An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Nok Sariga Jik Sap (Celestial Magpie), hand carved from Mai Payung Dam sacred Treewood, a rare black anomaly of the Payung Tree, which occurs only once in 100,000 trees (circa). The Payung Dam black colored tree is believed to have the most powerful and rare to appear on earth spirit entity inhabiting the tree.
The black Payung Tree, is considered one of the most powerful sacred trees for the carving of talismanic amulets, and animist charms. A classic and rare amulet with empowerment and hand inscriptions from Olden days Deceased Master Monk, Luang Por Kane of Wat Tham Khao Ito
This 'Krueang Rang' (Talismanic Occult Bucha item), is a compendium of different ancient animist charms bound into one single Wicha, for Kaa Khaay, Maha Pokasap, Metta Maha Niyom and Maha Sanaeh Magic. The amulet is empowered the Wicha Sariga Jik Sap (Magpie pecking up treasures) for Maha Pokasap Wealth Accumulation, for which Luang Por Kane was so immensely famous for.
The Sariga bird has a pendant hoop for hanging in the place of business, or in your car, or wherever you wish to attract the favour and preference, and interest of others. It can also be attached to a chueak kart aew waist-cord belt if preferred to be worn as an amulet, or even encased within waterproof casing with pendant ring.
The Sariga (sometimes also called 'Nok Garawaek') bird is empowered with spells with the Invocations of Maha Sanaeh, for Seductive Charm, and Maha Pokasap for Prosperity.
The Amulet measures 7.5 Cm in length.
Very popular with shopkeepers, men or ladies can use equally successfully for seductive influence, mercy charm, good business, and increased popularity.
Knowledge Base; The Legendary Sai Dak Pla of LP Kane
Luang Por Kane was also famous for the Wicha Sai Dak Sap treasure-Trawler charm; The Sai Dak Pla Sek trawler trap is a very ancient fishing trap of Thai people, and is a symbolic attractor of wealth and good business. The Sai is a wicker woven basket which has a valve-like one way trapdoor, which allows fish to swim in, but not out again. The Sai hence represents a container which can have wealth coming in, but which does not leak the wealth out again (Ud Sap/Maha Pokasap).
The 'Sai', is an Olden Days invention of Thai Farmers, who in the months after the harvest, when nothing was left to do until the sowing season, would use the spare time to find other ways to find food or things to sell.
They would scour the surrounding areas, the marshes, streams rivers and ponds, for fish. The Sai was a basket made with two special openings in it, where fish could swim into the basket, but were not able to swim out aqain, effectively imprisoning them until enough fish were inside the basket to take to market, or to go home and eat, or both.
For visualisation of applied magickal effects onto amulets, with meditative force, the formula of using the shape and form of the Sai Fish Trap basket, is perfect, for envisionment of money or treasures entering the trapdoors of the Sai Fish trap (now a magickal money trap instead).
One should envision the Sai Dak Pla Sek reeling in the treasure, as the basket fills, and becomes full to the brim with desired possessions and wealth. The allusion is obvious, that the Sai will allow wealth to enter into your possession, but not allow it to slip out through your fingers anymore, and keep it safe, and on the increase.
This is what you should envision whilst praying to the Sai Dood Sap, and chanting 'Ehi Jidtang Bpiyang Ma-Ma', whilst thinking 'come to me all of these things'.
Pray to the Nok Garawaek or Sariga Bird Deities using the following Heart Mantra;
Gārawigō Gāragānū
The Nok Garawaek, and the Nok Sariga, are heavenly birds which are more or less synonymous with each other, for which reason, you can use any of the Kata Incantations which are used for the Nok Sariga Celestial Magpie
Luang Por Kane, of Wat Tham Khao Ito, was one of the Great Gaeji Ajarn Guru Master monks of the Prajinburi Province, who was highly revered, and reputed to possess 'Apiniharn' Abhinya powers. In the days of Luang Por Kane, Prajinburi was a 'closed Province' which was not very developed, and still very little infrastructure was introduced.
The temple of Wat Tham Khao Ito itself stands on a mountainside, and was even less accessible. The daily dawn alms rounds were a very difficult task to perform in those days for any monk, to be able to find enough house dwellings along the route to collect their daily food alms. Despite this. Luang Por Kane would appear at the households which were far flung through the forest for alms without fail every dawn.
There are many miraculous legends about this great Master, such as the one of a Devotee from Bangkok travelled to Prajinburi to visit relatives and also to pay respects to Luang Por Kane.
The devotee rose early and arrived at the temple as it was still dark before dawn, and saw Luang Por Kane walking out of his Kuti hut. After offering alms, Luang Por Kane said 'I shall be on my way now as the devotees in the forest hamlets are waiting for me, and i have some business to attend to'.
The devotee then returned back to his relatives home in Prajinburi (about 20 minutes away), and after about 30 minutes, his friend called him from Bangkok. His friend in Bangkok said that he had seen Luang Por Kane in Bangkok temple and payed respects that morning.
The devotee was astounded, wondering how on earth Luang Por Kane would be able to reach Bangkok in less than an hour on foot, when it took a good 3 hours or so to drive there.
But the devotee didn't say anything to his friend. When he put the phone down, the devotee decided to go back to the temple to see if Luang Por Kane was there or not, because it would be impossible for him to go and return from Bangkok in the time period. But the devotee was once more astounded to find Luang Por Kane sitting in his Kuti Hut. The devotee was about to ask Luang Por Kane about the matter, when Luang Por Kane interjected before he could ask, and said 'I walked there and back myself'. Luang Por Kane then instructed the devotee to go back to his relatives home, as they would be worried about him.
The devotee was once more astounded, as he realized he had left the house without informing anyone where he was going, and that indeed, they would be wondering where he was, and worrying about him. 'How did Luang Por know?' he thought, and his devotion, respect and faith in Luang Por Kane rose, as he realized that Luang Por was a truly attained Master.
Another devotee once came to look for Luang Por Kane, and was told that Luang Por was up in the Tham Khao Ito cave meditating. The devotee climbed up to and entered inside the cave, and saw Luang Por was chanting prayers and meditating there. But what was amazing, was the fact that Luang Por was floating about one meter high in the air as he was chanting, and remained there for some time, finally floating down to come to rest on the floor in meditation posture.
An air force pilot from the Jakra Pongs Base in Prajinburi also claims to have seen Luang Por Kane performing Bintabat alms round in the clouds as he flew his plane. Luang Por Kane was an Olden Days Gaeji Ajarn who was of superior age than the great Luang Por Jong (Wat Na Tang Nork), and Luang Por Ia of Ban Dan, who were also two of the greatest masters of the Indo-China wartime Era.
Luang Por was born in the year 2402 BE, and lived 111 years, until his passing in the year 2513 BE. His amulets and occult charms are renowned to possess very powerful Metta Maha Niyom, Kaa Khaay, Maha Lap, Maha Pokasap. He was famous for his Sai Maha Pokasap, and Sum Riak Sap Money traps, and carved Sariga, Garawaek and other birds (such as Nok Kum), mostly carved from Ga Hlong Tree wood.
Most of the aforementioned amulets would be made by the hand of Luang Por Kane himself (self carved and inscribed). Other amulets released in various editions by Luang Por Kane were The Sai Dak Pla Sek, an array of Roop Tai blessed photos, in large for men, small for ladies, and also in heart shaped locket form, and the Pong Roop Muean Ha Liam in Muan Sarn Sacred Powders.
His Rian Roop Khai is very rare and sought after, and has become rather an expensive amulet to acquire. Other famous amulets of Luang Por Kane were the Roop Lor Boran Dtem Ongk cast metal statuette, the Hwaen (ring), the Hnaeb jacket badge, his various Pha Yant, and of course, last but not least, the Rian Roop Muean, which was made in three models and five materials;
The 3 models of Rian Roop Muean were Rian Roop Muean Dork Jig, Rian Roop Khai, and the Rian Sema.
The 5 kinds of Chanuan Muan Sarn materials in which they were made were; Tong Daeng Rom Dam (Blackened Copper), Tong Daeng Galai Tong (Golden Galvanised Copper), Tong Daeng Galai Ngern (Silver Galvanised Copper), Albaca Galai Ngern (Silver Galvanised Albaca), and Pure Albaca.
Kata Bucha Por Ga Mae Ga
(Invoke The Ga Fak and Ga Hlong wood spirits inside the treasure trap)
NAMŌ MĒ PUTTA DTĒCHŌ CHAYYA DTĒCHĒ CHAYYA SITTI CHAYYA JIDT-DTANG CHAYYA MĒDTĀ CHAYYA GĀ GĀ CHAYYA GĀ GĀ CHAYYA MANGKALĀ CHAYYA MANGKALĀ
Then close your eyes, and pray to the Mae Ga and Por Ga tree spirits, and Luang Por Kane to bless you with prosperity, good business, good luck, and great treasures, to send customers, gifts and windfalls to you, and to prevent any accumulated wealth from diminishing. Bessech the blessing of Mercy Charm, that people will see things your way, decide in your favour, and give you favourable treatment.
