An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Somdej Pim Chedi Norn Wat Lakorn Tam, 'Nuea Graeng' (marbled stone hard clay) released in 2495 BE, made from 'Nuea Pra Somdej Wat Rakang Gao' (broken pieces of ancient Pra Somdej Wat Rakang Kositaram amulets of Somdej Pra Puttajarn (Dto) Prohmrangsri). Amulet measures 4.5 x 2.5 Cm.
A very attractive votive tablet with Buddha in the 'Khat Samati' posture seated on a single tiered dais, within an arch. The Dais is situated over the sleeping Chedi Stupa of Wat lakorn Tam, one of two laying down Chedi Stupas built by the Great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram.
The Pra Somdej Chedi Norn is a Pim that represents the 'sleeping Chedi Stupas' at Wat Lakorn Tam. The temple of Wat Lakoirn Tam was close to Wat Rakang Kositaram, and it was the Great Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram who financed and installed two sleeping Chedi Stupas at the temple.
Three different Masters of the Somdej Pra Puttajarn (Dto) Prohmrangsri lineage and makers of the Pra Somdej within the Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri, have made this model of amulet, namely Luang Phu Nak, Luang Phu Hin, and Luang Por Supoj. Each Master pressed and blessed his own versions.
The clay of this exhibit can be classified as Nuea Graeng (Stonelike Hardened Muan Sarn Clay) and has visibly similar characteristics to the clay of Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri, except the fact that the clay is much younger.
The study of the ageing characteristics of the clay is in itself, is part of the study of the Muan Sarn Sacred Powders of Pra Somdej Wat Rakang Kositaram, to see how authentic Pong Gao Wat Rakang Kositaram amulets made in different time periods develop their appearance and surface textures, and how to learn to recognise authentic Pra Somdej Wat Rakang Kositaram, by being able to estimate how old the clay is of a particular amulet. This exhibit is a perfect study model, as well as being a very rare and sacred votive tablet for Bucha.
This pim is one of a pantheon of Pra Somdej amulets released around 2495 BE, by the great Luang Phu Nak of Wat Rakang Kositaram, and is a rare Pim that has its own special Niche group of devotees who collect and revere them especially.
A very rare authentic Ancient and Sacred amulet from Luang Phu Nak, one of the Great Abbots of Wat Rakang Kositaram temple. The Pra Somdej of Luang Phu Nak are extremely sought after by both Thai Buddhists and Foreign Devotees alike, for the fact that Luang Phu Nak used more old Pra Somdej amulets from LP Dto Prohmrangsri than any other masters of Wat Rakang History.
This exhibit has a smooth dense marble-like creamy clay, that is well hardened with age (Nuea Graeng), and is an extremely attractive exhibit for these features.
The 2495 BE edition is a highly recommendable amulet for devotees who seek a top class amulet at a still affordable price. that is prestigious, sacred, and of high Pedigree. Luang Phu Nak is known to have released editions in the years 2485 - 2495, 2499, 2500, 2504, 2507 and 2509 BE and his final edition Sae Yid 7 Rorb of 2511 BE, as well as releasing editions at other temples.
These amulets are the perfect and best second choice to the Pra Somdej Wat Rakang amulets made by Somdej Dto Prohmrangsri which have now become either unavailable, or too expensive to even consider renting.
The amulets of Luang Phu Nak are also a perfect reference material for the study of Muan Sarn Sacred Powders of the Wat Rakang Kositaram amulet of Somdej Pra Puttajarn (Dto) Prohmrangsri, due to the presence of large quantity of original Pra Somdej Somdej Pra Puttajarn (Dto) Prohmrangsri within the sacred clay of Luang Phu Nak's amulets.
Luang Phu Nak's first edition of amulets was made in 2485 BE along with the Pra Somdej Song Taewada Ok Dtan, the Pra Somdej Sam Liam (triangle shape), and the Pra Somdej Dto Nang Borigam models.
The Pra Somdej amulets made by Luang Phu Nak contained a massive quantity of crushed up Pra Somdej amulets made by Somdej Dto Prohmrangsri of Wat Rakang.
The amulets were from a repository which Luang Phu Nak had collected over the years, from Looksit who brought their broken amulets to return to the Temple, as well as a sackful he found in the roof of the Prayer Room ('Bote' in Thai). They are thus the second choice of those wishing to posess the magic of Pra Somdej Wat Rakang LP Dto Prohmrangsri.
Luang Phu Nak believed that the Pra Somdej amulets made by Somdej Dto had inimitable magical qualities and special power within the Muan Sarn (sacred powder used to make the amulets), and because of the meditative power of Somdej Dto who blessed them.
Therefore apart from being made by one of Thailands great gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture, rendering them powerful through the incantations and Yantra Inscriptions of Somdej Pra Puttajarn (Dto) Prohmrangsri himself, through transmission of Muan Sarn Sacred Powders.
In our opinion, the only main difference between this amulet and an original Somdej Dto is the price, and the face that the Somdej Dto amulets are perhaps more of something to brag about, which is not really the intended reason for owning an amulet. Sacred Thai Amulets are intended primarily as Puttanussadti (remembrance and respect to the Buddha), especially Pra Somdej.
The surface of the amulet is smooth to touch, and shows authenticity through its dryness and the signs of aging when examined using the criteria used by experts for authentication of sacred ancient amulets. This exhibit has a very crisp and clear relief and is highly defined, which is referred to in the special vocabulary of the amulet community as 'Nuea Graeng', which is a more marble-like domino-dense admixture which despite dryness, tends to have a shiny 'wet-look' to it. The other main type of texture used in amulet communities is 'Nuea Jad' meaning something like 'very crisp detailed relief'
This Pra Somdej, apart from being made by one of Thailands great Gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture too. This also makes complete sense, with Luang Phu Nak being a subsequent Gaeji Ajarn of Wat Rakang Kositaram, and a Looksit of Somdej Pra Puttajarn (Dto) Prohmrangsri.
Luang Phu Nak's amulets are of great popularity because they are a great alternative to the original and extremely expensive Somdej Dto amulets, and are considered to be powerful and sacred through their use of the broken amulets and powders of Somdej Pra Puttajarn (Dto) Prohmrangsri, and the blessings of Luang Phu Nak.
The chances of owning an amulet like this are becoming less and less in recent years, and soon it will be practically impossible to obtain authentic old Wat Rakang amulets. There are ever more collectors and ever less amulets on the market, and there is no higher esteemed amulet than the Pra Somdej Wat Rakang Kositaram family. The amulets were made using the following ingredients
Powder from the chalk sticks used in the making of Pong Saksit (sacred powder for amulet making), Rice fragments kept by Luang Por Dto, the 5 Sacred Powders of; 1. Pong Putta Kun, 2. Pong Bpatamang, 3. Pong Trinisinghae, 4. Pong Maha Rach, 5. Pong Itti Jae Powder
The chalks used in the making of the Bpatamang, Trinisinghe Maharach and Itijae powders were mixed with sacred water that squeezed from the leaves of seven kinds of Thai plant including Bai Tamlueng , Yord Sawad, Yod Ga Hlong, Yod Raksorn,Chaiyapruek, Rachapreuk and Dork Mali (jasmine).
All of the ingredients of the Wat Rakang amulets were mixed with;
Nuea Pong (powder substances), Klee Saema (broken pieces of temple wall stones, Gaesorn Sut Bongot (pollen from the Bongot lotus flower), Kluay Nam Tai (a kind of Thai banana) mixed with sap from the rubber tree (Yang Madtum), Plueak Hoy (white clam shells), Nam Man Jantr (jasmine oil), Nam Man Dtang Iw (aromatic resinous oil used to congeal and cement the amulet mix with).
One hundred and eight kinds of flowers collected by LP Dto Prohmrangsri, Sacred powders and pollens (Pong Saksit), Pong Bpatamang - Klaew Klaad Kong Grapan, (protection from injury and accidents), Pong Puttakun - for great charm and avoid danger (Maha Sanaeh and Klaew Klaad magic), Pong Tri Ni Singhe - attractiveness...., Pong Maha Rach - power and respect.
Pong Itijae Powder - Metta Mahaniyom - this increases the likability of the wearer of this magic, Sacred Flowers and magical plants, Dork Sawad - Metta Mahaniyom, Sanaeh, Dork Gahlong - love charm., Dork Raksorn - love and metta, Dork Ga Fag Rak - love and attraction charm...., Dork Chayapruek - power and protection from danger, Dork Rachapruek - Amnaj and Klaew Klaad (commanding power and avoid accidents), Dork Waanangkurm -Kong Grapan Klaew Klaad, Dork Waan - Klaew Klaad, Dork Waan Sanah Junkhao - charm and protection from danger.
Dork Wan Sanah Jundum - charm and protection from danger, Dork Wan Sanah Jundang - charm and protection from danger, Dork Wannangkuak - charm, Waan Pra Buddha Jaoluang - charm and protection from danger, Bai Plu Ruam Jai - charm, Bai Plu Song Tang - charm and protection from danger, Pong Gaesorn Ha Bua - five lotus pollens, Kesorn 108 - charm and protection from danger.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
