An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Presenting a Legendary Ancient Takrut Hnang Suea Kong Grapan Chadtri Tiger amulet over a Century Old, made from Hnaa Pak Suea, wrapped with cord binding and Rak Chaat red lacquer, from the Great Olden days Guru Master, Luang Por Glan, of Wat Prayatikaram, in Ayuttaya'. Luang Por Glan was known to be highly Adept with a large number of Magical Wicha, be it the Wicha Fan Dab (Swordfighting), or the Science and Art of fighting with Ancient Weaponry, and had Mastered the Secret Ancient Wicha Kong Grapan Chadtri, of the Olden days Sorceror Warriors, who used Magic to protect them in Wars. This Takrut is Wicha Suea Tiger Skin Wicha and is powerful Kong Grapan Chadtri Maha Amnaj.
Luang Por Glan's Fame for Magical prowess caused many people to come and satisfy their curiosity as to whether Luang Por's Magic was as powerful as rumour had it, and would come to the temple to test him out. Luang Por Glan always knew beforehand and sensed it, when a devotee was approaching to try to test his Magic and his Abilities.
One day a very influential and feared 'Nak Leng' (Mafia Gangster) from another Province, came to ask to test his Wicha, and Luang Por Glan agreed, and began by inviting the gangster to shoot at a piece of white cloth Luang Por would throw into the air.
The gangster shot at it, but the cocked hammer fell on the bullet and the bullet remained in the gun. The only sound was that of the metal Hammer of the gun hitting against the bullet. Then Luang Por asked the Gangster to shoot into the sky, which he did, and the gun fired as normal, with a very loud bang.
Luang Por Glan then told the Gangster to shoot at another piece of white cloth, and threw it into the air. The Gangster fired at it, but once more, the gun clicked, the bullet remained in the gun, and the devotees gasped in amazement, as did the Gangster. The Gangster was filled with respect and reverence, and prostrated in humble appreciation of the powerful magic of Luang Por Glan.
Below, some of the inimitable styles of cord wrap used by the various artisans of the preferred models of Takrut Luang Por Glan
Another famous Wicha of Luang Por Glan, was the Wicha Look Bao (Wicha Chadtri). The wicha Look Bao is a Wicha based in Kong Grapan Yuu Kong Invincibility magic. This Wicha would allow very heavy objects to be placed onto a person, but the objects will feel light and weightless, and be unable to crush the person.
The Wicha was proven with Luang Por Glan's devotees by performing the test pf throwing a very heavy stone onto the devotee after the Wicha was administered to them (usually as a Sak Yant Tattoo or as a Spell blown onto the devotee). The wight of the stones would be enough to break the neck of any person under usual circumstances, but the devotees would feel nothing. This became the method of finalising the spell by throwing the stone onto the devotee after receiving the blessing, as the 'Khuen Kroo' ritual, to invoke the Guru (Kroo Ruesi) to protect and bless the devotee.
Luang Por Glan , was the Kroo Ba Ajarn of the Great Luang Por An, who inherited the position of Abbot of Wat Prayat after the passing of Luang Por Glan. Luang Por Glan was one of the Greatest Masters of his Era, continuing the Ancient Wicha from his truly Olden days Kroo Ba Ajarn LP Muang who he inherited , at Wat Pradoo Song Tam.
It is said that the Great Luang Por An (Wat Prayatikaram), was once practicing Vipassana Kammathana Mindfulness Meditations in the Uposatha Shrineroom at Wat prayat during the time that he was still practicing under the tutelage of Luang Por Glan, and that, as he was meditating in the Uposatha, he saw Luang Por Glan walk in, sit down in front of him, and start speaking to teach him some more advanced methods.
The strange thing was, that Luang Por An knew that Luang Por Glan was over in the Kuti Building conversing with Devotees who had come to beseech his Wisdom and Spiritual Advice. he then realised that Luang Por Glan was able to be in two places at the same time, by sending a nimitta vision of himself into the Uposadha to teach his apprentice Luang Por An!
The Takrut of Luang Por Glan are highly renowned for their immense Kong Grapan Chadtri Maha Ud power, and are known to be empowered with the Kata and Yant Pra Puttakun, Pra Tammakun, Pra Sangkakun (Pra Trai Soranakom), the Wicha of the Kata Pra Baramee 30 Tat, and the Wicha Pra Jao Sip Chaat (10 Jataka).
Use the Buddhist Method for Bucha(Kata Aaraatanaa Pra Krueang)
Kata Pluk Takrut Koo Cheewit Luang Por Glan
Do Sandtang Dtang Siila Samaati Do Sandtandti Tamma Radtano Do Sandtandtoe Tamma Thaanang Do Sandtangdtang Namaa Mihang Do Sandtandtandti
Below; Takrut Sariga of Luang Por Glan, showing the same artisanry in cord wrapping technique as in this exhibit.
This item was first handed to us as being from Luang Por Kong of Wat Wang Sapparot, but after perusal by Proprietor Ajarn Spencer Littlewood, his reference showed that only Luang Por Glan had used this artisan for the vertical ridged cord wrap, and the age of the lacquer and method of making, type of lacquer, and age of the amulet itself. Ajarn Spencer Littlewood has thus identified and confirmed the amulet to be that of Luang Por Glan, of Wat Prayat, which he has confirmed through the immensely intensive study and theoretical science applied by Ajarn Spencer in his perusal of the origins of ancient amulets. A very rare item which possesses all the required features of an authentic Takrut Luang Por Glan of Wat Prayat. Being tiger skin the amulet is amongst his rarest items of the Takrut variety, much rarer than his metallic Takrut Tone.
