An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
`Sacred Look Om of Ya Chun Tobacco Wishing-Ball amulet of the Great Luang Por Songk Jantasaro Bhikkhu, of Wat Jao Fa Sala Loi, in Chumporn.
Luang Por Songk was a Gaeji Ajarn Master Monk of the Samatha-Vipassana method school of practice, who was highly revered both in Chumporn Province, and in Bangkok. He was very famous for being a very compassionate Monk who was always trying to help those in need, without discrimination of status or wealth.
He would give his fullest efforts when bestowing blessings on devotees, tirelessly performing his duties as a Buddhist Monk, and Representative of the Buddha. The image of Luang Por Songk, and anything of his personage, such as Civara Robe, Chewed Areca Betel leaf and nut, Tobacco, or his Hair, are said to be Sacred, and to possess the power to bestow blessings of Luang Por Songk. In the realm of mystical amulets and spiritual enchantments, the name Luang Por Songk Chantasaro shines with an ethereal brilliance. Devotees of Thai Buddhist amulets and followers of the revered Thai Buddhist Master Monks hold a deep reverence for the sacred artifacts and teachings of Luang Por Songk.
Luang Por Songk was born in Ban Wisai Nuea, Amphoe Sawee, Chumporn Province on Tuesday of the Year of the Tiger 2432 BE. His Mother and father, Mr. Daeng and Mrs. Nui were farmers. When he reached the age of 18 years old, he was ordained as a Samanera Novice Monk at Wat Sawee temple, which was close to his home. Luang Por Songk studied the Dhamma Vinaya for 2 years of ordination, and then disrobed to help his aging parents on the farm.
At the coming of age of 21, Luang Por Songk then re-ordained as a fully-fledged Bhikkhu in the Buddha-Sasana, with Pra Ajarn Chern as his Upachaya Ordaining Officer, who bestowed him with the new Monk Name of 'Jantasaro Bhikkhu'. Luang Por Songk then went to reside at Wat Kuan temple for a year to continue his study of Dhamma Vinaya, until he understood the complex 227 rules of conduct of Ordained Monks.
He then left Wat Kuan to further his experience and apply his practice, and to seek a Kroo Ba Ajarn to learn the methods of Samatha and Vipassana Kammathana Meditation. In those days, there were not any Advanced Masters of this particular method of practice in the locality of Chumporn, and so Luang Por Songk went on Tudong Forest wandering, and wandered through the wilderness, jungles and mountains of the surrounding provinces, seeking to encounter a Guru in the depths of solitude.
Luang Por Songk knew that the Kammathana Vipassana Masters preferred to stay in solitude in the forests, more than in the temples, and persevered wandering iin the forests. he managed to survive all the dangers of fevers, dangerous animals of prey and poisonous beasts, and the evil spirits and denizens which inhabit enchanted parts of the forest, and came across Pra Ajarn Rod, of Wat Dto Sae.
Pra Ajarn Rod was a Master of Kammathana who had attained the Chan Samabat (Samabhati Level of Meditation), which is the highest level of Meditation Attainable, and leads to the Psychic and Miraculous Abhinya Powers arising.
Luang Por Songk offered himself as an apprentice to Pra Ajarn Rod, to improve his skills in Vipassana Kammathana, for a period of 2 years, until he became adept. Pra Ajarn Rod instructed Luang Por Songk to wander around the ancient haunted cemeteries of the forests, caves and mountains, to meditate there, and awaken the acute powers of mind, and intensify the strength of his psychic abilities.
Luang Por Songk wandered as far as the border regions of Malaysia. Luang Por Songk then turned around and wandered on foot through the wilderness areas for a long time, until he reached the Province of Petchburi (roughly 100 Kilometers distant), practicing the advanced methods taught to him by Pra Ajarn Rod. His Kammathana Abilities were now well formed and adeptly controlled, and his Psychic Powers were awakened. In those days, most of the Southern Khao Or Lineage Masters of the Provinces South of Chumporn, were inclined to follow the Tudong Vipassana Kammathana tradition method of practice, and develop psychic powers as part of their trajectory.
The Southern Khao Masters have always been famous for their Powerful Sorcery. Luang Por Songk is one of the Great Masters of that Era, who was a standard bearer of the Wicha during his Era along with other Great Names, such as the Late Luang Phu Hmun. The masters of Tudong are naturally endowed with special abilities due to ther Kammathana Practice which strengthens their minds, allowing monks of this method of practice to see the Vattha Samsara (wheel of becoming), and disentangle their minds from worldly distractions, to focus with utmost power on their meditations.
Luang Por Songk then practiced in solitude for a further 7 years waking on Tudong, or in 'Jong Grom' (pacing between two marked points), and examining the Dhamma Phenomena which arose, and faded one by one within his awareness. he learned to observe the experiences, thoughts, perceptions, feelings, and physical sensations as mere passing events, and became dispassionate as to whether an experience was pleasant or unpleasant. In this way he saw the true Dhamma of Impermanence and began to teach himself to act skilfully in that knowledge. Luang Por Songk remaiined for many years in the forest without ever leaving to visit a town at all, practicing diligently his Tudong.
Luang Por Songk spent a total of 10 years practicing in the forests using same method as was practiced in the Buddha's time, in the forest, away from the world, and even away from the temples. he practiced so hard that he began to look more like a Ruesi Hermit, with long beard and worn out robes, like a wild man of the forest, like an ancient yogic sage. One day some local folk were hunting for birds in the deepo forests of Chumporn province, and encountered Luang Por Songk performing his austerities. They invited him to inhabit a deserted empty temple they knew of nearby, and Luang Por accepted their offer.
Luang Por Songk took up the task of repairing and building the deserted tuined temple, and brought it to become the famous temple we know today as 'Wat Jao Fa Sala Loi' . During his life, he alleviated the sufferings of the local folk with many meirorious projects, and brought the ruined temple to become a living monument of Buddhism, and a place of worship and spiritual comfort for the local Devotees. His many (now Pra Niyom) highly preferred amulets have served to both finance the achievement of building the temple of Wat Jao fa sala Loi, and to protect the Devotees and Bring them Prosperity, Health, Wealth, Love and Happiness.
Luang Por Songk remained in service of Buddhism and the Local Devotees and the Temple for 54 Years until his final passing in 2526 BE. His relics (remains) are on display at the shrine of the temple of Wat Jao fa Sala Loi for his Devotees to come and pay reverence, worship and beseech Miracles from. Luang Por Songk's amulets are known for powerful Klaew Klaad protection, and Metta Maha Lap for Business Improvement, but many Devotees also believe that Luang Por Songk's amulets help increase wealth by attracting winning lottery numbers.
Luang Por Songk was known to have had a water bowl at the side of the stairs to his Kuti Hut, which he would constantly refill every day with the Holy Prayer Water he would make every night as he meditated. Devotees who knew about the water bowl next to Luang Por's Kuti being Holy Water, would come and ask to take some home for Praying to, and to drink, to heal their ailments, Luang Por Songk's Holy Water was very sacred, and he used it to heal and bring blessings to devotees constantly. It is said that the holy water of Luang Por Songk can be asked to fulfill wishes and perform miracles. There is a very famous legend that once some devotees brought their daughter who was apparently behaving as if she were possessed by a ghost to the temple. The came to the stairway to Luang Por Songk's Kuti, and waited there (for girls were not allowed up the stairs), and the father entered the Kuti to ask Luang Por for his help.
Luang Por Songk emerged from the Kuti, as the girl was struggling to get free from her relatives, who were holding her arms to prevent her from hurting herself or others. The girl was screaming and wriggling. Luang Por Songk Said 'Stop wiggling and jiggling for a monent can't you?', and the girl immediately stopped, and became still. But as Luang Por stopped talking and became silent, the girl began to scream again. One of Luang Por's Devotees, Mr. Sang, then picked up the Holy Water bowl and gave it to Luang Por Songk, who poured the water over the possessed girl. The girl deflated immediately and became still, this time permanently. Luang Por Songk went back into his Kuti Hut, and after he closed the door, the girl awoke again but was healed, and completely returned to her normal state. This exorcism with Holy water event became heard of around the country, and led to many devotees beseeching Luang Por Songk for his Holy water Blessings.
