An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
This large size Pim Yai first edition 2517 BE sacred powder amulet, of the finest Pong Puttakun powders, from deceased Guru Master Monk Luang Phu Doo, of Wat Sakae, is one of the early classic sacred amulets to be blessed and empowered by this Great Monk.
The Pra Prohm amulet was first created and pressed by Luang Phu Doo in the year 2517 BE. The amulet was re-pressed continuously throughout many years an has slight variations in different years. The first edition was made in Pim Yai (large) Klang (medium) and Lek (small), and was made in two versions from two different block presses; Block Pim Mee Khorb (with a raised edge around the sides of the amulet) and 'Block Pim Mai Mee Khorp' (without any raised edges).
Both versions of all three sizes of amulet are extremely rare in the first 2517 BE edition, but the 'Mai Mee Khorp' versions are the rarest of all, and fetch a price that is multiplied to the same ratio as its rarity compared to the models with raised edges (10 times rarer). Pim Mai Mee Khorp would hence fetch a price up to ten times more than the Pim Mee Khorp.
The first block press mold was initiated in 2517 BE, and due to the very fine powder mixture, the block press mold eventually became cluttered with 'Hin Poon' cement from the amulets, and so new block presses were made each time they became worn out.
In the editions which were pressed after the first block press mold, it happened that the amulets would become slowly smaller with continued pressing, because from the second block press onwards, the molds were made from latex instead of stone, and the Hin Poon cement of the amulets would stick to the inner design.
This resulted in the outer frames of the amulets becoming smaller as the inner edges of the block press mold became more covered in the Hin Poon. The rear face of the amulet has the Pra Nuea Prohm Chakra
Some hence have a distinct bordered frame around the edges, and others have less frame width. This particular exhibit has a distinct and highly defined border frame, insinuating that it is one of the earlier models. We estimate this amulet to originate from around 2522 BE judging from our knowledge of the aging factors of Sacred Powders, and comparisons with various examples of this series of amulets.
One important fact about the sacred Powders of this amulet, is that the powders have released 'Pratat' crystalline substance, which is considered to be a form of Sacred Relic, which arises through the Sacred Power imbued within the amulet. The crystalline substance grows on the surface in small hexagonal polygonal beads, which are visible when studied close up. The Pra Nuea Prohm amulet represents the occasion in which the Buddha became aware of a Brahma Deva in the highest Celestial heavens, who had once been a relative in a previous lifetime.
This Brahma Deva, had been using up his Karma in Heaven for so long, that he had become arrogant, and thought that Brahma-Hood was the highest state of Self Development, and Immortality was attained. The Buddha then travelled up to see the Brahma in the Celestial heavens, to free him from his self deception, which would surely cause him to be reborn on earth or in the lower realms again.
Taw Praka Praka Prohm, this Brahma, was once the mother of the Buddha, who was born in a previous Incarnation as an Albino Crow. The Buddha gave a Dhamma Sermon to the Lord Brahma Prakasit, and the Brahma heard and understood, and became a practitioner and Devotee of Lord Buddha, and was able to attain Arahantship without descending to be reborn on Earth again.
It is said that the Pra Nuea Prohm (Meaning 'Buddha Over Brahma) amulet is said to protect you from all enemies and dangers, and bring prosperity and auspicious fortunes. Your enemies who wish ill towards you will befall their own fate, and have 'get a taste of their own medicine'.
Luang Phu Doo was a great Monk of National Importance, and of Great Purity of practice in his Patipatā, who is believed by many to have attained Arahantship. The amulets were released sometime after 2517 BE at Wat Sakae.
This amulet belongs to the Master Class Amulets of Luang Phu Doo, and is extremely sacred not only because it was made as Luang Phu was still alive and Blessed by his own hand, but because of the presence of Pratat Buddha relic within the sacred powders.
The Brahma brings a multitude of blessings to the wearer, Blessings, Lucky Fortunes and Prosperity, Long Life, Good health, Safety from Danger and Evil, Happy Family and protection from Black Magic.
Within the Hindu trinity of Brahma, Vishnu and Shiva, Brahma is the creator, Vishnu the preserver and Shiva the destroyer. Nevertheless, Brahma grew in a lotus out of the navel of the sleeping Vishnu. The daily alternation of light and dark is attributed to the activity of Brahma.
Brahma’s mind born sons are the seers Marici, Atri, Angiras, Pulastya, Pulaha, Kratuj, Pracetas, Vashishta, Bhrgu and Narada. From Brahma’s body came his nine sons Daksa, Dharma, Kama, Anger, Greed, Delusion (Maya), Lust, Joy, Death and Bharata and one daughter called Angaja.
In order to create the world and produce the human race, Brahma made a goddess out of himself. One half was woman and the other half was man. Brahma called the woman Gayatri, but she also became known by many other names such as Saraswati.
Brahma has four heads, but used to have five. The four extra heads appeared when Gayatri was very ashamed with Brahma’s love for her and tried to escape from his gaze. The tremendous tapas that Brahma had practiced for the purpose of creation was entirely annihilated through his desire to unite with his daughter. One head was lost later when Brahma lied to Vishnu and thus caused Shiva to become very angry.
The four Veda’s are said to have sprung from his heads. In the Life of Ganga, Brahma advised Bhagiratha to ask the help of Shiva in containing the power of Ganga (goddess of the Ganges river).
Kata Bucha Pra Prohm
Om Bparamesana Namasagaaram Angkaaranissawarang Prahmaressayam Phubpassa Wis Sanu Waiyataanamotodtiluug Bpamtaramaa Yigyaanang Ya Waiyalaa Kamulam Sataa Nandtara Wimusadtinan Na Madtae Namadtera Ja Agaarang Dtathoewaaja Aedtaamaadtaarayadt Dtaman Dtaramaa Gadtanaa Ramalaa Ja Sarawa Bpadtidtam Sampopagallo Tiwatiyam Madtamya
Kata Bucha Pra Prohm (short version)
Om Aham Bprahmaa Asmi
Kata Bucha Pra Prohm (Ajarn Khrua Saeng version)
(Na Mo Dtassa Pakawadto Arahadto Sammaa Samputtassa 3 times)
Khor Daecha Pra Puttakunang Pra Tammakunang, Pra Sangkakunang Maadtaabidtaakunang Kuru Aaajariyaakunang
Jadturapakdtr Prahmaa Wihaarang Aehi Jidtang Bpiyang Ma Ma Na Ma Pa Ta Na Mo Put Taa Ya Ma A U
Jadturapakdtraa Ja Mahaa Prahmaa Mahittidaechaa Sappasii Naehaa Bprasittimae Sappalaapaa Pawandtume Sappa Aandtaraayaa Winaasamaendtu Sappa Sadtruu Winaasandti Bpiyo Taewa Manussaanang Bpiyo Prahmanamudtamo Bpiyo Naaka Subannaanang Bpinintriyang Namaa Mihang Na Madt Dto Taewa Prahm Maehi Nala Taewaehi Sappataa Na Tandto Sihanaatangyo Nantawandtang Namaa Mihang
Kata Maha Prohm
Prahmaa Ja Mahaa Taewaa Sapae Yagkhaa Bpalaa Yandti
For Protection against Evil Beings, ghosts, Demons and Black Magic;
Ongara Pintunaathang Ubp Bpannang Prahmmaa Saha Bpadtinaamang Aatigabp-Bpae Su Aakadto Bpanja Bpatu Mang Tisawaa Namo Puttaaya Wantanang
For Increasing Luck and Fortune
Bpiyo taewamanussaanang Bpiyo Prahma Namudtamo Bpiyo Naaka Subannaanang Bpinintsiyang Namaa Mi Hang
For paying Reverence giving and recieving Metta
Jadturapakdtra Mahaa Prahmaa Sappa Sinaehaa Ja Buchidtaa
He who makes Bucha and chants the Kata to Pra Prohm (Brahma) will experience success in their professions and be loved by all people(Metta Mahaniyom).
