An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
One of the most highly preferred amulets of this master, the Pra Pid Ta Nuea Pong, this one being a Pim Klang medium sized exhibit in Pong Ittijae powders with laquer, and empowered by Luang Phu Rian, Olden Days Sorceror Monk of Wat Nong Bua, in Kanjanaburi. Luang Phu Rian was the continuance of the Lineage of the Great Luang Phu Yim.
The Pra Pid Ta of Luang Phu Rian were made in various forms, and released throughout his continuous trajectory. They resemble of course those of his Mentor Luang Phu Yim, and are at best differentiated by the judgement of the age of the Muan Sarn Sacred Powders of the amulet, to define which of these two masters such a Pra Pid Ta was made by.
The rear face has been treated with some herbal lacquer, both to empower the Muan sarn clay, as well as to protect against the rubbing against the skin, as in those days, people rarely would encase an amulet, and would usually wear the amulet against bare skin.
Luang Phu Rian, of Wat Nong Bua, was the Apprentice Master and Wicha Inheritor of the great Luang Phu Yim of Wat Nong Bua. Luang Phu Yim was one of the Greatest Master Gaeji Ajarn of Ancient Times of the Kanjanaburi Province.
Luang Phu Yim would appoint Luang Phu Rian, to Invoke the Kata Akom Incantations, and make the Inscription of Khom Agkhara Spells on the surface of his talismans and amulets in his stead. After Luang Phu Yim had bestowed all of his Wicha upon Luang Phu Rian, Luang Phu Rian then became immensely famous for his powerful Magic.
His amulets received immense popularity with the local devotees, throughout 58 Years of Ordination, until his final passing. He is very famous for his carved wooden Pra Somdej Mai Sao Bote amulets, which were made from the pillars of the old Uposatha shrine room of Wat Nong Bua. It is said that Luang Phu Rian began to perform the carving of his rare and famous Pra Somdej Mai Sao Bote wooden Shrine Room Pillar amulets himself.
He would make many different amulets, some which emulated and continued the Wicha of Luang Phu Yen, and some which were of his own design, or taken from other Wicha. His Pra Pid Ta follow only second to those of his Mentor Luang Phu Yim, and are amongst the most highly regarded Pra Pid Ta amulets of their Region. Both Luang Phu Rian and Luang Phu Yim are considered to be two of the top Masters of Kanjanaburi Province of all History.
The making of the famous Pra Somdej Mai Bote carved wooden amulets of Luang Phu Rian;
In the year 2494 BE, Luang Phu Rian saw that the Uposadha Shrine Room was becoming delapidated, and in need of constructing a new Uposadha. Luang Phu saw that the wooden pillars, which were already over a century old at the time, had received the powerful vibrational energies of the chanting of Luang Phu Yim and the Sangha Monks who had performed ceremonies throughout the century of its existence, and were full of Buddhakun Power from the Incantations of Luang Phu Yim and the prayers of the Monks.
The devotees would constantly bring pieces of the Uposadha pillar wood to Luang Phu to bless and make into amulets. Some amulets were carved by Luang Phu himself, and others were traken to artisans for carving, by the devotees who had been given pieces of the Uposatha pillar wood for Bucha, and some were carved by the villagers themselves, those who were too poor to pay an artisan. For this reason, there are many different levels of mastery
Above Picture; Just some of the many amulets of the pantheon of Luang Phu Rian (Wat Nong Bua), all of which are Rarities in this day and age, and are highly sought after amulets within the cult collector scene of the amulet appreciation society.
Below, the Takrut Bailan of Luang Phu Rian, another of his highly preferred and extremely rare amulets
The pantheon of amulets of Luang Phu Rian arejust as famous and sought after as those of his predecessor and Kroo Ba Ajarn, the olden days Master Luang Phu Yim (Wat Nong Bua). Luang Phu Rian passed away in the year 2503 BE
Below is a picture of Luang Phu YIm and a number of the great pantheon of his amulets, for you to also study and appreciate, and gather knowledge about the Pantheon of amulets of these two great Consecutive Guru Master Monks of Wat Nong Bua, in Kanjanaburi.
