An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Pikanes Haeng Kwam Samrej Pim Yod Nam 2543 BE Edition amulet, for success and prosperity and removal of obstacles, form the great Luang Phu Hmun , of Wat Ban Jan, in Nuea Pong Gon Krok multicolored gold embellished Gammagarn model, in teardrop shape, made in 2542 BE, from extremely powerful admixture of Muan Sarn powders, with long empowerment sessions performed over a whole year by LP Hmun, in preparation for later release at the temple of Wat Sap Lam Yai in Lopburi. This model with Jivara Monk's Robe attached and gold coating, can be considered to be an excellent acquisition that is almost impossible to find these days in its gammagarn special version.
The Pra Pkanes was released with many other models of amulets, which were made for different goals, but passed through the same ceremonies. A very large Putta Pisek (Buddha Abhisekha) Blessing Ceremony was performed during the release at Wat Sap lam Yai in 2543 BE. Luang Phu Hmun himself was particularly fond of the Pikanes Yod Nam amulet, and was heard to have said that he found it to be very beautiful, and that it had very powerful Muan Sarn Powders within the Sacred Clay, and would ave power for a very long period of time, for lucky fortunes, success in one's endeavors, prosperous business and professional advancement through removal of obstacles.
The amulets of this edition were made using Chanuan Metals and Muan Sarn Sacred Ingredients from a large number of over 350 Great Buddhist Master Monks which Luang Phu had collected over the decades, and which the first apprentice Looksit Aek of LP Hmun (Pra Ajatn Dtua) has kept safely stored during Luang Phu's Tudong Travels, and mixed by Ajarn Dtua. The edition was released to assist Wat Sap Lam Yai construct a Sala Hall, and a large statue of Luang Phu Hmun was also made and installed in the temple in his honor, as a great sponsor, curator, and guardian of temples like Wat Sap lam Yai,
LP Hmun was also famous for helping Wat Pha Nong Lom, and many other temples he helped to build and restore using his great fame and powerful amulets to raise funds. Ganesha or, as we say in Thai ‘Pra Pikanes’ is the Deity for removal of obstacles and attainment of success. Pra Pikanes has many different forms, with different meanings. he may have four, six, eight, twelve or even fourteen arms in Idia, but is often depicted in Thailand with only two or four arms.
Pra Pikanes may carry any of a number of 57 different Cosmic weapons or regalia in his hands. Ganesha has many different Emanations and Postures, but the most Common Traditional Posture of Ganesha, is four armed with Whip Goad, Ritual Axe, an Om in the palm of raised hand, and Fruits as consumable offerings. The Posture and combination induces not only the removal of obstacles and success, but also wealth and plentiful treasures and possessions and well being. The hand wielding an axe, is a symbol of the retrenchment of all desires, bearers of pain and suffering. With this axe Ganesha can both strike and repel obstacles. The goad restrains all inner and outer enemies. Ganesha, in his 4 four armed form, symbolizes his status as the universal ruler and establish his power over the four categories of beings – those who can live only in water, those who can live in water and on earth, those who can live only on earth and those who can fly in air.
Significance of four : It was God Ganesha who instituted the four castes and the four Vedas. One hymn in Sri Bhagavat Tattva , says: 'In heaven, this child will establish the predominance over gods, on earth over men, in the nether world over anti-gods and serpents'. He causes the four ruling forces of the elements to move, for which he has four arms. You can use the Chants to Ganesha (Pikanes) to empower the amulet, and to beseech blessings, to attract, and improve your profession, charm, wealth, status.
Short Kata Pra Pikanes
Om Sri Kanesa Na Ma Ha (Three Times)
Pray to Ganesha to remove any obstacle that may be preventing you from succeeding in your goals, be they amorous, financial, professional or social goals. Ganesha helps you in all these areas of life.
Thai Kata for Chanting Daily to Pra Pikanes
Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Tudtiyambpi Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Dtadtiyambi Om Pikanesuan Sitti Bprasittimae Mahaa Laapo
Kata Bucha Pra Pikanes (Thai Brahman Pali Adaptation)
Ongaarapintunaathang Ubp-Bpannang Prahm-Mano Ja Into Pikanesadto Mahaa Taewo Ahang Wantaa Mi Sappadtaa Sittigijjang Sittigammang Sittigaariyang Bprasitti Mae
Chant this 3, 5, 9 or 108 Times
But the Pra Pikanes LP Hmun, regardless of whether the devotee knows which temple the final release and blessing was or not, has become a very preferred and favored amulets since its release, because of the success people had with it, and the rumors which spread by word of mouth from those who wore one and had successes. The amulets were Released in 2543 BE Traimas Ceremony celebrating 100 years Anniversary of Luang Phu Hmun, but, for correct and accurate documentation, were also passed through a preceding Buddha Abhiseka on the 5th of December 2542 BE, for the 'Som Pratana' edition amulet series, with a large number of Great Master Monks attended the Ceremony, including some Internationally Famous Names noted for their diligent Patipatā and Powerful Magic. Blessed in the Som Pratana Ceremony of 2542, and again during release in the Traimas Edition of 2543, BE.
This amulet is a Niyom Class edition, for the presence of the 350 Monks who donated a plethora of Sacred Powder Muan Sarn ingredients, which were used in the 2542 Som Pratana Release. Because of the twin Blessing Ceremonies, this amulet is sometimes classed as 'Som pratana' edition, and by other devotees as the 'Traimas 43' Edition. Either way, both terminologies are accurate, for the amulet was passed through both ceremonies.
Luang Phu Hmun's amulets are now very hard to come across. his amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics. Made from the Muan Sarn Sacred Powders of over 350 Great Kanajarn Guru Masters, and Pong Chompoo Nuch which Pra Ajarn Dtua had gathered over decades, for the purpose of making powerful amulets. The edition was created by Pra Ajarn Samh Pās Mangkala Sangko (Ajarn Dtua), who tells that he needed many decades to collect the powders, which Luang Phu Hmun Gathered and brought back with him after ever Tudong Forest Wandering Journey.
Luang Phu Hmun made his special empowerments of Metta Maha Niyom and Choke Lap Magic, over the powders given to him from Pra Ajarn Dtua (Primary Inheritance Apprentice to LP Hmun, and also to the Great Luang Por Guay, of Wat Kositaram). Both the Pong Wised powders from the 350 Gaeji Ajarn Master Monks, and Luang Phu's Pong Chompoo Nuch were given to Luang Phu Hmun for primary empowerment before they were mixed and pressed into amulets. This Gammagarn version uses Sacred Clay from all colors of Muan Sarn which were used in different models.
Note; the remainder of muan sarn from these special powders used in this edition, continued to be empowered, even after the release of this edition. By the year 2544 BE, the special powders used in these amulets were in truth passed through a total of 5 ceremonies of empowerment from Luang Phu Hmun, making all following editions also extremely popular.
Below; Pra Ajarn Dtua of Wat Sap Lam Yai
The 5 ceremonies were; 1. In 2552 BE the Muan Sarn was blessed during the ceremony of the Pra Kring Hiranyarach amulets. 2. 2553 BE repeatedly Blessed in the Som Pratana edition. 3. LP Hmun performed blessing of the powdders during his yearly Traimas Wai Kroo Ceremony at Wat Sap Lam Yai. 4. In 2544 once again, LP Hmun empowered his powders for further editions during the blessing ceremony for the Ha Phaen Din aha Som Pratana edition series amulets.. 5. 2545 BE LP Hmun performed his final empowerment during the Song Nam Ceremony to bathe the Buddha during Songkran at Wat Sap Lam Yai in Lopburi.
Hence. all subsequent editions of amulets from Wat Sap lam Yai as of 2554 BE, made from sacred powders contain Muan Sarn blessed in 5 different ceremonies, those released in 2554 BE blessed in four ceremonies, 2553 BE releases contain two powerful ceremoniual blessings, and 2552 BE series amulets contain one Buddha Abhiseka blessing with LP Hmun always performing at least 3 months of nightly empowerment each year over the powders. The Muan Sarn used for this series of amulets was very extensive, and powerful in its composition, containing a horde of rare magickal ingredients; 1. Pong Muan Sarn Ud Pra Kring, 2. Lek Lai Pratat 500 Arahant, 3. Pra Tat Khaw, 4. Hngorn Paya Nak, 5. Gaew Khon Hlek 6. Paetch Na Tang 7. Pong Lek Lai Ruesi 8. Pong Lek Lai Ngern Yuang 9. Pong Tabai Lek Nam Pi 10. Rae Lek Nam Pi Hlai Paetch Dam 11. Pong Lek Ta Raed 12. Kote Hlek Lai See Ngern Yuang 13. Khee Lek Lai 14. Lek Lai Yoi 15. Lek Torahod 16. Hyok pan Pi 17. Rae Bang Pai 18. Pong Tanabadtr Gao 19. Khamin Hin Hmeun Pi 20. Khaw Dtok Pra Ruang 21. Gaen Mai Sak 22. Hin 160,000,000 Pi 23. Look Mani Kote. 24. Kot Kala 25. Kala Ta Diaw 26. Kala Mai Mee Ta Maha Ud 27. Mapraw Look Krok 28. Galabangha Din 29. Din Bpoeng 30. Din Klang Jai Mueang 31. Nam Saksit Holy water from 76 Holy Shrines 32. Takrut Khaw Sarn Hin 33. Kot Hoi 34. Sai Sek 35. Pong Pra Kroo Taep Loke Udorn 36. Pong Luang Phu Doo 37. Pong Luang Phu Hwaen 38. Pong Jitlada 39. Pong Pra Bilan,
40. Pong Pra Tukadta Wat Plab 41. Pong Prai Kumarn Luang Phu Tim wat Laharn Rai 42. Pong Luang Phu Gaew Wat Kruea Wan 43. Paeng Sek Luang Phu Yoo Wat Sai Yoeng 44. Pong Luang Por Mian Wat Po Gop Jao 45. Broken amulets of Luang Por Mee Wat Mara Wichai. 46. Broken amulets of Kroo Ba Kam Saen Wat Tat Maha Chai 47. Khao Kwang Kut 48. Chan Hmak Luang Por Dam EWat Ta Tong 49. Din Wised Lueang 50. Three Hundred Kinds of Samun Prai Herbs 51. A Hundred Drops of Holy Water of Luang Phu Hongs Wat Petchburi 52. Din Wised Khiaw 53. Rae Ngern 54. Rae Tong 55. Rae Nak 56. Pong Toop Somdej Wat Rakang 57. Pong Toop Wat Gaes Chaiyo 58. Pong Toop Luang Phu Tuad Wat Chang Hai 59. Pong Toop Luang Por Chaem Wat Ta Chalorm 60. Pong Toop Luang Por Jaran Wat Ampawan 61. Mae Lim Gor Nia 62. Pong Toop San Jao Por Suea. 63. Pong Toop Wat Leng Nae Yee 64. Pong Toop Wat Tai Hong Kong (China) 65. Pra Boroma Saree Rigkhatat 66. Hin Pra Tat Khaw Sam Roi Yord 67. White Pratat Sivali 68. Golden Pratat Sivali 69. Pratat Gaew Khwan Fa Pha Nuea Hin Sip Hok Gon (Vitrified Element from 16 Lightning Struck Stones) 70. Khaw Sarn Hin Hmeun Pi (10,000 year old petrified rice) 71. Khaw Sarn Dam Pan Pi (1000 Year Old Black Rice) 72. Pong Mani Ratana 73. Kote Lek Lai 74. Rae Koh Lan 75. Lek Yoi, 76. Look Mani 77. Kote Uga Mani Meteorite 78. Petrified Sacred Treewood 79. Petrified Flowers.
80. Hin Khiaw Hanuman 81. Khamin Khaw Plueak Hoi 75 Lan Pi 82. Mai Ngiw Dam 83. Kot Pluak 84. Look Tanu Kon Tan 85. Rae Sai Ngern 86. Rae Sai Tong 87. Pong Nga Chang 88. Nga Chang Dtaay Prai 89. Nga Chan96.Pongg Graden 90. Powdered Diamonds 91. Broken Rubies from Chantaburi Mines 92. Old Powders of Wat Rakang 93. Pong Luang Por Koon Wat Ban rai 94. Pong Luang Por Pae Wat Pikul Tong 95. Pong Luang Por Phern Wat Bang Pra 96. Pong Luang Por Kong Wat Bang Gaporm 97. Pong Luang Phu Nin Wat Kara Buri 98. Pong Luang Por Yid Wat Norng Jork 99. Pong Luang Por Chern Wat Koke Tong. 100. Pong Luang Por Kasem Khemago Sussaan Pra Trailaks 101. Pong sam Roi Gaeji (Collected Mixed Powders of 300 Great Monks) 102. Powdered Broken Somdej Wat Rakang amulets 103. Pong Pra Wat Pak Nam 104. Pong Tabai pra Kring Wat Sutat 105. Chan Hmak Luang Por Nin Wat Kara Buri 106. Paeng Sek Luang Phu Buddha 107. Chan Hmak Luang Por Mian Wat Po Jao. 108. Pong Ya Wasana Jinda Manee Luang Phu Bun Wat Klang Bang Gaew 109. Ya Wasana Jinda Mani Luang Por Perm Wat Klang Bang Gaew 110. Nam Man Nga Sek Luang por Kong Wat Khao Sompochana 111. Nam Man Nga Sek Rae Bang Pai 112. nam Man Plai Dam 113. Admixture of Holy Water from many dozens of Great Monks and City Pillar Shrines 114. Din Kakyayaks 115. Din Pra Mae Toranee 116. Din Wised Khaw 117. Dork Pai 70 Pi. 118. Gaesorn Roi Paed (one hundred and eight pollens)
119. Wan Roi Paed (one hundred and eight herbal powders) 120. Samun Prai Roi Paed (one hundred and eight medicinal magical herbs) 121. Pong Bpathamg 122. Pong Trinisinghae 123. Pong Ittijae 124.Pong Maharach 125. Pong Nava Horakun 126. Rae Aathan Phu Khao Kwai (Sacred Elemental Substance from the Mountains of Laos). 127. Pong Ruesi 128. Pong Tham Gai Lon 129. Pong Bailan Kampir Kata 130. Pong Tham Ma Rong 131. Pong Tham Nern Maprangk 132. Pong Gao Ayuttaya 133. Pong Gao Dhavaradi 134. Bai Sima Ayuttaya 135 Pong Khud Sathaan Saksit 135. Pong Plew Tong Kam 136. Takrai Bote 137. Takrai Vihara 138. Takrai Pra Prangk Sam Yord 3 Chedis Stupa Powders 139. Takrai Kampaeng Mueang Gao 140. Din Nern pra Arahant 141. earths from the Birthplace, Enlightenment Place of the First Sermon, and Place of Entering Nibbana of the Buddha
142. Uposatha Rooftiles of Wat Luang Por Sotorn 143. Uposatha Rooftiles of Wat Pra Putta Chinarat in Pitsanuloke) 145. Rooftiles of the Uposatha and Vihara shrines of the temple of the Emerald Buddha 146. Rooftiles of the Upopsatha shrineroom of Wat Rai Khing 147.Rooftiles of the Uposatha of Wat Bang Pli Nai 148. Rooftiles of the Uposathat of Wat Luang Por Rojana Rit Buddha (Wat Pailom Nakorn Pathom) 149. Roof tiles of the the Uposatha and Vihara shrines of Luang Por Sawaedta Chadtra. 150. Pieces of broken briks of the temple of Pratat Panom in Nakorn Panom. 151. Pieces of the old Chedi at Wat Pai Lorm nakorn Pathom 152. Pieces of the relic and the Chedi at Wat Pratat in Nakorn Sri Tammarach, and one hundred and fifty Chedi Stupas of the Province 153. Pong Tabai Sangkawanorn 154. Pong Look Gaew Sam Duang Luang Por Prohm Wat Chong Kae
155. Pong Gaew Chompoo Luang Phu Doo Wat Sakae 156. Popng Tai Kan Luang Por Kloi Wat Tham Khao Ngern. 157. Pong Luang Phu To Wat Pradoo Chimplee 158. Pong Luang Por Daeng Wat Sri Maha Po 159. Pong Luang Phu Tong Rit Wat Pha Chantanimit 160. Pong Luang Por Oat Wat Jan Sen 161. Pong Luang Por Surasiang Wat Cherng Jan 162. Pong Pra Kru Wat Pha Cherng Jan 163. Lai Kam Dam Lao 164. Jiworn Luang Por Tong Dam Wat Ta Tong 165. Chan Hmak Luang Phu Hongs Wat Petchburi 166. Chan Hmak Luang Por Tim Wat Pra Khaw 167. Chan Hmak Luang Por Put Wat Pha Salawan 168. See Pheung Luang Por Prohm Wat Chong Kae 169. Nam Montr Luang Por Kloi Wat Tham Khao Ngern 170. Sen Gesa Hairs of 39 Master Monks 171. for metallic amulets, Hundreds of Yantra foils from over 300 different masters around the country. Luang Phu Hmun, of Wat ban Jan, Sri Saket, is the Looksit of the Lineage of Somdej Lun of Jampa Sak (Laos). Luang Phu Hmun was a Maha Thaera Guru Monk of great age and who received Great reverence and Respect from the people of Tambon Jan for his Diligence and Puroty in practicing the Vinaya as a Buddhist Monk. His Miracle Powers are Legendary, with so many stories of Miraculous events related to this Monk, who has seen the Reign of Five Kings in his Lifetime.
Luang Phu Hmun's amulets are now very hard to come across. His amulets are becoming very rare, and prices have risen constantly since his passing, snapped up by the inner circle of devotees and collectors, who know about the attainments of this Monk, and that there are severe reasons to believe that he may have been an Arahant. His amulets are eminent members in the annals of the Classics. This Gammagarn version of the Pra Somdej Paya Hongs Tong, can be considered to be an excellent acquisition of the Pantheon of LP Hmun, that is almost impossible to find these days in its golden special version, with Jivara robe and Sacred Yantra. You can hear further information including a lot of some of the sacred Powders of Major Importance used in the making of the 2542 BE edition in the below podcast by Ajarn Spencer Littlewood, which features a visual Narrative of the making of the Muan Sarn, in a talk about another preferred amulet of this series, the Pra Somdej Hwaek Man of LP Hmun.
Kata Bucha Luang Phu Hmun
Luang Phu Hmun Tidtasīlō - Ma A U Luang Phu Hmun Tidtasīlō U A Ma
