An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
An early era and extremely beautiful Hwaen Pirod Long Rak Chart thick laquer coated Yantra Cloth and Corpse Cord Warrior Ring of Protection from the Great Luang Por Muang Pf Wat Ban Tuan. The Hwaen Pirod of LP Muang is a world famous Hwaen Pirod Ancient Warriors Ring of ancient lore, made from Corpse Cloth Yantra Sinjana Cords with Lacquer Ancient Amulet. An immensely rare and sought after amulet of Luang Por Muang, of Wat Ban Tuan.
His most famous and sought after ancient amulets were and are now more than ever, his Rian Pum Luang Por Muang (differing faces Hnaa Hnum and Hnaa gae/Young Old Face) of 2460 and also his Waen Pirod Warrior Rings of Protection, which are even more extremely rare to find these days. Even during the time he was still alive, is Waen Pirod were a most sought after item, and anybody who owned one would be unable to convince to part with it.
Nowadays, his Waen Pirod are amongst some of the rarest items to be found in Thai Amulet collectorship, in the 'Krueang Rang' (Occult Talismans) Category of Amulets. Serious Collectors and Devotees of Essentially Rare amulets and Talismans in the Thai Collector scene are known to be very fervent about wanting to own a Waen Pirod of Luang Por Muang, which are so difficult to find, as to make them the dream of many a collector.
Most 'Sian Pra' (expert collectors and traders) will not sell their Waen Pirod, but will only place it in competition or on show for admiration, but hardly ever are prepared to part with them for any price.
This is because those in the know, are aware that Luang Por Muang did not make so many of these rings, for the fact that his method of making them adhered to the Ancient Wicha and that this meant, that the extremely complex methods used limited the amount he was able to make. So he never made that many, and would also not hand them out easily to just anybody, because he never made them in any mass quantities
In those days, Guru masters would not allow their devotees to assist in making mass productions, and so each amulet would pass only through the hands of the master and be self made and self empowered (this rule of course, does not apply to the case of smelted coins of course, and is specifically true for talismans, Takrut and similar hand made amulets). Luang Por did not make them for fundraising or other reasons, and would only make them for special reasons in special circumstances, for specific persons or reasons.
Their magic power is also unquestioned, for the way that Luang Por Muang would perform his Ritual Method of creating and empowering these rings of power in the ancient traditional method of applied Wicha (Sorcery).
He would use 'Pha Hor Sop Dtaay Hoeng' (cloth used to wrap Hoeng Prai corpses who died in sudden circumstances - a prerequisite for Prai Necromantic Sorcery power to be at its most powerful) cloth for their making. He use the full and complete 'Dtamra' (formula of legend) of the Wicha used during the Ancient Ayuttaya period, which he had received passed down to him from his lineage Masters, which was used by the first Kings of Thailand (Pra Naresuan Maharaj).
Once he has made and bound the rings into their shape and form, he would then perform Invocations, and Ritual Methods of Empowerment, and then throw the rings into the blazing ritual fire. If the ring would burn, then he would destroy it and not use it, for this would mean that not enough Samadhi Meditative Concentration had been applied, and would begin again and make a new ring. Only the rings which did not burn in the fire, would be used. Those rings which proved through the fire test that they possessed true power, would be taken and covered in herbal lacquer to make them last for centuries (Pirod means burning flame, hence 'Waen Pirod' means Flaming Ring - and is fireproof).
Luang Por would use a reddish lacquer similar to Chinese lacquer which was used in those days, but which turns black in time. He would dip the rings many times to get a thick coating, but this kind of lacquer would slowly crack and form small openings as the years passed by, which is part of the immense beauty and attraction of the Waen Pirod of Luang Por Muang.
To authenticate and know what a real Hwaen Pirod (for indeed such a sought after item has many forgeries around) one should know to examinig the lacquer and see the slight cracks and the beige brownish sinjana cord and corpse cloth within that is visible through the cracks of the lacquer. One should also notice small areas of reddish tints where the original red lacquer color still resonates through the darkened lacquer surface.
Kata Waen Pirod
Om Pra Pirod Khord Pra Pinai
(Chant 9 Times when placing the ring on or hanging it on your neckchain for wearing)
Om Pra Pinai Klaay Pra Pirod
(Chant 9 times when removing the ring, or taking of your neck-chain or pendant holder)
Luang Por Muang's famous Waen Pirod is reputed to have many magical powers, among them are said to be invincibility and safety in dangerous situations, as well as in the olden days, as people would have to enter the deep jungle, that the ring will protect against all sorts of dangerous animals, ghosts and demons, and poisonous beats such as cobras, scorpions and hunting animals such as the tiger.
Demons and Prai Hian Ghosts will not dare to approach. Maha Ud (Gun-Stopper), and protection agains all sorts of weaponry. This is a truly ancient amulet, and is is roughty one century old.
