An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Khun Phaen Pong Puttakun Pasom Pong Prai Kumarn - Ong Kroo Pised Takrut Ngern Koo - First edition amulet, from the Late Luang Por Dtat of Wat Chai Na.
This first edition Pra Khun Phaen is an extremely rare amulet indeed, for which we are extremely proud to present it with clear images for your perusal and study, and for documentation for posterity. The Pra Khun Phaen is made from extremely coarse Pong Prai Kumarn powders, and is hand pressed.
This hand pressed early First Edition Pra Khun Phaen form this master, making this an exclusive amulet of classic status, that was only made in very small numbers, before Luang Por Dtat's powers became so widespread.
It can be said that few other masters who have passed away in the last 2 decades have generated such a fast depletion of his amulets by devotees as Luang Por Dtat, with the exception of perhaps Luang Phu Ka Long, and Luang Por Kambu. Because Luang Por Dtat did not produce massive quantities of amulets, is pantheon is also much more difficult to find all models anymore, making them rarer than those of some of his peers.
Rear face of Pra Khun Phaen has 2 Takrut inserted and the Sacred Yant Putsoorn
Luang Por Dtat, of Wat Chai Na was a highly revered Gaeji Ajarn Guru Monk of the Paetch Buri Province, whose Takrut amulets became Legendary within his own lifetime. Hlwong Por Dtad (Pra Putta Wiriyaagorn), of Wat Chai Nai, Pechtburi province, is one of Thailands great Gaeji Ajarn.
A great specialist in Takrut amulets, and Phalad Khiks, he is the creator of a vast range of different Takrut, as well as other amulets, including Pra Somdej, Pra Khun Phaen, and other Buddhist Votive Tablets.
Luang Por Dtat passed away in 2552 BE, leaving his Devotees devastated. His amulets depleted at the temple within a few months of his passing, and have now become an extreme rarity to find any at all. His leaden Takrut amulets are as legendary as his world famously powerful Palad Khik charms, Some of his tiger skin Takruts would also contain leaden Takrut concealed within the tiger skin too.
His Palad Khik, Takrut (special!!) and Pra Somdej Amulets are famous around the country and indeed the world.This 1st Edition Pra Khun Phaen is of course an extremely highly sought after item with Devotees of Luang Por Dtat's amulets, not only due to its rarity, but also its aesthetic appeal. LP Dtat was renowned for his great humility, and modesty.
He never presented stories of himself or made claims about his powers, or amulets. He would often play down his powers claiming to not possess any kind of ability, yet he was always seen to perform extremely diligent empowerments with high levels of concentration, in contradiction to is modest claims. In addition, the many stories of Klaew Klaad Lifesaving Miracles occurring with Devotees who wore, and still wear his amulets, have also served to substantiate the widespread belief in the powers of his amulets.
His ability to enchant and empower physical objects (amulets), was legendary amongst his Peers, and was impossible to go unnoticed. His Aura of Magical Prowess emanated around him despite his Humility and Great Metta, and his Psychic Powers were highly noticeable when in is presence.
Known for his Kong Grapan Chadtri Klaew Klaad protective amulets, Khun Phaen, Monk Coin, Takrut, and Tiger Skin Amulets, Pra Somdej Yiaw Chanee (Gibbons Piss Amulet), are Immensely renowned with Devotees, for their ability to Protect from Dangerous Accidents
Pra Khun Phaen is not only one of Thailands most internationally known and popular amulets, it is also the name of the legendary protagonist of this amulet, and the subject of a Thai legend based in factual historical evidence. The Dtamnan of Pra Khun Phaen is the source of magical ritual methods for a great number of Thai Animist and Buddhist occult practices (Saiyasart), such as Gumarn Tong Effigies, ‘In Koo’, Nang Pimsen Dam effigies,Khun Phaen amulets, See Pherng paste, and Nam Man Prai oil.
Kata Pra Khun Phaen
There are various Kata for praying to Pra Khun Phaen Amulets and Bucha Statues,ranging from ‘Kata Hua Jai’ (heart Mantras, a short abbreviated Kata), to full length Prayers to Pra Khun Phaen.
Kata Hua Jai Khun Phaen
Su Na Mo Ro Mo Ro Su Na Na Ma Pa Ta Ja Pa Ga Sa Na Maa Mi Hang
Full Length Kata for Chanting Bucha to Pra Khun Phaen
Om Sitti Sri Sri Play Gaew Jidtang Bpiyang Ma Ma
Sasee Doo Ngaa Bpraduj Dang Gab Phaen Fa
Hnaa Goo Ngam Dang Gab Khun Phaen
Khaen Goo Ngaam Dang Pra Narai Gay Goo Dang Gab Pra Aatidt
Rit Goo Ngam Dang Prajantr.
Saw Nai Mueang Sawan Hen Hnaa Goo Yoo Mi Dai
Saw Gae Mae Hmay Nai Loke Manus Yaeng Yutgan Hlong Rak
Lae Fai Fan Chwong Ching Gan Mi Waern Way
Goo Ja Ramleug Terng Dton Mai Gor Hai Ma Nguay Ngong
Jong Dtam Ma Glai Mai Hang Hae Samakanae Neug
Goo Ja Ramleug Terng Payaa Hongs Gor Hai Ma Hlwong Lerm Tham Koo Haa
Goo Ja Ramleug Terng Paya Pla Gor Hai Reeb Ma Hlong Lae Lerm Nam
Goo Ja Ramleug Terng Kon Tammada Gor Hai Ma Hlong Lerm Tee Norn
Goo Ja Ramleug Terng Look Gai Awn Gor Lerm Mae Wing Rae Dtam
Goo Ja Ramleug Terng Chang Ngam Gor Jong Dtam Ma
Goo Ja Ramleug Terng Sae Mae Ka Jong Ma Ha Goo Goo Ja Goo Rorng RiakSaw Hyai Hai Hlai Hlong
Goo Ja Ramleug Terng Dong Pong Prai Hai Chorp Jai Goo
Goo Ja Ramleug Terng Foong Chon Tang Hlay Tee Mee Yoo Jong Yaa Hang Hern
Jong Soo Hnaa Ha Mee Sanae Metta Dtalord Bpai
Krai Hen Krai Rak Krai Tak Krai Chom Hai Mee Kon Niyom Dtam Goo Ma
Om Na Ma Pa TaNa Ma Pa Ta Na Ma Pa Ta Arahang Putto Na Mo Put Taa Ya
Puttang Sitti Tammang Sitti Sangkang Sitti Metta Sitti Sitti Sawaha
Above; Kata Pra Khun Phaen Luang Por Dtat
Idti Bpāramidtādtingsā Idtisappanyūmākadtā Idtipotimanubp-bpadt-dtō Idtibpiso Jadtae Namo Piswāt Hlong Hlai Pismay Yin Dī Jai Kid Therng Klao Kleung Winyā Wichā Jarana Sambpanno Idtibpisō Pakawã
