An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Putta Chinarat (Pra Pong Rasamee) by Venerable Jao Chuy, Wat Sam Plerm, B.E. 2475. An extremely sacred and rare amulet from one of the great abbots of one of Thailand's most famous ancient-amulet temples, which was encased in gold long before the current extremely high gold prices arrived, and is hence an extremely wise purchase, not only for the rare and sacred Putta Chinarat amulet of this Great Master-Monk, but also because the pricing would not be possible with today's gold prices, if it were to be encased in the present day, for this would make the amulet even more expensive.
Although the question refers to "Pra Putta Chinarat," verifiable sources predominantly refer to this series as "Pra Pong Rasamee" and "Pra Leb Mer," with the full name being "Pra Phim Leb Mer Sum Chinarat." This is an important point that must be thoroughly understood in the report details to ensure accuracy according to popular usage in the field.
1: The Genesis of the Sacred Lineage: History of Pra Mongkol Tipyamuni (Venerable Jao Chuy) and Pra Pong Rasamee B.E. 2475
1.1 Brief History of Wat Chakrawat Rachawat (Wat Sam Plerm)
Wat Sam Plerm, officially known as Wat Chakrawat Rachawat Woramahawihan, is an ancient temple dating back to the Ayutthaya period. Originally called Wat Nang Plerm or Wat Sam Plerm, it was later renovated in B.E. 2362 by Jao Praya Bodin decha (Singh Singha senee) and received a new royal name from King Rama III in B.E. 2368.
The creation of this amulet series in B.E. 2475 occurred during a significant period of historical change in Thailand - the Siamese Revolution of 1932, which transformed the government system from absolute monarchy to constitutional monarchy. While there is no direct evidence linking this amulet creation to these events, the social and political turbulence of this period created uncertainty, making it a time when people sought spiritual anchors. The creation of sacred objects thus held special significance as spiritual guidance through difficult times, adding social value to amulets created during this era.
1.2 Biography and Sacred Lineage of Pra Mongkol Tipyamuni (Venerable Jao Chuy)
Pra Mongkol Tipyamuni (Venerable Jao Chuy) of Wat Sam Plerm was a highly revered monk of his era, renowned for his expertise in Vipassana meditation. Most importantly, he was a direct disciple who inherited the sacred knowledge from Venerable Jao Ma of Wat Sam Plerm, the great master who created the legendary Pra Chaiwat amulets that remain highly sought after today.
Being a close disciple of Venerable Jao Ma was not merely historical information but the heart that determined this amulet series' value. Direct succession meant receiving transmission of both amulet-making techniques and sacred mystical knowledge. This connection is why Venerable Jao Chuy's Pra Pong Rasamee gained widespread acceptance and is confirmed to be able to "substitute" for Venerable Jao Ma's amulets with complete confidence, without doubting the inherited sacred properties.
2: The Essence of Sacred Power: Materials and Creation of Pra Pong Rasamee B.E. 2475
2.1 Primary Material Components
The sacred objects created by Venerable Jao Chuy in B.E. 2475 were powder amulets made with materials crucial to the amulet world, consisting of "powder from burned old palm leaf manuscripts" mixed with "fragments of many broken ancient Buddha images from Wat Sam Plerm." Most specimens found have powder mixed with or dipped in lacquer, giving them black or dark brown colors, though some rare white powder dipped in lacquer specimens exist.
2.2 Sacred Material Transformation from Ancient Objects
Using fragments of broken ancient Buddha images from Wat Sam Plerm as primary materials was not merely recycling old materials but transmitting sacred power in physical form. Since the early Buddha images of Wat Sam Plerm (from Venerable Jao Ma's era) were recognized as possessing high sacred power and being rare, when they became damaged over time, Venerable Jao Chuy incorporated these fragments as key components. This directly transmitted the Buddha's sacred power from old to new series, making Pra Pong Rasamee B.E. 2475 not start from zero but inherit sacred power already blessed by past great masters.
This practice is the main reason why Venerable Jao Chuy's amulets are said to possess "overflowing, indescribable" sacred power, especially in protective qualities believed equivalent to the original Wat Sam Plerm Buddha images, while also excelling in loving-kindness attraction.
3: Catalog of Molds: The Diversity of Pra Pong Rasamee B.E. 2475
From collected data, the main mold types of Pra Pong Rasamee by Venerable Jao Chuy, Wat Sam Plerm, B.E. 2475 can be classified as follows, with "Phim Leb Mer" (Fingernail Mold) being the most frequently mentioned:
3.1 Main Mold Classification and Important Characteristics
- Pim Leb Mer: The most frequently mentioned mold
- Pim Khao Larm Dhat: Confirmed in some data sources
- Pm Rasamee: Often called together with Phim Leb Mer, featuring clear radiating lines around the Buddha image
- Pim Sum Chinarat: Some sources refer to "Phim Leb Mer Sum Chinarat," corresponding directly to the user's reference to "Pra Putta Chinarat"
3.2 Distinctive Features and Back Considerations
The crucial characteristic serving as the "decisive point" for authenticating this series is the stamped yantra on the back, which all sources consistently describe as having "deep-stamped yantra (Ang)." This yantra is pressed deep into the amulet material and serves as the most important identification point for collectors.
4: Consecration Ceremony: Seeking the Absolute Truth
After thorough investigation of relevant data sources, the following facts were found:
- Information about ceremonies in B.E. 2564 at Wat Pra Sri Rattana Mahatat, Phitsanulok, refers to modern Putta Chinarat creation ceremonies, not related to Venerable Jao Chuy's B.E. 2475 amulets created in Bangkok.
- Lists of contemporary monks who could not possibly have participated in B.E. 2475 ceremonies nearly a century ago.
- Information about later Wat Sam Plerm ceremonies in B.E. 2515 and 2544 refers to different eras entirely.
Research Conclusion: No reliable or verified information from amulet field sources specifically identifies the monks who participated in the consecration ceremony for Pra Pong Rasamee by Venerable Jao Chuy, B.E. 2475. Including unrelated information would constitute "fabricating distorted content," contradicting the strict principles emphasized. Therefore, this report honestly states "no information available" in this section.
5: Authentication Principles and Conclusion
5.1 Authentication Points
Authentication of Pra Pong Rasamee should focus primarily on mold design and material composition:
- Mold Design: Focus on accepted molds including Phim Leb Mer, Phim Khao Lam Tat, Phim Rasamee, and Phim Sum Chinarat
- Material Composition: Most amulets have powder mixed with or dipped in lacquer, appearing black or dark brown, containing burned palm leaf powder and possibly visible fragments of ancient broken Buddha images
- Back Characteristics: The most decisive point is the "deep-stamped yantra (Ang)" - the unique characteristic of this series
5.2 Recommendations
The true value of Pra Pong Rasamee by Venerable Jao Chuy, Wat Sam Plerm, B.E. 2475 lies not in the list of consecrating monks (which is unclear) but in the authentic sacred lineage and inherited Buddha power.
First: This series was created by Venerable Jao Chuy, a direct disciple who received knowledge transmission from Venerable Jao Ma, creator of the renowned Pra Chaiwat.
Second: This series was made from sacred materials - fragments of broken Wat Sam Plerm Buddha images already consecrated by ancient masters.
These two factors make Pra Pong Rasamee serve as a worthy "substitute" filled with sacred power and authentic lineage for those wanting to collect Wat Sam Plerm lineage amulets but unable to obtain Venerable Jao Ma’'s rare and highly valued Pra Chaiyawat.
Therefore, collectors are advised to focus on mold design and material composition, considering the amulet's completeness, especially the distinctive back yantra. Given the amulet's age, some surface opening or chipping is natural. If the amulet maintains good condition with natural aging, it is highly worthy of collection.
