An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Somdej Prok Po, Bodhi Canopy Pim, Luang Por Supot, Wat Sutat
The Silent Master: Luang Por Supot of Wat Sutat — The Tiger With Hidden Claws
Luang Por Supot, whose final ecclesiastical title was Phra Mongkhon Thep Moli, was widely known among insiders as Phra Kru Phutthamon Woracharn, or simply Phra Kru Supot. He was a senior monk of Wat Sutat during the era of Somdet Phra Ariyavongsagatayan, the Supreme Patriarch associated with the most legendary Phra Kring lineage in Thailand. He was a contemporary of figures such as Than Chao Khun Sri and Phra Kru Lamun — and yet, he remained quietly behind the scenes, mastering the ancient arts without seeking acclaim.
Luang Por Supot embodied the archetype of quiet mastery. Reserved, austere, and deeply internalized, he specialized in both scriptural study and Vipassana practice. Most critically, he mastered the ancient Wicha Lob Pong Sang Pong, the esoteric method of erasing and generating sacred powder formulas preserved within Wat Sutat. This placed him behind the scenes of major ritual preparations, where he handled both the sacred material composition and the inscription of yantra.
The Dhamma Brotherhood: Spiritual Alliance With Wat Rakang
A decisive factor behind the desirability of his Phra Somdej lies in his close spiritual relationship with masters from Wat Rakang, specifically Luang Pu Nak and Luang Pu Hin. During that period, Luang Por Supot regularly traveled to exchange Dhamma and esoteric knowledge with these monks. This was not casual association but a sustained intellectual and spiritual alliance. Through this bond, he was entrusted with what collectors consider among the most valuable material inheritances.
The Sacred Powder: Pure Somdej Wat Rakang Substance
Traditionally, when amulets were broken or damaged, especially those attributed to Somdet Phra Phutthachan To Phromrangsi, laypeople would not keep them. Instead, they returned them to the temple. Luang Pu Nak and Luang Pu Hin accumulated large quantities of these fragmented Somdej amulets. Due to their close relationship, they passed substantial amounts of these fragments to Luang Por Supot.
He then crushed these original Somdej Wat Rakang pieces into fine powder and blended them with his own Phong Phutthakhun, created through the Wat Sutat lineage method. Veteran collectors often state that his amulets are effectively reconstituted Somdej Wat Rakang pressed anew. The texture is dense yet soft, and under magnification, the material reveals white clusters, grey masses, black specks, and red inclusions characteristic of authentic Wat Rakang composition.
Resolving the Creation Date: BE 2484 — The Indochina War Era
There has been confusion regarding the production timeline. Historically, the amulets are widely accepted to have been created around B.E. 2484 during the period of the Franco-Thai War. They were intended as morale talismans for soldiers, police, and civilians. The association with B.E. 2497 likely arises from staggered distribution. Luang Por Supot did not release all amulets at once. Many remained stored and were gradually given to disciples over years, extending into the mid-2490s. Some pieces may also have participated in later consecration ceremonies, creating further chronological ambiguity.
The Pinnacle Consecration: The Indochina Phra Phuttha Chinnarat Ceremony
The defining moment for these amulets was their inclusion in one of the most significant consecration ceremonies in Thai history — the Indochina-era consecration of Phra Phuttha Chinnarat at Wat Sutat on February 1, B.E. 2485. This ceremony was presided over by Somdet Phra Ariyavongsagatayan, with Than Chao Khun Sri overseeing operations. A total of 108 of the most accomplished monks of the era participated, forming a concentration of ritual authority rarely equaled.
Notable participants included Luang Phor Jad, Luang Phor Jong, Luang Phor Kong, Luang Phor Ee, Luang Phor Chaem, Luang Phor Rung, Luang Phor Opasi, Luang Pu Phueak, Luang Phor Phum, and Luang Pu Nak of Wat Rakang himself, among many others.
The Bodhi Canopy Pim: Iconography and Structure
Among the various molds produced by Luang Por Supot, including Kaiser Pim, twin base Pim, and large head Pim, the Bodhi Canopy Pim stands out for both symbolism and identity. The front depicts the Buddha seated in meditation beneath the Bodhi tree canopy. This represents enlightenment, protection, and a state of inner coolness free from agitation and danger. The reverse is typically smooth, sometimes showing scraping marks or board impressions. Certain examples bear a pressed Yant Phut overlay or other Wat Sutat yantra marks, adding further distinction.
The material composition is a pale off-white sacred powder, aged and dry with a soft density. Under magnification, the embedded particles clearly reflect the mixed Somdej Wat Rakang heritage.
A Concealed Asset Awaiting Recognition
The Phra Somdej Bodhi Canopy Pim of Luang Por Supot, circa B.E. 2484, represents the convergence of two dominant streams: the material lineage of Somdet To of Wat Rakang, transmitted through Luang Pu Nak and Luang Pu Hin; and the collective psychic force of 108 master monks from the Indochina consecration at Wat Sutat. The resulting attributes are considered comprehensive, spanning metta maha niyom, protective invulnerability, and the cooling, stabilizing influence symbolized by the Bodhi canopy. It remains an undervalued amulet, positioned quietly within historical strata, yet carrying the compounded barami of multiple generations of realized monks.
The Historical Weight of the Empowerment Ceremony
The Indochina-era Phra Phuttha Chinnarat consecration at Wat Sutat in B.E. 2485 was not merely a religious event — it was a national act of spiritual mobilization. Occurring during wartime, it sought to fortify the nation’s moral and metaphysical defenses. Over 100 revered monks from across the kingdom gathered under the leadership of Somdet Phra Ariyavongsagatayan, the Supreme Patriarch of the time, to bless thousands of amulets, statues, and sacred objects destined for soldiers, officers, and civilians serving the nation. Luang Por Supot’s Pra Somdej, crafted from sacred fragments of Wat Rakang, was among the most potent offerings blessed in this historic rite.
This ceremony also served as a rare unification of regional lineages — bringing together masters from Bangkok, Ayutthaya, Nonthaburi, Chonburi, and beyond. Monks such as Luang Phor Pleng of Wat Prasat, Luang Phor Sod of Wat Pak Khlong Tha, and Luang Phor To of Wat Bang Krathum joined the assembly — each contributing their unique blessings to the collective energy of the event. The sheer number of participating monks — 108 — echoes the sacred numerology of Buddhist cosmology, signifying completeness, cosmic alignment, and the full spectrum of enlightened power.
The Legacy of Luang Por Supot: Quiet Power, Profound Influence
Though Luang Por Supot never sought fame, his legacy endures through the enduring potency of his creations. His amulets carry not only the physical substance of Somdet To’s original works but also the silent authority of his own disciplined hand, the spiritual alliance with Wat Rakang’s elders, and the concentrated merit of the 108-monk consecration. Collectors today recognize his work not for its flashy presentation, but for its depth — the kind of depth that only emerges from decades of silent devotion, precise craftsmanship, and profound spiritual transmission.
His amulets are not for show. They are for those who seek shelter, clarity, and resilience — whether in war, in business, in relationships, or in the quiet battles of daily life. The Bodhi Canopy Pim, in particular, offers more than protection — it offers peace. And in a world of noise and chaos, that peace is perhaps the rarest treasure of all.
