An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
One of the rarest of all coin amulets of LP Tim, the Rian Pra Nakprok Paed Rorb 2518 BE, in Nuea Tong Daeng with Khom Agkhara "I" series Code Met Nga (sesame seed shape stamp), from the great Luang Phu Tim Issarigo, of Wat Laharn Rai. A First Prize Trophy Winner competition-class Certificated authentic amulet, with A4 size Certificate, and Complimentary Trophy, from the Samakom Anuraks Pra Krueang Luang Phu Tim Luead Ban Kaay of Rayong, where the amulet was Certificated and Signed as Authentic by the president of the association, Dr. Ajarn Phisek Sri Sawad.
The Rian Nakprok was released in both the Paed Rorb, and the Traimas 2518 Ceremonies. We are very proud to present this pristine, extremely rare "Block U Lek Code I" Block Press amulet of Luang Phu Tim's eternal classic Guru Monk Coin; The 2518 BE, Rian Pra Nakprok Buddha on Naga Throne coin, in the extremely rare with Khom Sanskrit letter "I", in Nuea Tong Daeng, emobossed on the front face inside the 'Met Nga' sesame shape (the common lay-folk have come to call this the 'sesame seed stamp', but in truth, it was surely intended to represent a lotus petal).
Above and Below; the Amulet comes with First Prize Winner Trophy and A4 size Certificate from 3rd March 2562 BE Competition at Wat Pai Lom Temple next to Wat Laharn Rai.
The front face features an image of the Buddha seated upon a Naga Throne, with 7 Headed Naga Canopy, depicting the moment when the Naga King of Bodhala raised his head over the Buddha to shelter him from the rain in his meditation. To the side of the Buddha to our right, there is the a Met Nga stamp with Sacred Khom Letter "I" (for 'Issarigo), embossed.
The left side of front face has the words 'Tee Raleuk Aayu' (to commemorate age), and letter "U" in the word 'Aayu' has the thinner typescript of the rare Block U Lek Code I amulet, which can be found with both forged pendant hoop, and soldered. Only very few amulets were pressed in this version. This is of course a highly influential reason as to how and why this particular amulet won first prize trophy in competition.
Below, an example of one of the Block U Lek Code I amulets in the Dton Rak Pra Catalog of the Pantheon of Amulets of LP Tim.
Below, an example of one of the Block U Yai amulets in the Dton Rak Pra Catalog of the Pantheon.
The rear face on all models used the same block press, to emboss the Sacred Yant Grabong Khwai of LP Tim. One of the authentication reference points for easy checking, is the 'Nuea Gern' extra blob of metal on the bottom left corner of the Yant Grabong Khwai, on the inner edge of the lettering.
The Rian Nakprok was also released again the same year in the Traimas edition, using the same cut blank coin press as the Rian Paed Rorb, but, imprinting the font faces with two new designs; the Block U Yaw, and the Block U San (long and short tailed "U" vowel on the front face edge lettering). The Rian Nakprok Traimas, also used a different rear face block press and Sacred Yant to the 'Paed Rorb' edition. The Traimas edition.
Below; Some of the Other Block Presses in the Paed Rorb Edition;
RIAN NAKPROK PAED RORB NUEA TONG DAENG BLOCK U YAI
RIAN NAKPROK PAED RORB NUEA TONG DAENG BLOCK U LEK
RIAN NAKPROK PAED RORB NUEA TONG DAENG BLOCK U YAI SAI FON
This particular block press, was one of various block press models released in the Paed Rorb edition, which included Solid Gold (7 coins made), Silver (397 made), and Nuea Tong Daeng Sacred Copper (20,000 made). The 3 major block presses included were the Block U Yai, Block U Lek, and the block Yai Sai Fon. But the rarest of all, is the original mother block press, the Block Dton Baeb, of which only very few were made, after which the other block press front faces were pressed using the other 3 block-press molds.
The famous experts of the last few decades, and book publishers, always state that there were only 3 block presses, but they all then show pictures of four, stating the Block Dton Baeb as the Original Block Press! This is an inaccuracy born of not being observant or thoughtful enough to realize, that if the Mother Block Press is the original, and there are three others, this makes 4 Block Presses, not 3!
RIAN NAKPROK PAED RORB NUEA TONG DAENG BLOCK DTON BAEB
Also, any of you who read Thai documentations and websites, will have noticed, for some strange reason, in the 'land of samadhi meditation' most authored works are sloppily composed, & full of discrepancies, such as 'He was born in 2524, he was ordained in 2444'. Which would mean he ordained 100 years before he was born! Many Monk Biographies in Thai, I find myself having to do research to confirm and to iron out the silly nonsense to be found on the Thai Web and even in Books and Magazines, which is often a mishmash of copy and pastes from differing accounts that conflict with each other, that do not make sense, and try to turn it into factual info, that makes logical sense.
I find Thai language authored works often to be undiligent, written without accuracy and focus, which is why I am constantly finding documentations where people died before they were born, ordained a hundred years after they died, and so on. I rely more on information I retrieve from the local devotees and aged Looksit of the temples, who are much more likely to know all the stories that Bangkokian Showroom owners and societies do not. How could they? If they never spent time studying with the local elder devotees, and the monks themselves, staying in their showrooms, talking sales talk all day?
I must however add, that I myself have sometimes mistyped dates through lack of concentration, and not seen that I hit the number 4 on the keyboard, instead of the 5 key for example, which also leads to confusion (typo errors). The level of intricate details involved when researching and documenting dates, block presses, and reference points, is very complex, and it is very easy to lose concentration if interrupted during one's work. Hence, one cannot blame anyone truly for slight discrepancies in their attempts to publish increased knowledge, in their journey of study, which is a lifetime journey, where you never stop learning.
This, is yet another reason why I the author (Ajarn Spencer), prefer to use books only to gather as much basic knowledge as is found in them, but never to assume, that there is where the information ends, and never accept what does not make sense, until I can find a reasonable explanation as to the confusing data given in most academic publications on authentic Thai Amulets. Most of them are informative, but, like most info books, incomplete.
These catalogs are hence for me, not the alpha and omega, the be and end all of Info. They are merely a starting point of study, but i have found that when i use common sense and logic, and study deeply, visit the temples and ask to study their archives, and such things, then you can find out much more accurate data than just sticking to believing what you read in a magazine! In the end, it is my own efforts and diligent eyes, that enable me to authenticate, not magazines, or the statements of others who have attained recognized status as Elder Pundits of the topic. I view them as a good foundation and basic starting point to branch out from, but one must still search deeper for further knowledge, once your insights increase.
RIAN NAKPROK PAED RORB NUEA NGERN
The Pra Nakprok is also known in Thailand as Saturday Buddha, and is the 'Birthday Buddha' for those born on Saturdays, also, Saturday, is the day for Worshipping Pra Nakprok. The Image is of the Buddha sitting in Samamadhi (concentrative meditation), on top of a Naga, the Naga’s head is raised over Buddha’s to form a canopy. It is known as “Paang Nakprok” The Buddha remained in blissful rapture under the Acabhalanikaroda for seven days, whereupon he moved to the Mucalinda tree to the Southeast side of the Bodhi tree. A terrible rainstorm began, pouring down on the forest for a whole seven days without stopping. Payanaga Mucalinda, who was King of the Nagas, came up from the naga Realm in the underworld and coiled himself underneath the Buddha, making a cushion seven stories high, to keep him dry.
He rose up and leaned his head over the Lord opening his neck canopy to shade the Buddha from the rain, as well as keeping watch to protect him from all sorts of parasitic, poisonous and preying animals and creatures. As the rains ceased to fall, the Naga King uncoiled and changed into a Human form and raised his hands in reverence to Buddha. In this moment, the Buddha uttered the following Kata (words);
Sukhoewiwego Dtudtassa Sudtadhammassa Bpassadtoe Abhayaabpach-chang Sukhang Loke Bpaanapuudtesuu Sanyamosukhaa Wiraakadtaa Loke Gaamaanang Smadtiggamo Asmimaanassa Winayo Edtang We Bparamang Sukhang
“Tranquility is the pleasure of he who has listened to and understood the Dharma intently, who sees conditioned things for what they really are, and does not seek to harm others. Of he who has abolished his passions and cravings, lust and desires, he who has stepped beyond all craving for sensual pleasures and endured in his efforts to do away with self conceited attitudes, has the greatest pleasure”.
The statue of Buddha sitting on seven coils of the Naga King snake, was first created, to remember this occasion of the Naga paying reverence to Lord Buddha, and the representation of him sitting on top of the coils as if seated upon a royal throne is used for two reasons; 1. Aesthetics, 2. Brahmin influence. A more authentic and historical version of this Buddha image, is sometimes seen in the form of the Naga's coils wrapped around and covering the Buddha’s body, with four or five coils around him. The only part of the body visible being Lord Buddha’s shoulders, neck and head, which is also semi enclosed by the head and canopy of the Naga leaning over him.
Kata for Pra Nakprok
Yadtohang Pakiniariyaaya Chaadtiyaa Chaadto Naapichaanami Sanjijja Bpaanang Chiiwidtaa Wo Ro Bpedtaa Dtena sajjena So Dti Dte Ho Dtu Kappassa
Free Express Shipping is offered Worldwide Included in the Price for this Amulet, and the offer of free solid silver, stainless steel, or waterproof casing if desired. The amulet comes with complimentary box, and A4 size Certificate of Authenticity included. The Rian Nakprok is very famous for its Metta Maha Niyom Mercy Charm, to attract and seduce customers and admirers, attract wealth, and improve Karma, as well as for the many stories of miraculous lifesaving events retold by devotees who have worn and revered this amulet. The 1st Prize Trophy, and A4 size certificate of authenticity will be plasticized and sent with the amulet to you.
This rare Pim Niyom coin amulet of Luang Phu Tim, is a wonderful opportunity for devotees who seek the true power of a world class amulet from a world class edition, and also a wonderful Ongk Kroo reference study exhibit to peruse under the eye loupe.
The amulet is a perfect and authentic study material, to train the eyes as to the appearance of the Classic Coin amulets of Luang Phu Tim Hence, the amulet is also a perfect 'Ongk Kroo' reference study material for students of the Pantheon, and will increase your chances of spotting an essential rarity at the right price, and without danger of risking a fakery.
Various variations were made using different sacred metals, and differing code stamps and block presses, which makes for a complex documentation, which left the Samakom Pra denying some now universally accepted models, due to the difficulty in documentation. As the decades have passed and various investigative authors have gathered and compiled a more complete encyclopedic work of the pantheon, it is much easier to define and pinpoint which series and block press each amulet comes from. Although, there is yet much to be discovered and told about the full history of LP Tim and is amulets, for his early and mid era was hardly documented, as LP Tim avoided attention, and most information was word of mouth to ear.
Once every so often, new information arises, and the knowledge of his amulets traces further back in time, beyond what the 'Pundits' ever recounted, or perhaps imagined. It is impossible that a Nationally famous monk would only make amulets in the last 3 years of his life after decades of being a highly revered monk, famous for Wicha Pong Prai Kumarn, and the Wicha Khun Phaen, Yant Pad Boke, and Look Om. It is hence obvious, that Luang Phu will have been making amulets at least since age 50, and considerting he pased away at age 85, this means 35 years before 2518 BE, which indicates, that a lot more yet to be documented early era amulets of Luang Phu Tim are out there, waiting to be discovered.
RIAN NAKPROK PAED RORB NUEA NGERN
Below; Video of another famous Guru Monk Coin model of the pantheon of LP Tim; A second prizewinning exhibit of the Rian Jaroen Porn Pim Jor Gradok Block Press, for enjoyment, and intimate study.
Below; Encyclopaedic Documentation of the Rian Pra Nakprok in the Dton Rak Pra Editorial
Luang Phu Tim Issarigo, is of course not only one of the most highly acclaimed and sought after Guru Monks for his amulets, he is the holder of the highest esteem in Thai Buddhist amulet history for Pong Prai Kumarn powders, highly reputed for powerful Metta. Maha Lap Maha Sanaeh Power.
Luang Phu Tim, is Internationally Acclaimed, for his famous Pra Pong Prai Kumarn amulets, and Look Om powder balls. As to the classic 'Rian' type coin image amulets which have become all time favourites, and eternally, world famous classic amulets of the high end variety. His Rian Jaroen Porn, (both Jaroen Porn Bon and Jaroen Porn Lang versions, in Niyom and Pim Jor Gradok), his Rian Huang Chueam, Rian Traimas, Rian Sema, Rian Pra Jao Thaksin, and Rian Nakprok are among the most highly sought after coin amulets of all. This amulet is hence not only one of the world's most desired and hard to find amulets of LP Tim, renowned for its sacred power, making this an extremely desirable acquisition for any true devotee of Luang Phu, or collector of the amulets of Luang Phu Tim. An amulet with a past, a present, and an eternal future of fame and legend, with decades of confirmed miraculous power coming from the devotees who pray to and wear this amulet.
Kata Bucha Luang Phu Tim Issarigo
(chant to the Triple Gem first (Namo Tassa) 3 times)
Idti Sukadto Arahang Putto Namo Puttaaya -- Ma A U Tugkhang Anijjang Anadtaa Putto Putto
