An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A pristine and extremely well kept classic amulet from the Great Luang Por An, of Wat Prayat, the Pra Pruhnang Song Mokhallana Sariputra rare unglazed edition, with Muan Sarn Sacred Powders from the Kroo Ba Ajarn of Luang Por An, Luang Por Glan, preceding Abbot of Wat Prayat, and special hand affixed tian chai victory Candle wax from the blessing ceremony and hand inscribed sacred Yantra from the hand of the master himself. This sacred amulet was most certainly inscribed during the ceremony, or during his nightly empowerments, and a piece of saffron monk's robe is attached to the sacred magical paste affixed to the rear face of this immensely rare model and version, which is little known to any the most seasoned students experts and aficionados of this particular lineage.
HIghly recommended amulet as a much rarer and certainly personally blessed and inscribed alternative to the; generally known and hence preferred by those not in the know; Pra Khun Phaen Klueab Luang Por An of the same year.
This piece is undeniably an unglazed Pra Pru Nang amulet, composed of Puttakun powder (mixed with ancient crypt powders). It is a trial-press specimen from B.E. 2495 (1952) by Luang Por An of Wat Pra Yatikaram.
When combining all the evidence, there is absolutely no doubt that it could belong to any other lineage, grounded in four profound core reasons:
1. The Identity of the Yant Dto Inscription: The handwriting of the Yant Dto inscribed on the reverse—specifically the pressure of the stylus, the curvature of the yantra's head, and the tapering of the terminal lines—serves as an esoteric signature directly inherited from the lineage of Luang Por Klan, the founding master of the Wat Pra Yat tradition.
2. Era-Specific Sacred Materials: The dense powder mixture, visibly interspersed with off-white to orange sacred inclusions, consists of fragments from ancient amulets of the Wat Yai Chai Mongkol crypt (such as broken glazed Khun Paen amulets). Luang Por An ground these down to serve as the primary material, an exclusive formula specifically utilized in his B.E. 2495 amulet series.
3. The Mark of a Close Disciple’s Gift: The application of beeswax (or cinnabar) and the affixing of a monk's robe over the inscription are not standard production practices. Rather, this is a customized application made for a specific individual (such as a close disciple) to specially amplify the metaphysical properties of loving-kindness (Metta) and evasion of danger (Klaew Klaad).
4. Shattering False Conceptions (Glazed vs. Unglazed): The reason general collectors and the commercial market overlook this piece is that they are trapped by the prevailing misconception that Luang Por An's Pra Pru Nang amulets must strictly be "glazed ceramics." Consequently, when they encounter a raw, unglazed fired clay or powder trial-press specimen, they regrettably dismiss it.
This amulet stands is in our view, a masterpiece of profound historical value and extreme originality. It is exponentially rarer than the glazed variants commonly traded in the market. Definitively and elegantly concluded: this is the creation of Luang Por An of Wat Pra Yat.
The amulets were blessed for three months by Luang Por An in the year 2459 BE, after which Luang Por An gave the amulets to Luang Por Jong at Wat Na Tang Nork to perform 3 days and nights of extra empowerment, and then to Luang Phu Si of Wat Sakae, for a further three days and nights of empowerment
The Pra Pruhnang Amulet is a Historic Buddha Image of immensely tasteful artistic design, and made using sacred clay with added powders of Luang Por Glan (Wat Prayat), the Kroo Ba Ajarn of Luang Por An. Luang Por An was the Looksit Aek first Initiate of Luang Por An inherited the Sorcery Wicha of Luang Por Glan (Wat Prayat), and his special Muan Sarn Sacred Powders, and who blessed these amulets with the invocations of his Lineage Master Luang Por Glan.
The muan sarn clay was made from an admixture of various ancient amulets of the Ayuttaya Era, such as Pra Nai Putsa, Pra Wat Tagrai, Pra Kring Klong Takian, Pra Kone Samor, Pra Luang Por Dto Wat Bang Grating, Pra Luang Por Parn, and amulets from Wat Koo Salort, as well as a large number of other Ancient Pra Kru hiding place amulets from around the Ayuttaya province. Luang Por An also used a number of Pra Khun Phaen Klueab from the Wat Chai Mongkol Kru Hiding Place find to mix into the Muan Sarn Sacred Powders.
The Pra Pruhnang is one of the more highly prized amulets of collectors and devotees of Luang Por An, and of Thai Buddhist People everywhere, for its beauty, and the presence of three Arahants, in one amulet.Luang Por An was one of the Great Gaeji Ajarn Masters of His Era, considered one of the Great Ayuttaya Master Monks, whose amulets are extremely favoured throughout all circles of collectors.
The Pra Pruhnang Klueab, along with the Pra Khun Phaen Klueab glazed baked Sacred Clay amulets are amongst his most famous and preferred amulets of the pantheon, along with his Takrut, and Pra Luang Por Kor Hak amulets. Most devotees of Wat Prayat will collect and Bucha amulets from both Luang Por An, and his Kroo Ba Ajarn Luang Por Glan (hard to find), for the magic of both Masters is seen to be second to none for Klaew Klaad Kong Grapan Chadtri Metta Maha Niyom power.
Luang Por Glan was the abbot of Wat Prayatigaram, in Ayuttaya, and the Kroo Ba Ajarn of the Great Luang Por An, who succeeded Luang Por Glan as abbot of Wat Prayat after his passing. In turn, Luang Por An was also a Great Master of Olden Days, whose amulets were immensely famous during the Wartime Era, for their Kong Grapan Chadtri Klaew Klaad power. Luang Por An inherited and learned most of his Wicha from Luang Por Glan, who was one of the top ten Masters with the most powerful psychic powers of his Era.
The Pra Pruhnang, which features an image of the Buddha in Mara Vichai (subduing Mara), is seated touching the earth, calling the Dharani Earth Goddess as his Witness. The two Savaka Pra Mokkhallana and Pra Saributra are standing to either side of the Buddha, who is surrounded by a decorative Arch.
The Pra Pruhnang Amulet is an ancient Amulet of the Ayuttaya Kingdom which is a Historical Artifact, and a Highly revered Votive Tablet. The original Pra Pruhnang is found at Wat Putai Sawan and was discovered hidden at other Temples in the Ayuttaya Region too.
Below; Pra Pruhnang Leaden Amulet, from the Ayuttaya Era.
It is a famous fact that both the Great Khun Pan (Sergeant Pantagij Rachadech, creator of the Jatukam Ramathep Amulet) and his Unkillable Enemy the Bandit 'Suea Fai', were both known to highly rever the Pra Pruhang amulet, and wore more than one of them on the same neck chain around their necks. Even after retiring from hunting Bandits, Khun Pan still wore the amulets for protection until his old age. The Pra Pruhnang is one of the most famous amulets for its power of Kong Grapan Chadtri and Klaew Klaad protective magic, and also for its healing powers.
Luang Por An was born in the year 2435 BE, and ordained into the Sangha at Wat Prayatigaram on the 26th May 2456 BE, with the Great Luang Por Glan Tammachoti as his Ordaining Upachaya,Luang Por Chaay (Wat Dtong Pbu) as his Gammawajajarn prompting officer. The name of his Anusawanajarn witness is no longer recorded, but most devotees assume it to be Pra Ajarn Rod Widtuyo of Wat Ayotaya (also called Wat Gasankh).
A few historians believe his Anusawanajarn witness to have been Luang Por Lueang, of Wat Pradoo Song Tam. In the year 247ึ7 BE, Luang Por Glan passed away and Luang Por An became the next abbot of Wat Prayat.
The Great Luang Por An passed away in 2512 BE as he was on travels visiting Wat Pra Singh in Chiang Mai, for a Buddha Abhiseka Blessing. His body was kept for devotees to worship at Wat Prayat for 25 years before he was cremated in the year 2536 BE.
