An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Sivali Long Rak Pid Tong Hlang Yant Bai Pad 2513 BE Long Rak Pid Tong Hlang Yant Bai Pad - A rare Classic Pim Niyom Amulet from the Great Luang Phu Toop, of Wat Kae Nang Lerng (2441 - 2533 BE).
Pra Racha Dhamma Wicāra, or, as common folk know him, 'Luang Phu Toop' of Wat Kae Nang Lerng, was a highly revered monk and esteemed acclaimed member of the ten officially recognised makers of Pra Somdej amulets within the legendary Dtamra of Somdej Pra Puttajarn (Dto) Prohmrangsri's classic methods of creating Pra Somdej amulets.
He was acclaimed by devotees for his powerful Wicha Akom, and was the creator of a vast range of different amulets, all of which are now extremely rare to encounter, and highly prized within his cult inner circle of collectors and devotees.
This Pra Sivali Amulet is one of the rarest items, and is an extremely beautiful exhibit, which has been covered with 'rak' herbal lacquer and pure 96% gold leaf. The rear face of the amulet has the Sacred Yant Bai Pad embossed.
He was acclaimed by devotees for his powerful Wicha Akom, and was the creator of a vast range of different amulets, all of which are now extremely rare to encounter, and highly prized within his cult inner circle of collectors and devotees. This Pra Sivali Amulet is one of the rarest items, and is an extremely beautiful exhibit, which has been covered with 'Rak' herbal lacquer and pure 96% gold leaf.
Luang Phu Toop was born in Tambon Bang Luang Iang in Ayuttaya, on he 11th of April 2411 BE. His Father was called 'Dech' and Mother went under the name of 'Phong'. Luang Phu Toop lost his parents about the time of hs first birthday, after which he stayed with relatives in Bangkok, who were Lordly Family Lineage, namely Jao Praya Racha Supamidtr, and Tan Phu Hying Plaek. Luang Phu Toop learned Khom Agkhara Script and Pali Sanskrit at an early age as he was still attending school, at the temple close by to his relatives home.
In the year 2463, Luang Phu Toop ordained at Wat Suntorn Dhamma Dhana (pronounced 'Wat Suntorn Tamma Tan' in Thai), popularly known as Wat Kae Nang Lerng. HIs Upachaya Ordaining Officer was tan Jao Kun Tamma Warodom, the Abbot of Wat Benjamabopit. His Pra Gamma Wājājarn was Pra Ariya Muni, the Abbot of Wat Tewarachagunchorn. Pra Kroo Puttaban (Luang Por Naedtr), the Abbot of Wat Sontorn Tamma Tan was his Pra Anusawanajarn Witness.
He received the 'Chāyā' (Ordained Monk's name), of 'Khema Siri'. Once he was Ordained, Luang Phu Toop studied Kammathāna Vipassanā, and Dhamma, and Putākom (Buddha Magic) with the Great Luang Por Parn of Wat Bang Nom Kho in Ayuttaya for a long time.
After Luang Phu Toop returned back to Bangkok thereafter, he would still return often throughout the years, to continue his studies with Luang Por Parn. As time went on, Luang Phu Toop came to become friends with Luang Por Khant of Wat Nok Grajarp, who introduced him to the 'Wicha Chueak Kart Aew' (magical cord belt making), which he mastered under the tutelage of Luang Por Khant.
Luang Phu Toop also went on to master a number of other magical Wicha with the great Luang Por Chaem of Wat Ta Gong in Nakorn Pathom, and with the Legendary Luang Por Ngern of Wat Don Yai Horm, because Luang Por Ngern would often visit wat Ta Gong to see Luang Por Chaem, and so Luang Phu Toop was blessed to receive Wicha from both of these Immensely Powerful Sorceror Monks.
Luang Phu Toop was a very diligent monk who would accept and fulfil all the requests he received from his superiors, and was never lazy or selfish in his behaviour. He became highly respected and beloved by his companions in the Sangha during his early years as a Samanera Novice Monk, and was a shining example to the other Novice Monks, inspiring and driving them to excel in their duties.Luang Phu Toop was responsible for a great deal of helpful activities in assisting the Abbot of Wat Kae Nang Lerng in the development of the temple, and eventually was elected Vice Abbot.
In the year 2471 BE, Luang Phu Toop was elected to become the Abbot of Wat Sontorn Tamma Tan (Wat Kae Nang Lerng), and developed the Temple until it grew to become a Great Temple, as seen today, and in the Year 2477 BE, he was given the Honorable Official Status of Pra Kroo Sanya Badtr. Consequently, in the Year 2495 BE, he was given the Official Status of Pra Racha Kana (Bishop) by Royal Decree. Luang Phu Toop is known for his many different Amulets which he created, which he began to make in the Year 2482 BE, by co-creating an edition with the Legendary Luang Por Chaem of Wat Ta Gong.
This first edition was the Pra Somdej Sam Chan Buddha on 3 Tiered Dais, The Pra Rod Buddha Amulet, The Pra Pim Nang Kwak Supawadee Amulet. All of these Amulets were created in Nuea Pong Pasom Din Buchaniyasathan (Muan Sarn Sacred Powders mixed with earths from Sacred Shrines), and also in a second Sacred Substance, namely Pong Bailan Long Rak Chab Nuea Nai Si Dork Tao (Black Parchment Powders with Lacquered Surface and Gray Inner Color). All models had deep hand spell inscriptions in the rear face.
Every time Luang Phu Toop created an Edition of Amulets, he would distribute them to devotees who came to the temple and helped out. The Amulets which remained left over afterwards would be then hidden in the base of the Buddha Statue within the Uposatha Shrine Room. The Amulets of Luang Phu Toop include Sacred Powder Amulets, Chueak kart Aew Macic Cord Belts with Takrut. His most famous editions are the 2504 and 2513 Editions. The 2513 Edition saw his first edition Guru Monk Coin released, which is a Highly Preferred Pra Niyom Master Class Amulet. Luang Phu Toop remained as Abbot of Wat Kae Nang Lerng and was highly respected and beloved by the Local Folk, until his final passing on the 29th May 2533, at the age of 92 Years Old
Kata Pra Sivali
Ahang Wantaami Siiwaliitaadtuyo Ahang Wantaami Sappaso
Kata to Bucha Pra Sivali
Iminaa Saggaaraena Siiwalii Thaerang Apibpuchayaami
(When you chant this whilst making Bucha to Pra Sivali, then say in your inner heart silently the following words;
Bpuchidtang Sappalaapang Bprasitti Mae Thaerassa Aanupaawaena Sappa So Thee Pawandtu Mae
Kata Pra Sivali (Luang Por Guay - Wat Kositaram, Chaynat)
Siiwalii Ja Mahaa Thaero Bpajjaya Laapa Buchidto Manusso Taewadtaa Into Pramaayamo Yagkha Waa Bpidtassa Nirandtarang Bpana Laapa Saggaarae Aanaendti Nijjang Siiwalii Thaerassa Laapo Saggaaro Hodti Siiwalii Mahaa Thaeranja Buchagassa Sataawaabi Kaatanja Sangwadt Dtanassa Laapo Ja Saggaaro Hodti Thaerassa Aanupaawaena Laapo Mae Hodtu Sappataa Aedtaena Sajja Wachaena Laapo Mae Hoedtu Sappataa
Kata for chanting when going on Business trips
Na Chaa Liidti Bpasitti Laapaa
Kata Hua Jai Pra Chimplii (heart Mantra of Pra Chimplii)
Saatu Siwalii Ja Mahaa Thaero Na Chaa Li Dti Bpasitti Laapaa Bpasanna Jidt Dtaa Sataa Hondti Bpiyang Ma Ma Sappae Chanaa Pahu Chanaa Sappae Tisaa Samaa Kadtaa Gaala Pochanaa Wigaala Pochanaa Aakaj Chaaya Aakaj Chaahi Bpiyang Ma Ma
Short Kata Pra Sivali
Siiwalii Ja Mahaa Thaero Chay Ya Sitto Mahit Tigo Thaerassa Nupaawaena
Katas for Pra Sivali for each day of the week
Sundays (Chant 6 times) - Chimpalii Ja mahaa Naamang Sappa Laapang Pawissadti Thaeras Saanupaawaena Sataa Hondtu Bpiyang Ma Ma
On Mondays (Chant 15 times) - Yang Yang Bpuriso Waa Idthii Waa Turaehi Waa Sami Bpaehi Waa Thaeras Saanpaawaena Sataa Hondti Bpiyang Ma Ma
On Tuesdays (Chant 8 times) - Chimpalii Ja Mahaa Thaero Soho Bpajjayaa Timhi Chaeya Laapo Mahaa Laapo Sappa Laapaa Pawandtu Sappataa
On Wednesdays (chant 17 times) Tidt Dtidt Tha pa Wae Rachaa Biyaa Ja kara Dtu Mae Yae Saaradt Dti Niran Dtarang Sappa Sukhaa Wahaa
On Thursdays (Chant 19 times) - Chimpalii Ja Mahaa Thaero Yagkhaa Taewaa Pi Bpuchidto Soraho Bpajjayaa Timhi Ahang Wantaami Sappataa
On Fridays (Chant 21 times) - Chimpalii Ja Mahaa Thaero Taewadtaa nara Bpuchidto Soraho Bpajjayaa Nimhi Mahaa Laapang Garondtu Mae Laapaena Udt Dtamo Hodti Sappa Laapang Pawandtu Sappataa
On Saturdays (Chant 10 times) Chimpalii Ja Mahaa Naamang Intaa Prahmaa Ja Bpuchidtang Sappa Laapang Prasitti Mae Thaeras Sanupawaena Sataa Sukhii Bpiyang Ma Ma
