu Liam, which completed this pantheon of 20 or so amulets. The amulets were finished in 2470 BE, and Luang Phu began to empower them with blessings continuously for the whole ten years of his time as Abbot, and to hand them out slowly to the devotees over the years which came to pass from then onwards.
Luang Phu did not bury any of the amulets in Gru Chamberand kept them in the open air always, and so all of his amulets have a very clean and smooth appearance, with no Kraap Gru mildew on them.
The sacredness of these almost Century old amulets are indisputable for their great age, and the fact that Luang Phu Liam made them for the purpose of free distribution to the devotees, with completely pure intentions, giving them his most diligent efforts and intense empowerment. The amulets of Luang Phu Liam are an immensely attractive alternative to the much more expensive amulets of Luang Phu Poo of Wat Intrawiharn (Bang Khun Prohm), being of great age and with complete adherence to the Dtamra Pra Somdej.
