An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Presenting an extremely rare example of a true Centenarian amulet, the Nang Kwak Supawadee alchemical metal Loi Ongk Statuette forged from sorcerous brazen metal artifacts, from Luang Por Im, of Wat Hua Khao, measuring 2.0 Cm. The Nang Kwak of Luang Por Im is known to be a Powerful Khmer Wicha for good business and mercy charm, and is one of the major protagonists of the Kaa Khaay (sale increase) category of amulets, of the previous century.
Luang Por Im was an olden days Guru Master, born over 150 Years ago, in 2406 BE, and who passed away more than 70 years ago in 2480 BE. Forged using ancient alchemical formulas of metallurgy and empowered with the incantations of the ancient sorcery grimoires of the lineage of Luang Por Im, the Hwaen Hua Maekapat is a famously powerful ancient amulet of high repute.
He was extremely famous for his Takrut, Magic Rings, Nang Kwak, and other 'Lor Boran' ancient style cast metal amulets using alchemical metallurgy. Luang Por Im was known as the Koo Suad, who assisted the great Luang Por Mui, of Wat Don Rai (a great Buddhist master in his own right), in his ordinations as a Buddhist Monk.
The amulet was made sometime around 2460 - 2365 BE. The Pra Nang Kwak Supawadee Loi Ongk Statuette Alchemical Substance ring is very old and rare, and is famous for its protective power against Dangers, Black Magic and Maha Pokasap to attract and retain wealth and treasures. This ring is a 'Niyom' class preferred amulet, of the finest artisanship. Luang Phu Im made various models of magic rings, some of them of simple design, with thinner metal, and others with finely designed decorative designs in heavier cast metal.
A powerful ancient amulet with Metta Mahaniyom Mercy Charm, Maha Sanaeh Seductive Attraction, and Maha Lap wealth increasing powers to attract customers and admirers, from Olden Days Miracle Monk, Luang Por Im, of Wat Hua Khao. The statuette is forged from a highly sacred and powerful admixure of alchemical metals and ancient artifacts. The sacred chanuan muan sarn is formed from brazen alchemical metals with a certain quantity of brass, bronze, gold and silver,
The substance is empowered by performing Elemental Invocations until the structure of the metal changes, and becomes a sacred Metal of Alchemical Nature. Alchemy and Metallurgy are combined here as one facet of the various aspects of empowerment of the amulet.
Luang Por Im of Wat Hua Khao, was amn extremely powerful sorceror monk of olden days, whose miracles are legendary to this day. The miracle of the Sala Yai large Dhamma Salon Building was a very well known legend, which tells of the old Sala, being visited by a group of elephant herders with 5 elephants.
The herders came and parked their herd next to the Sala, which at that time had only small wooden pillars holding up a grass-hut style roof. The temple orphans saw the herders and approached to see the elephants. But they then saw something very strange happening; The herders were placing ice on the floor, and perched a cooking pot over the ice, and began to boil rice over it!
The temple orphans ran to the Kuti of Luang Por Im, and told him about this strange sight. Luang Por Im then told them that the herders were from Surin, and had powerful sorcery, and had conjured up an ilusion to hide the fact that they were usiing one of the wooden pillars of the Sala building to buirn and cook their rice. he then asked the temple orphans to go and bring him a coconut shell. He took the shell, and used it to sweep the floor of his Kuti with, and then told the orphans to go and check back at the Sala, to see what had happened.
The Orpans ran to the Sala, but the elephants were no longer there! When they ran back to see Luang Por Im, they saw the elephant herders bowing to Luang Por im and apologising, admitting their wrongdoing, and asking for their elephants back!
Luang Por Im then forgave them and gave them the command that next year, they should return and bring Luang Por Im ten large tree trunks to use as the new pillars of a bigger and better Sala he would build. This is then how the large Sala building at Wat Hua Khao, with its ten ten-ton wooden pillars, came to be built, through the miracle of Luang Por Im.
Another miracle which brought Luang Por Im to world fame, was the 'Miracle of Hnang Hinaw' (slippery skin). There were two enemies known as Ta Hnid, and Ta Pan, who decided to have a duel with swords to the death.
Ta Hnid was known to have only one testicle, which is believed to bring Kong Grapan Chadtri Invincibility against blades and projectiles. Ta Pan was the nephew of Luang Por Im. The two enemies met behind the Uposatha Shrineroom of the temple at Wat Hua Khao, and using sharp swords, began to fight. They stabbed and cut at each other without restraint, but no matter how many times they hit the mark with each other, nobody was hurt or cut, by a single blow! In the end they became so tired, and still unable to harm each other, that they gave up, and sat down together in truce, and drank some water.
They talked and concluded that each of them must have something special protecting them. Ta Hnid admitted he has only one testicle and was empowered by nature with Kong Grapan Chadtri.
He asked Ta Pan what his secret was, and Ta Pan said that the only thing he had on him was the single Takrut he had received from his Uncle Luang Por Im. The two became friends forever, and close devotees of Luang Por Im, and the Takrut of Luang Por Im became a legend thereafter.
Luang Por Im once had a Looksit (Devotee), who liked to play in Siamese Fighting Fish Competitions, but who had never won a single competition. He complained about this to Luang Por Im, who told the devotee to go and bring him some Bai Jag Papyrus leaves. The devotee came back with some papyrus leaves for Luang Por Im, who took them, and folded them into the form of a Siamese Fightiing Fish.
He then took the leaf origami fish, filled a bottle with warer, and dropped the origami fish into the bottle. To the total suprise of the devotee, the origami fish came to life and started swimming around in the bottle!
Luang Por Im gave the bottle to the devotee and told him to take it to competition, which he did. He won the competition, and took his winnings and the fish home with him. When he got home, he decided to place the fish in a different bottle, and took it out with a net. But as soon as the fish rose above water, it turned back int a folded Bai Jag leaf origami fish. This was yet another amazing miracle of Luang Por Im.
There was another story of the time that Luang Por Im came into the monks refectory and told them to hurry up and finish eating their alms, because they were needed to help to bring water to douse out a house fire. The monks asked Luang Por Im what was going on? Luang Por Im told them then, that the night before, some local villagers had broken into the temple grounds to steal fish from the ponds, and that because of this, their houses were going to set on fire today. The monks then ate their food quickly wondering what Luang Por Im was talking about, and as they left the refectory, were surprised to hear a sudden arousal of people shouting 'Fire, Fire', and the monks realised that Luang Por Im had foreseen the event with his psychic powers.
Luang Por Im was ordained way back in the year 2426 BE, and became a solitary Tudong Forest Wanderer Monk, who traveled thrroughout the country learning Wicha with many forest Masters along the way, until he came upon a place of great peacefulness and solitude, at the foot of the Hua Khao Mountain in Supanburi Province. he decided to remain and build a temple there, which he named as 'Wat Hua Khao' and remained there as its first Abbot.
Luang Por Im was the Kroo Ba Ajarn of the great Luang Por Mui (Wat Don Rai), who spent one year with him at Wat Hua Khao, to learn the powerful Wicha Akom of this Great Supanburi Master Monk. Luang Por Im took Luang Por Mui to learn Wicha with the great Luang Phu Sukh, of Wat Pak Klong Makham Tao, who was a close friend and fellow sorceror monk with Luang Por Im. Luang Por Mui also traveled often on Tudong forest wandering with Luang Por Im as his apprentice, and is considered his first Looksit and inheritor of his Wicha Akom Sorcery, along with Luang Por Khaeg (Wat Hua Khao), Luang Por Pui (Wat Kho), and Luang Por Song (Wat Sala Din).
Nang Gwak is one of Thailands most commonly seen Deities. Her image is given offerings and prayed to, in order to increase wealth and business prosperity. She is a Deity revered by Merchants in both India and Thailand, by both Brahman, and Buddhists alike. Nang Gwak is the helper of all shop-owners and merchants. She is normally seen placed on a high shelf (normally a wooden or red and gold lintel, called ‘Hing’ in Thai) and offered “Nam Daeng” (a red syrupy drink, often used in Bucha offerings to Deities in Thai Buddhist practice).
Also, Incense, and flower garlands are offered to please Nang Gwak, and bring customers and make sales. Kata Nang Gwak is used when paying devotional merits to Nang Gwak, who is used in the place of business to increase the amount of customers and sales you may ingress. Nang Gwak is a very popular magic cloth Yantra used in most business establishments in Thailand. You can also see Nang Gwak worshiped as a statue .
To Bucha Nang Gwak, One should use 5 incense sticks and offer flowers (preferably jasmine), red syrup drink (‘Nam Daeng’). Some water, and also some sweets and rice as offerings. Light the incense, candles, and offer the flowers and drinks.
Then Say “Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa” 3 times, and bow three times to Buddha before you begin chanting Kata Nang Gwak.
Use this Kata when you are going to sell things, or in your place of business in the morning. The above youtube clip is a slow and clear pronunciation of the below text, exactly as it is written;
Om Sriwichay Gangwian
Phu Jao Khao Khiaw Mii Luuk Kon Diaw Cheu Naang Gwak
Chaay Hen Chaay Rak Hying Hen Hying Tak
Tak Tuan Naa Puak Paanichaa Paa Guu Bpai Kaa Terng Mueang Maen
Guu Ja Bpai Kaa Hua Whaen Gor Dai Wan La Saen Tanaan
Guu Ja Kaa Saarapadgarn Gor Dai Doey Klong
Guu Ja Kaa Tong Mua Rai, Gor Dai Dtem Haab Piang Wan Nii Bpen Rooy
Saam Haab Ma Ruean Saam Duean Bpen Saedtii Saam Bpii Bpen Por Kaa Sampao
Pra Rasii Puu Bpen Jao Bprasit Hai Gae Luuk Kon Diaw Swaaha.
