An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
This Ongk Kroo rare limited editon version of the Pra Pong Song Rakang Sacred Herbal powder Amulet of Luang Por Kasem Khemago (Sussaan Dtrailaks, Lampang), is empowered with a solid Gold Takrut spell inserted with the blessings of Luang Por Kasem, and in addition with a strand of the Arahant's hair on the rear face.
The amulet was released as a small numbers limited Ongk kroo version in the 60th Anniversary Edition in 2536 BE, just 3 years before Luang Por Kasem finally passed away and left us for the pure realms.
This amulet is highly Sacred and preferred by the Looksit (Devotees) of Luang Por Kasem, for the fact that it not only has a personally empowered solid gold Takrut insert, but also even more so, for the presence of one of Luang Por's Hairs from his head shaving ceremonies, affixed to the rear face of the amulet.
Who indeed would not wish to have a Sacred Relic of an Arahant's hair to Bucha on the Guru Monk amulet of such a Highly revered monk, considered an Enlightened Arahant?.
Above; a strand of Luang Por's hair can be seen affixed to the rear face of the amulet
Luang Por Kasem Khemago, of Sussaan Dtrailaks, in Lampang, is considered an Arahant in Thailand. His Birth was predicted by the Great Kroo Ba Srivichai naming him as the ‘Meritorious One’, and his Legend is One of Great renunciation and Purity.
The amulets of Luang Por Kasem are a Legendary Dtamra, and have their own large school of students and followers, with many appreciation societies focused specifically on his amulets, and only his amulets.
His Dtamra of amulets is indeed vast in the number of different models and editions, but almost all of them have recieved the attenton and documentation of academics and been highly authenticated and easily valued because of their ease of study, due to sufficient documentation, making his amulets highly preferred by serious collectors.
Luang Por Kasem's amulets are both sacred and of a very high Pedigree as collectors items too making them universally accepted in all schools of appreciation of the amulet world. But what we feel is the most attractive facet of his amulets, is his immense purity as a Buddhist Monk, and his impeccable life of practice, which is completely flawless.
His amulets are hence most importantly above the collectibility facto, amongst the most Sacred and Holy amulets that a Devotee could desire to possess and Bucha, for the Highese Buddhist Blessings.
Luang Por Kasem's amulets are a Classic and Highly Documented (and collected) 'Dtamra' of the high end collector circles as well as highly collected by Buddhist of religious faith and followers of the Patipata of this Great Monk and Dhamma practitioner, whose selfless renunciation is tantamount to Miraculous.
A short Biography of Luang Por Kasem Khemago – Sussaan Trailaks (Lampang)
Tan Khemago Bhikkhu (Luang Phu Kasem, or, Luang Por Kasem, Khemago), is an extremely revered monk of the Lanna tradition who the is considered one of the greatest Ajarn of modern Thai history, and has a massive and devoted following in the North of Thailand (and indeed all over the country). His devotees believe that to pay reverence to him or wear his amulets, results in receiving protection and safety wherever they go. His amazing dedication to his practice and purity is common knowledge with Thai people, which is easy to see since the very beginning of his path as he gave up the title of abbot of the temple and went to practice Vipassana Kammathana forest tradition methods residing in an old cemetery in the forest on a mountain side, which is where he remained practicing in humility and simplicity to the end of his mortal days.
Luang Por Kasem passed his Patipataa (Meditation and Dhamma practice), alone in solitude which is a cause of his being able to attain entrance to the points of Samadhi and subsequent Jhana access, controlling his bodily instincts and those of his psyche (psychological make-up and related aspects of his being).
He attained an extremely high level of ability in the psychic regions and was able to empower amulets with massive power. His amulets (including Monk Coins with his image) have been the source of many a tale of miracle events, and are extremely sought after and revered by Thai people of the Central, Northeastern and especially the Northern areas. It is a known fact that he was not even attached to his food, and that it was seen that the food he was offered as alms often simply went putrid and was not eaten.
He only ate to keep his body alive, but never for pleasure or mental need. Luang Por would always receive any offerings in his Badtr (alms bowl) and then ‘Phae Metta’ (send Metta offerings back) to the people. Tan Luang Por Kasem Khemago was a good Bhikkhu with Pure heart and Sila (Moral Precepts/Virtue), and was full of Dhamma, living the Dhamma as it arose, stood fast and then faded away in the sequence of Tilakkhana as expounded to be the nature of all things (Anicca – Impermanence, Dhukkha – Unsatisfactoriness, and Anatta – Non-Self).
It is said that Luang Por did away with all his Kilesas, and was full of the Baramee (Ten Perfections), and his Patipata is to this day the source of well being and confidence of those who revere him, wear his amulets, and follow his teachings, and example of a good practitioner of the Dhamma, and a good Savaka (disciple) of the Lord Buddha
Kata Luang Por Kasem Khemago
(For Praying and paying Reverence to Sacred Buddha Relics and Images around the Universe)
Wantaami Jaedtiyang Sappang Sappadthaanae
Subpadtisadtitdtaa Srirataadtung Mahaapoting
Puttaruubpang Saggaarang Sattaa naakalogae Taewalogae Daawadtingsae Prahmalogae Chompootiibpae Sanggaatiibpae
Srirataadtuyo Gaesaataadtuyo Jaedtiyang Kantagudtii Jadturasii Dtissahassa Tammakhantaa
Bpaadtijaediyang Narataewae Hibpuuchidtaa Ahang Wantaami Duuradto Ahang Wantaami Taadtuyo Ahang Wantaami Sappaso
Kata for increasing personal Metta (LP Kasem)
Sataahang Sukhidto Homi (Chant 15 times a day)
Kata for spreading Metta to Other Living Beings
Sukhinowaa Khemino Hondtu Sappae Sadtaa Pawandtu Sukhidtadtaa (Chant 20 times a day)
Kata for apologizing to books
Agkharang Tosang Khamadtumae
Luang por Kasem was a great lover of books, and would restore or clean any ripped pages or discarded pieces of book.
Kata for paying reverence to books
Agkharang Wantaamihang
Books are the source of knowledge, and are thus sacred.
