An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Hand Carved Tiger Amulet, carved from Animal Incisor Tooth (probably Suea Maekh Clouded Leopard), from the Great Luang Por Bun Mee Issaro, of Wat Khao Samor Don in Lopburi. The Fang is hand inscribed with the Sacred Yant Na Hua Jai Suea Heart of the Tiger Yantra, and Khom Agkhara Magical Script, with the form of a Tiger carved into the top of the Fang.
Luang Por Bun Mee was a Great Gaeji Ajarn Sorcerer Monk of the became even more highly revered after his passing, than during his lifetime.
This was due to the fact that after over 35 years after his passing, his mortal remains were found to be still unchanged, which is considered a Miracle by Thai Buddhists, when a corpse does not rot without mummification. This fact became so widely spread that it was featured in a full page national news article.
Khiaw Suea are full of Maha Amnaj, Kong Grapan Chadtri and Metta Mahaniyom-Maha Sanaeh Magick, and possess Anti Black Magick Forces in their very nature. An excellent Status Increase Talisman to Impose your Superiority and Status and Rank over others, and to protect you from deadly Dangers and Weaponry, as well as to Increase Seductive Charm and Chances of Promotion.
Luang Por Bun Mee was highly revered by Devotees of the Lopburi Province during his lifetime, renowned for his many amulets and talismanic charms, such as his world famous Mitmor Spirit Knife, Roop Tai Blessed Photos, Takrut Tone, Look Om, Somdej, and his many Guru Monk Coins. Every single edition he ever made, became immensely famous and popular for the many reports of powerful effects received by those who wore his amulets.
The Powers of the Tiger Magic, especially preferred in carved ivory sacred woood, bone, and above all, fangs and Teeth, are reputably said to possess Kong Grapan Chadtri, Klaew Klaad, and Maha Amnaj (commanding power and influence), as well as powerful Maha Sanaeh attraction power and Metta Mahaniyom Mercy Charm.
Kata Pluk Suea
Luang Por Bun Mee was known to be a Master Adept in Wicha Akom Buddhist Sorcery, and especially for his Mitmor Knives and Hand Made Carved amulets. LP Bun Mee was born on the 8th February 2442 BE, in the Year of the Pig, under the name 'Bun Mee Jantr Jaem'. His father was named Poo Yai Dton, and his mother ws named Mrs. Tong Muan. He was the second born of 6 siblings.
As the young Bun Mee was still of early primary school age, his parents sent him to learn Khom Agkhara Sacred Thai-Khmer Sanskrit Script, with Pra Kroo Prawes Tippakorn (Pra Upachaya Luang Por Gong), at Wat Khao Samor Don. Due to the fact that Wat Samor Don was a temple dedicated to the study of the Pariyatti Dhamna Pitaka (227 Rules of Renunciation of a Buddhist Monk/Bhikkhu).
The young Bun Mee, developed an innate and complete understanding of how an Ordained Bhikkhu should behave and practice, and the proper restraint necessary. Luang Por Gong Ordained the young Bun Mee as a Samanera Novice Monk, whilst still a young child.
LP Gong took Luang Por Mee everywhere with him as his first prime apprentice, and shared the knowledge of all of his magical Wicha. He would often take Luang Por Bun Mee on Tudong Forest Wandering, to find solitude and silence, and develop Samadhi Jhana meditation.
When Luang Por Bun Mee reached the age of 21, in the year 2463 BE, LP Gong took the young Samanera Monk Bun Mee to be Ordained as a fully fledged Bhikkhu, at the temple of Wat Mujariin in Lopburi.
His Upachaya Ordaining Officer was Pra Kroo Sangworn (Kuang Por Sope), of Wat Payakkaram (Temple of the Tiger). HIs Pra Gammawajajarn Prompting Officer was Pra Atigarn Phong, of Wat Mujarin, and Pra Atigarn Khaeg, of Wat Nong Mont, was his Pra Anusawanajarn Witness. He was given the full Ordained name of 'Bun Mee Issaro'.
Five years after Luang Por Bun Mee's Ordination as a fully fledged Bhikkhu, his Kroo Ba Ajarn, LP Gong, passed away. Luang Por Bun Mee was then chosen as his first apprentice to become the new Abbot, in the year 2468 BE. hereafter, Luang Por Bun Mee continued to study Wicha Akom withLuang Por Say at the Tiger Temple of Wat Suea, and Pra Upachaya Sukh Sukharo of Wat Bang Lee. After this he traveled to practice Magical Arts with the Great Luang Por Khaeg, of Wat Nong Mont. LP Bun Mee also learned special Wicha from Lay Masters, such as Ajarn Bun Ro Jantr Jaem, who was his own older brother, and a Master Adept in Occult Sorcery.
The amulet has a beautiful ochre tint Patina on the surface from aging through the decades of time that have passed, and through contact with the skin, and is a most pristine exhibit, with full hand inscriptions, and beautifully carved into the shape of a tiger, by the hand of a master artisan.
Hand carved talismanic charms such as this exhibit, are very hard to find from LP Bun Mee, as are his highly regarded Pra Somdej Tian Chai Victory CandleWax amulet, which has many stories of Maha Ud Gunstopper Miracles tp its name, from many devotees throughout the ages to this very day. One of the most famous stories about the power of LP Bun Mee's amulets and his blessings, was around the year 2436 BE, when a most wanted criminal who wore one of LP Bun Mee's Amulets, was chased by the police.
The gangster shot at the police, and injured one, so law enforcement surrounded his home, with about 50 officers, and drilled the house full of holes with hundreds of bullets fired. The room he was in was riddled with bullet holes, but not a single bullet had scratched the skin of the Gangster who wore the amulets of LP Bun Mee. The story became national news and legend after it was found out that the Invincible Gangster had worn a Takrut and the Somdej Tian Chai of LP Bun Mee.
LP Bun Mee's amulets became so famous for their protective power, that many soldiers and police traveled from the southern provinces on the Malaysian border, where they faced much trouble and insurgence and danger, to beseech Luang Por for his amulets. Luang Phu Bun Mee remained abbot of the temple of Wat Khao Don Samor and distributing his magical amulets to devotees up until his passing in the year 2525. He was so highly regarded for his powers, that he was chosen as one of the monks present at the great blessing ceremony of 2506 BE at Wat Prasat, the 3rd largest blessing ceremony in Thai History, along with various other historical blessing ceremonies.
