An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An extremely rare, and highly sought after exhibit, and a Top Preferred Masterclass Talismanic amulet, the Met Prik (Chili Bean) Nuea Galabangha Dam Dtamrab Boran, a carved black coral Talismanic Charm, with silver wire frame in bullet shape from the great Luang Por Ee, of Wat Sattaheeb.The Met Prik was said by LP Ee to be doubly powerful when worn along with his Palad Khik as a pair of Lingam-Yoni. He would often give Palad Khik to his male devotees, and the met Prik to his female Devotees, but would also insist that both were the best to combine, for completely balanced elemental magic, useful for both men or women.
The amulets of Luang Por Ee are now almost impossible to find. He is extremely famous for his 2473, 2485 2504 2511 and 2515 Monk Coins, his Palad Khik amulets, Hmak Tui, Takrut and Pid Tawarn amulets. His Palad Khik and Pid Ta, and Wicha for making carved wooden, and other natural substance based amulets, and his Alchemical metal amulets, are believed to be among the most powerful of all Palad Khik. The Met Prik is a finely crafted powerfully blessed amulet of Pure Eminence from one of the Greatest Masters in Thai Amulet History, that can only be considered an Ultra-Rarity, and highly desirable item for the devotee of LP Ee.
The Met Prik measures 2 Cm Long, and is from the early era of Luang Por Ee's trajectory, Encasement options are provided but we recommend wearing this amulet with a cord belt around the waist without casing for full effect, and appreciation of the aesthetics of the amulet, which was intended to be worn 'bare' against the skin.
Many people have asked in the past 'Why did Luang Por Ee make a chili pepper amulet?". The truth is, that the name 'Met Prik' is a polite name for what the amulet truly represents. Luang Por Ee made the Palad Khik to represent the Shiva Lingam Male sexual organ, and the Met Prik, was made to represent the Yoni Vyulva of Kali/Parvati.
Luang Por Ee is one of the Great Olden Days Masters of Thai Buddhist History, and a Top 5 Gaeji Ajarn Guru Monk of the Chonburi Region. His amulets are as rare as they are popular with Thai Buddhist people, especially in Central Thailand. His amulets are highly recommended for their Sacred Value and High End Status, for they are as highly regarded and powerful as many amulets of other Masters of the same Era, and are known for their Powerful Metta Mahaniyom Klaew Klaad Maha Lap and Kong Grapan Chadtri Power.
The power of Luang Por Ee's amulets goes unquestioned in the world of Thai Amulets, and the Amulet appreciation societies all acknowledge Luang Por Ee, fas a Grand Master of all time for the Wicha Pid Ta, and Wicha Palad Khik.
Many devotees over the years have reported immense successes after revering his Palad Khik, and it is said that the Palad Khik of Luang Por Ee are extremely powerful In those days, Luang Por Ee would allow his Looksit to carve Palad Khik and taught them to inscribe them with their own hand, before giving them to Luang Por Ee for empowerment and blessing.
However, the Met Prik Yoni amulets were made in much less numbers, black coral being rare to find and always only available in small amounts, and were carved in various shapes depending on each piece of coral, ranging from chili pepper shape, bullet shape, and three sided triangular shape.
The Palad Khik of Luang Por Ee are also categorised differently by their inscriptions; 1. Luang Por Ee's own hand 2. Luang Por Lang's Inscriptions 3. Luang Ta Pan's Inscriptions (Luang Por Ee's Nephew) 4. Ajarn Hngun's Inscriptions 5. Ajarn Naen's Inscriptions 6. Kroo Sukh's Inscriptions - these were the most similar Inscriptions to those of Luang Por Ee.
Kroo Sukh was a teacher of the temple orphans and local poor children, who then ordained and apprenticed under Luang Por Ee, becoming a very close companion. Pra Kroo Wora Waet Muni, or as popularly known by Thai Buddhist Folk, 'Luang Por Ee', is a name that is never confused identity, because Luang Por Ee was the first monk on historical record to go under this name. And so any mention of the name Luang Por Ee, can only be referring to the 'One and Only' Pra Kroo Wora Waet Muni.
Biography of Luang Por Ee
He was born to parents whose names were Mr. Kham, and Mrs. Iang Tong Kham, on Sunday the first October 2408 BE, which was the 11th Lunar Phase of the Year of the Ox. When he reached the age of 25 years old, he was ordained into the Sangha at Wat Ang Sila Nork, which is in the present day now incorporated with Wat Ang Sila Nai, into one temple called 'Wat Ang Sila'.
Below; the famous Pra Pid Tawarn Yant Won Nuea Maekasit of Luang Por Ee - renowned for its Maha Ud and Maha Pokasap Power
Luang Por Pra Ajarn Jan Jantasō was His Upachaya Ordaining Officer. His Pra Gammawajajarn Prompting Officer was Pra Ajarn Tim. His Pra Anusawanajarn Witness was Pra Ajarn Daeng. His Upachaya Ordained him with the 'Chāyā' Monks Name of 'Puttasārō'. In that very same time, Luang Por Ee submitted himself for service and apprenticeship in Wicha to the Great Luang Por Parn, or Wat Bang Hia, the Great Master of Wicha Suea (Tiger Magic). He also received apprenticeship to the two great olden days Master Monks Luang Por Daeng and Luang Por Hmuean.
Wat Sattaheeb is the temple which Luang Por Ee constructed with his own merits in the year 2442 BE, now well over a Century ago, and Luang Por Ee was of course the very first Abbot of the temple when it was built. Luang Por Ee was reputably able in Samatha meditation and Vipassana mindfulness practices. He was adept at entering, remaining in, and departing from the Kasina and Jhanic mindstates at will, and change his inner state of consciousness to dwell in whichever state was appropriate to the practice.
He stood out for his adepthood, which was noticeably superior to that of his peers in the Sangha, for his behaviour was impeccable. This was because of his ability to raise his mind above the powers of the vedhana (emotions), and not let them flood his mind with anger, sadness, stress, suspicions, and all the other manifestations of emotional and mental impediments and hindrances which arise within the psyche of a common unpracticed human being.
He was able to extinguish the negative emotions or afflictive emotions which arise from suffering the cold, the heat, hunger, thirst, aches and pains, and self created mental worries. Luang Por Ee is known to have never complained about anything, or say that he was suffering or displeased about anything. Even if he was ill, he never complained or moaned and groaned, or even told anybody about it. he would always remain in the same peaceful state, with full equilibrium. Luang Por Ee placed great importance on the value of a good education, and built the Rong Rian Ban Na Sattaheeb public school for the local folk of Sattaheeb.
Luang Por Ee created many different amulets and occult talismanic charms during his trajectory, including of course his legendary Palad Khik, which is considered co-leader of the status of top Palad Khik of all time, along with the Palad Khik of Luang Por Hluea. His Takrut are amongst the rarest and most highly favoured talismans, along with his Suea Yant (Yantra Shirts), Rian Kanajarn Monk Coins, Pra Pid Ta, 'Pra Sam' (Pra Tri Gaay), and 'Pra Prohm See Hnaa' (4 Buddhas in one votive tablet).
In the years 2483 - 2486 BE, Luang Por Ee released many powerful amulets during the Indo-China Wartime Era. He and his amulets received great acclaim for their powers, and attained equal fame with that of Luang Por Jad of Wat Bang Grabao, and Luang Por Jong (Wat Na Tang Nork). His Pra Sam and Pra See three and four sided Buddha amulets in maekapat Alchemical Lek Lai based magical alloy because very famous during the wartime era for Kong Grapan Chadtri Klaew Klaad protective/evasive powers.
In the latter years of his life, Luang Por Ee became afflicted with a large boil infection on his throat. This became noticeable in the year 2489 BE, but Luang Por Ee did not pay much attention to it. He once said in conversation when asked, that the boil had come to take his life. The boil became worse and worse until he was unable to leave the temple. One day the boil spread to other boils and the sickness began to spread, and the devotees took Luang Por Ee to the hospital to operate. But Luang Por Ee said to his devotees 'Never mind do not worry, it is my old Karma from the Deer of Hnong Gai Dtia, in a Previous Lifetime i killed a deer by shooting it in its throat. It is now catching up on me as Karma, and it is essential to work it off, and let it run its course'.
Luang Por Ee believed this to be his Karma, and wished to end it by letting it run its course, and so ignored the idea of medical treatment in hospital. As time passed the ailment became very large, and Luang Por Ee was also weak from old age. Then, on the 20th September 2489 BE, Luang Por Ee called some monks to help him sit up, and then forbade anybody to touch him further. He entered the meditation posture, and began to meditate.
And then something surprising happened; a Blackboard used by Luang Por Ee to make inscriptions which had been affixed to the walls of the Kuti and been hanging there for a long time without use, suddenly fell to the floor with a crash, and a mirror also fell at the same moment some meters distant from the Mai Gradan blackboard, and smashed into pieces.
As soon as the monks attending in Luang Por Ee's Kuti Hut got over the shock, they noticed that Luang Por Ee, had stopped breathing and passed away in meditation at the very moment. The time was 21:05 Pm. The news of his death spread fast, that Luang Por Ee had passed away at the age of 82 years old, and the devotees rushed to the temple to attend and pay final reverences.
Below; Luang Por Ee
Even though Luang Por Ee is long since passed away, his fame remains for his great merits in building the temple of Wat Sattaheeb, and the Ban Na Public School, and his many other charitable deeds both for the Sangha, Buddhism and for the Local Folk, and his Devotees. His deeds are visible as the edifices he built in Sattaheeb, and in the amulets seen worn by his devotees, and those which stand in elevated positions within the great amulet showrooms, competitions, encyclopaedic works and and auction places
