An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Nang Paya Amulet in Nuea Pong Puttakhun Pim Lek (small Pim) with Yant Ongk Pra Embossed on rear face, from the Great and Legendary Master Monk 'Jao Khun Nor'. Released in Buddha Abhiseka Blessing Ceremony, in the Year 2509 Buddhist Era (1966), at Wat Mab Phai in Chonburi.
This is a very rare amulet and highly revered by the Devotees of Jao Khun Nor of Wat Silakhant. It was released in both Pim Ya and Pim Lek Versions, and was seen to be made in both dry Puttakun Powders, as well as with a Glazed ceramic Enamelled Surface.
The Puttakun Powder version is much rtarer to find than the glazed version, and is second in rarity to the Ongk Kroo version, which was made covered in black lacquer, with gold leaf embellishments on the civara and topknot of the Buddha, as well as the decorative 'Granok' flamed borders of the amulet.
The amulet is a member of the 'Pra Benjapakee' 'Top Five' Regional Amulets of Thailand, and is a classic of the 'Pra Niyom Say Chonburi' (Classic Preferred Collector Class Amulets of the Chonburi Province Collector Circle), as well as being individually preferred around the whole country.
This is because of the fact that it is one of the Powerful Amulets which recieved Empowerment from the Great Jao Khun Nor, who is a Monk of Historical Importance and who maintained a perfect, exemplary, and admirable trajectory of practice in his Patipata as a Buddhist Monk.
His Magical Powers as far as amulets are concerned are undisputed, and are known for their Metta Mahaniyom, Maha Lap, Klaew Klaad, and Serm Duang properties.
A most recommendable amulet for the Family Heirloom Collection, and a perfect amulet for ladies and children to wear, with no black magic, and pure Buddhakun Blessings. Increase Wealth and treasures and Klaew Klaad Protection, Serm Duang (Improve Auspicious Karma).
Jao Khun Nor is officially known as 'Tan Tammawidtago Pikhu' or 'Prayan Radtnarachamanidt. He was known for his immense Mercy and Compassion and Sincerity, as well as for his Extreme Diligent Effort and Patience in his Practice of Purity in the Buddhist Vinaya as a Bhikkhu in the Buddha Sasana.
He died in the year 2514 BE at the age of 74, after 56 years as an Ordained Monk. He passed away after suffering a long time from a terrible cancer on his neck, which he suffered throughout his final time,, but which disappeared just before his death, and which was an extremely large protuberance with a very painful open wound. But Tan Jao Khun Nor still went to every monring and evening prayer chanting of the Uposadha Chapel and would sit and give Dhamma sermons as usual, and never once showed that he was in pain in front of the Devotees, which is unimaginable to any normal Human Being.
Above; Jao Khun Nor with extreme throat cancer, practicing as usual without fail, maintaining complete diligence, without taking a rest. The open wound of the Cancer disappeared before his death, despite the fact that he refused any special treatment apart from letting Dr. paibun clean it regularly (after which he would always give blessings to everybody chanting the Chinabanjara Kata). He said 'The wound came by itself, and so, it should also leave by itself.
Before he passed away, he performed the blessing and empowerment of sacred earths and gravels, which he called 'Pra Por Mae Torani Bpatawi Dhatu' which means 'Mother and Father Dharani Earth Mother Elemental Relics', which are considered extremely powerful.He was reputed to say to Devotees that if they were to remember him, they should think of him by his Dhamma name of 'Tammawidtago', which means to think of the Dhamma, or 'Dtreuk Therng Pra Tam' which also means to think of the Dhamma (His birth Name was 'Dtreuk')
Above; The Pra Por Mae Torani Bpatawi Dhatu Relics of Jao Khun Nor
It was said by the Sangkaracha Royal Monk who was also the Upachaya (ordaining officer) of Jao Khun Nor, that "this is not any ordinary person - he is already a Noble Person (one of the four kinds of Enlightened Beings). In addition, The Great Luang Ta Maha Bua was known to have said that Jao Khun Nor was a 'Pra Arahant Klang Krung' declaring him an Enlightened Arahant.
The Wat Mab Phai edition of amulets from Jao Khun Nor are now a very rare edition, for which we do not hesitate to recommend them to any serious collector of either Jao Khun Nor's amulets, and/or those who are Avid students and collectors of the Chonburi Provincial Line of Niche Classic Amulet Collection. This edition enters into both standard categories.
Below; Wat Mab Phai Temple.
