An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Roop Tai Blesséd photograph of the Great Tudong Forest Tradition Kroo Ba Ajarn, Pra Ajarn Fan (Fun) Ajaro, of Wat Pha Udom Somporn, from the year 2518 BE.
Roop Tai Nang Dto Moo 76th Year Edition Luang Phu Fan Ajaro 2518 BE - This image is a Niyom Class documented amulet of Ajarn Fan and is listed in the Tamniab Wadthumongkol (list of officially recognised editions) of Ajarn Fan's Pantheon of Amulet. It is a very well known amulet that is highly favored by devotees of this Monk, as well as by pracitioners of the Tudong Forest Tradition practice of Vipassana Kammathana Meditation, for Buddhanussati, More powerful practice, and reverence to the Guru. This photo is a 'Hlang Riab' meaning no stamps on rear face. a lesser number were issued with rubber ink stamps, donated by the devotee Yome Kasem, which are rarer and higher in value.
The Roop Tai of this 76th Birthday 2518 BE edition were released both with, and without rubber ink stamps on the back face, and in a couple of different photographic images, not all of which are documented officially. This Nang Dto Moo photo is avery well documented amulet and an essential part of the Pantheon.
Ajarn Fan Ajaro (commonly spelled 'Ajahn Fun') was born on 20th August 2442 BE, in the Pasanikom Municipality of Sakon Nakorn. He was born into a family of status with lineage. As a young boy he was already very orderly and well kept, and was very diligent and engaged in all his duties and chores. He would have great patience to endure obstacles and would remain patient, and keep working at whatever he was doing without getting frustrated.
Ajarn Fan began his primary education at Wat Po Chai Temple in Muang Khai village, and accompanied his older cousin to further education at Khon Kaen Town. However, as he grew older he began to see the impermanence of seeking honourable status in the profession and in education, and decided he wanted to ordain as a Samanera Novice Monk, to follow the teachings of the Buddha. He was ordained as a samanera at Wat Pone Tong in Ban Batong, which was a Maha Nikai Lineage Temple (there are two major lineages in Thai Buddhism, Maha Nikai, and Tammayut).
Some time later, in the year 2463 BE he was able to ask for apprenticeship under the Great Tudong Forest Master Ajarn Mun Puritadto , and asked to change lineage traditions to become a Tammayut Nikai lineage Monk. On the 21st May 2468 BE, Ajarn Fan was reordained as a Samanera Novice, into the Tammayut Nikai at Wat Po Somporn in Udorn Thani, with Tan Jao Khun Tamma Chedi (Luang Por Joom) as his Upachaya Ordaining Officer.
When Ajarn Fan reached the age of 20 i then took the second level of ordination as a fully fledged Bhikkhu Monk at Wat Sit Bangkom in Pananikom, Sakon Nakorn Province, with Pra Kroo Bpong as Upachaya and Kroo Ba Ajarn Mentor.
He learned to practice Kammathana Vipassana methods of Mindfulness Meditation throughout the first year of his ordination there with Pra Kroo Bpong, and when the rainy retreat was over, he traveled back to Wat Pone Tong, where Pra Kroo Samonagij was the abbot at the time, who was a Vipassana Master.
Pra Kroo Samonagij took Ajarn Fan on Tudong Forest wandering and taught him the Tudong Kammathana methods of practice, exposing him to the ordeals of meditation in the Jungle, Caves and Wildernessess, and Haunted Cemeteries.
Ajarn Fan continued this practice continually, wandering the forests and preaching the Dhamma to the local folk wherever he went. Tis caused Ajahn Fan to be known and revered by faithful devotees around the land, and was a household name to the people of many provinces. He is considered to be one of the great Arya Sangha of Thai Buddhist History, of Great Attainments and Purity.
Ajarn Fan became the Abbot of Wat Pha Udon Somporn, and performed great works there until his final passing away, on the 4th January 2520 BE. He is considered one of the top great Tudong Forest Masters of the Ajarn Mun lineage, and remains an Iconic Legend of the Temple of Wat Pha Udom Somporn, whose name is synonymous with Ajarn Fan's himself.
The teachings of Ajarn Fan are some of the most profound and understandable Dhamma Teachings, and are valued to be amongst the most essential teachings of the Thai Forest tradition Masters, along with those of Ajarn Mun, Ajarn Chah, Ajarn Lee, and the other Great Arya Sangha of this Lineage.
Ajarn Fan would always teach that all of us will have to face a great battle one day, the battle with our own hearts, when the day of death arrives. Each one of us will have to come to terms with our lives, and battle to overcome our regrets, fears and reluctancy to accept the way things truly are. We will have to pass through that battle alone. He taught that if we resist with one thing or another, all we will find is dismay, and that the only true weapon with which we can overcome in the face of death, is with Sati (calm concentration and focused diligent one pointedness).
He would teach more or less the following;
"The only true Merits we can make of any long term value, are those of the practice of Sila, Samadhi, and Bhavana' - with Moral Precepts (Sila), Concentration (Samadhi), and the Practice of Vipassana (Bhavana), leads to the power to let go of clinging to things, notions, beliefs, assumptions, and suffering.
He who can let go a lot, will heal suffering a lot, he who can only let go a little bit, will only heal suffering a little bit, and he who knows not how to let go, his sufferings will not heal"
When Luang Phu Fan passed away in 2520 BE, his devotees were heartbroken, and the whole country went into mourning, including the Royal Family. in 2521 his body was finally exhumed and cremated in a Royal Funeral Ceremony, with masses of devotees, the King and Queen to attend. His Majesties then performed the Ceremonial honours.
A great number of some of the Greatest Monks of Purity and Attainment of the Kammathana Lineages and Tammayut Nikai to pay respects and mourn his passing, including the Sangkaracha Sondej Prayan Sangworn, present to chant Abhidhamma, and many other Great Monks.
