An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Luang Por Dto Bang Grating, By Luang Por Toon of Wat Po Nimit. - Classic 'Pim Niyom' Maha Ud amulet, Preferred by Serious Devotees and Collectors.
The Pra Luang Por Dto Bang Grating of Luang Por Toon, is a votive tablet in the image of a Buddha, sat in Meditation, and is a meritorious conservation of the original 400 - 200 Year old Ancient Amulet of the Ayuttaya Kingdom. The reason the original Pra Kru Wat bang Grating amulet is declared as 400 to 200 years old, is that the amulets were uncovered twice in the late nineteenth century. The original Pra Luang Por To was found in both Pang Samati (both hands laid together in meditation) and in the Pang Mara Vichai posture (subduing Mara with one hand resting on the knee touching the earth).
The second opening occurred, after a thief had broken unto the base of the Pra Pratan Buddha Image of the Uposadha of Wat Bang Grating, and stolen many amulets, along with the original Mae Pim Block Press Mold which was also discovered in the original discovery.
And so, the temple reopened the Kru Chamber, to release the rest of the amulets to the public in order to prevent any ore thieves from stealing them. The Grom Silapa Ministry of Buddhist Arts was called to examine them, and it turned out that the second chamber contained a bath that had been created at a later date, around the end of the Ayuttaya Era and the Beginning of the Ratanakosin Era Hence, the Original pra Kru Wat bang Grating has two different grades, those which are of 4 centuries of age, and those which are 2 centuries old.
This is one of the rarer Pim of this 2512 BE edition, which was created by Luang Por Toon, and blessed in Buddha Abhiseka along with some of that Era's most powerful and famous Guru Master Monks.This is a 'Pra Kroo' 'Teacher Amulet' to see and recognise the dryness and texture and aging signs of a truly authentic amulet of that era. Once you have seen the real effect of natural aging and dessication over time, it will be difficult for your eyes to be fooled by amulets which look ancient, but are not as old as they claim to be. For this reason, the Pra Luang Por Dto Luang Por Toon of Wat Taep Nimit, is a perfect study exhibit for your armory of research data.
The blessing ceremony included the presence of Luang Phu To, of Wat Pradoo Chimplee, Luang Por Seng of Wat Kanlayanamit, Luang Por Sa, of Wat Racha Nadda, and Luang Por Tira of Wat Pha Lelai.
This amulet, is a Classic Pim Niyom Amulet using the same formulas of Muan Sarn as used in the Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri for the making of Pra Somdej amulets, And the perfect study example for investigation and study of the Pra Somdej Wat Rakang amulet, For a similarity and differences to the making method used by the original Master.
This is true despite the much younger age of the amulet, which reveals the content of the Sacred Powders, and reveals how they wold have looked as they were of less age. The amulet is used by students of the Dtamra Pra Somdej Wat Rakang Kositaram, to investigate the various elements of the five Sacred Powders which are made in the Dtamra.
Luang Por Toon is an inheritance linage Master who has continued that exact formula according to the formula given by Somdej Pra Puttajarn Dto and is amulets are included in the catalog of the ten officially accepted Masters of the Dtamra Pra Somdej.
Seated in the Pang Samati Raab Posture, of Meditative Contemplation, seated within a flamed arch ('Sum Ganok'). The 'Pra Siarn' (head of the Buddha) is serene. 'Hoo Yaan' (elongated ears) - 'Pra Moli' (Topknot) and 'Pra Gaes' (Peak of Topknot) are short and sturdy. The natural dessication process which is impossible to authentically replicate in fakes, is clearly visible here as a sacred powder amulet which has endured decades of exposure to varying humidities of the atmosphere around it, producing a perfect 'Ongk Kroo' (Teacher Amulet ), used as a reference study for comparisons.
The Yantra design of the rear face is engraved like a groove into the rear face with Sacred Na designs either side.
Now an extreme rarity from a Great Master who is listed in the ten Master Makers of Pra Somdej Amulets accepted in the Most Puritan Pra Somdej appreciation Societies. The Yantra design of the rear face is engraved like a groove into the rear face, with Sacred Agkhara Spells either side. The word 'Bodhi (Po, for 'Wat Po Nimit') is embossed on the lower part of the amulet, defining its origin.
The amulet measures 3.5 x 2.5 Centimeters, and is renowned for Maha Ud Magic, for Invincibility over Enemies, and Klaew Klaad Evasion of Deadly Dangers.
The Muan Sarn powders of Luang Por Toon are both classic and inimitable, giving surety to the owner of their authenticity and Sacred Value as true amulets of the Ten Temples of the Hall of Fame of Pra Somdej Makers.
