An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
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The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
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The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
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When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
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Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
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It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
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The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
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‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
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This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
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Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Kot Kala Mai Mee Ta eyeless miniature coconut anomaly, hand carved with the Pra Rahu carved Asura Deva God, with Kring Bead insert and gold leaf closure on base. The Kot Kala Phueak Mai Mee Ta is one of the extreme rarities of the amulet pantheon from a highly preferred top masters of Wicha Pra Rahu, Luang Por Pin, and his Mentor and Kroo Ba Ajarn in Magic, LP Noi. of Wat Srisa Tong, in Nakorn Pathom.
A beautifully hand carved miniature eyeless coconut anomaly, in Nuea Kala Phueak albino coconut shell. There are many levels of detail found in the carved Kala Mai Mee Ta of Luang Por Pin and LP Noi, ranging from that of the simple village artisan, to the fine master craftsman.This exhibit is a Kot Kala Mai Mee Ta Phueak, minature self enclosed eyeless coconut shell, and is in very rare albino coconut shell. Although the Kot Kala Mai Mee Ta was released by Luang Por Pin after the passing of Luang Por Noi in the Piti Bucha Kroo Ceremony, it was in fact made and empowered through both Masters over the final era of Luang Por Noi. This can be seen by observing various factors, such as ageing sings, and inscriptions.
The word 'Kot' means 'anomaly'. Eyeless Coconut is even more powerful than one eyed coconut in Thai Magical Belief System. The Albino Eyeless Kot Kala Mini Coconut Anomaly is of course considered perhaps the rarest of all Kot Kala. This amulet comes (as do all) with free registered air parcel shipping worldwide, and a free gift. The Kot Kala amulet is exquisitely carved with Laoatian influenced Buddhist Art eminently visible with the triangular crown worn by Pra Rahu, and other fine details which show the carving was made by one of the Lao Ethnic Artisans who had moved since earlier generations to Nakorn Pathom, and blessed and inscribed with Agkhara.
This amulet is of the size which allows a multitude of forms of casing (extra cost depending on material), and we have the extra option of Gold Micron Bubble Casing with Rhinestones, for those who like a Luxurious Look to their amulet frames. Otherwise you can choose stainless steel, acrylic waterproof, silver plated, solid silver waterproof, or solid gold. This Kot Kala is truly a very rare Ritual Artifact for Wearing as an amulet, or a Mini Bucha for Altar Worship with the World Famous Wicha of Wat Srisa Tong, empowered with the Magic of the preceding Lineage Masters of Wat Srisa Tong; Luang Por Dto, Luang Por Dtrai, Luang Por Dtan, Luang Por Lee, Luang Por Tong, Luang Por Choi, and his Kroo Ba Ajarn Luang Por Noi before him.
The Look Kala Ta Diaw, and Kot Kala Mai Mee Ta and Pra Rahu Sema Glab amulets of Luang Por Pin are for Bucha to Pra Rahu Asura Deva of the Solar and Lunar Eclipse. Tjhis exhibit is carved by a top artisan of Wat Sri Sa Tong, and empowere in ceremony during the eclipses of sun and moon, in Bucha Ceremony at Wat Srisa Tong, with Luang Por Pin, presiding over the Blessing Ceremony.
Luang Por Pin was the Looksit Aek (first and foremost apprentice in Wicha), to the Great Luang Por Noi, previous abbot of Wat Srisa Tong, who bestowed the Wicha onwards to Luang Por Pin in its entirety. The Wicha Pra Rahu Kala Ta Diaw of Wat Srisa Tong is perhaps the most famous of all temples in Thailand, with its lineage of great Guru Master Sorceror-Monks who have practiced this Wicha in lineage transmission since ancient times.
Both Luang Por Noi, and Luang Por Pin enjoy top status for Pra Rahu Kala Ta Diaw amulets, as does the temple of Wat Srisa Tong itself. When we speak of the Pra Rahu Sema Glab amulet in carved coconut shell, one immediately comes to mind with the names of Luang Por Noi, and Luang Por Pin being synonymous. If you feel that your Fate and Horoscope is not Auspicious, then it could be that Pra Rahu is interfering. You can solve this problem by making Bucha offerings to Pra Rahu every Wednesday; Light 10 black incense sticks (‘Toop’ in Thai), and five types of black offerings (e.g. black sticky rice, black jelly grass drink, black semolina or sago pudding and the like).
12 repetitons of the Kata Bucha Pra Rahu are to be Chanted;
Idtipiso Pakawaa Pra Rahuu Sataewaa Samaa Winyaana Idtipiso Pakawaa Putta Sangmi
Below; Magazine from the 1980's showing an example of the Kot Kala of Luang Por Pin, which already carried a price of 8000 Thai Baht half a century ago (circa 280$)
Kata Surya Buppaa (to be chanted in the daylight)
Gusaedto Ma Ma Gusaedto-dto Laalaa Ma Ma Dtolaamo Tolaamo Ma Ma Tolaamo Ma Ma Tolaamodtang Haegudti Ma Ma Haegudti
Kata Jantra Bupaa (to be chanted in the night time)
Yadt-thadtang Ma Ma Dtangthaya Dtawadtang Mamadtang Wadtidtang Saegaa Ma Ma Gaasaegang Gaadtiyang Ma Ma.Gaadtiyang Ma Ma Yadtigaa
When you begin to Bucha Rahu Deity, you should make the first ever session in the evening of a Wednesday (any time from 7 pm onwards). After you have done this once, you can make Bucha in the daytime if you wish, but the first time you must include the food offerings of black foods as well as the black incense. The second time onwards, only the incense is necessary in the daytime, if it is a lot of trouble to get the food offerings. The Pra Rahu Kala Ta Diaw of Luang Phu Noi and Luang Por Pin, are the most prestigious of all in the eyes of the Pra Niyom Collector Community, with the exception of the Great Lanna Master Kroo Ba Nanta of Wat Tung Man Dtai
The Rahu amulets of Wat Srisa Tong themselves were made by Artisans, who were devoted Looksit of Luang Por Noi, who were mostly immigrants from Vientiane, in Laos, who moved to Thailand during the early Ratanakosin Period of Thai History. Luang Por would then would distribute them back to the devotees for protection and Serm Duang (improve fate and destiny).
As the Lao artisans began to develop their skills and experience repeatedly carving the coconut shells, the design became ever more finely tuned and increasing in beauty, but due to the fact that there were a large number of artisans all making these carvings, the designs would be varied both in appearance of features, and in the quality and amount of detail.
Wat Srisa Tong
As the earthen foundations of the temple of Wat Srisa Tong were being dug for the building of the temple, a golden Buddha Head was discovered, and because of this, the Temple was first given the name 'Wat Hua Tong' which means 'Temple of the Golden Head'. The word 'Hua' means 'head' in colloquial Thai, but for referring to a Sacred Image of a Deity or a Buddha (or a Monk), the word 'Srisa', which also means 'Head', in high speech, is preferred. So the name was then changed later to 'Wat Srisa Tong'.
The first Abbot of the temple was Luang Por Dto, who was one of the Laoatian people who had immigrated from Vientiane. Luang Por Dtrai developed the temple continually. The Lao people who built the temple had many artisan who knew that Luang Por Dtrai had powerful Wicha Akom and the sectrets of the Laoatian Wicha Pra Rahu Om Jantr, and so they carved Rahu Amulets from one eyed coconut shells using the traditional Lao Artistic style, to give to Luang Por Dtrai for empowerment.
Over the years, Wat Srisa Tong grew constantly throughout the lineage of Abbots, from a small temple into a large impressive temple over the years. After Luang Por Dtrai's passing, he was succeeded by the new Abbot, Luang Por Dtan, who was succeeded by Luang Por Lee, who was then succeeded by Luang Por Tong, after which came Luang Por Choi, and then cam the fifth Abbot, Luang Por Noi Kantachodto.
It was the second Abbot, Luang Por Lee, who inherited and continued the Wicha Pra Rahu Om Jantr in the Lao tradition from Luang Por Dtrai. Luang Por Noi was also one of the Lao People of Srisa Tong municipality in Nakorn Chaysri, who during his time as a Buddhist Monk before becoming Abbot, was practicing at Wat Srisa Tong, and learned the Wicha of Luang Por Dtrai from Luang Por Lee, and ascended later to become the next Master Adept. This adepthood was supported by a strong foundation in the Wicha Pra Rahu Om Jantr from Luang Por Noi's Father, who was also a Laymaster of Lao Sorcery too, and who made carved Rahu amulets and empowered them.
So Luang Por Noi got to learn this Wicha from his Father from a very early age, and this made him the perfect apprentice for Luang Por Lee to pass on his Wicha of the Pra Rahu Om Jantr Kala Ta Diaw. Luang Por Noi brought the Wicha Pra Rahu Om Jantr Gae Kala Ta Diaw begun by Luang Por Dtrai, passed to him through Luang Por Lee, to World Fame, through his higher development of the artistic features of the artisanry and design of the carved coconut shell images.
Below; Luang Por Noi- Kroo Ba Ajarn of Luang Por Pin
Luang Por Noi did this by raising a more stringent rule for the magical requirements in allowing only coconuts with one single eye to be used for the carving of the Rahu image. Luang Por Noi then passed on in turn all of his accumulated knowledge and prowess and the secrets of empowerment of the Pra Rahu Kala Ta Diaw, to Luang Por Pin. It is then with Luang Por Pin that the Wicha Pra Rahu Kala Ta Diaw was given to preserve and continue. Luang Por Pin then became the Master of the Wicha after the Passing of Luang Por Noi.
Below; Luang Por Pin
The Wicha continued on with the next abbot Luang Por Manich, which also passed away now in 2559 BE. We await the appearance of the next Master of the Wicha Rahu of Wat Srisa Tong, and hope to find and present as many examples of the amulets of this lineage as we can over the coming years, to collect and admire.
