An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
The Pra Put Pim Prok Po 2505 BE Amulet (Pim Lek smaller model), in Nuea Din Klueab Ya Sacred earthen clay Votive Tablet from Luang Por Te Wat Sam Ngam, is a Classic of the Pantheon. Seen eminently featured in the Official Tamniab Wadthumongkol documentation list of the Temple , making this another rare Pra Niyom Category preferred amulet of the Pantheon.
The front face of this arch shaped votive tablet features the Buddha in Meditative Posture (Khad Samati Paetch), seated on a Dais under the Bodhi Tree, with the leaves of the tree enfolding him like an aura. The image is impeccably designed with beautifully stylized decorative contour, and highly defined in its relief detail. The Sacred Clay is made from a mixture of sacred Powders and Earths, and sacred oils.
The rear face of the amulet has the Three Pronged Trident (Sam Ngaam), of Wat Aranyigaram (Wat Sam Ngam) - the words 'Sam Ngam' mean 'three prongs', which refers to a triple fork in the road in the Municipality close to the temple, and is what gave its name to the temple. The Trident hence became the official emblem of Wat Sam Ngam, Khom Pali Kata are emblazoned in a Chakra Ring around the Trident.
In the year 2505 BE the temple of Wat sam Ngam decided to produce a large series of different earthen clay Muan Sarn Sacred Powder amulets to celebrate Luang Por Te's 60th Birthday, to hand out to devotees who came to make merits, and hand out in the birthday Wai Kroo celebration ceremony to revere Luang Por Te.
Many different models and designs were made, in different sizes (Pim Lek, Pim Klang, Pim Yai), mostly made from Muan Sarn Sacred Powders composed of Din Khui Phu, Sacred Herb and Sorcerous Earths
Luang Por Te was a Great Sorceror Monk of the Second World War Era who had learned powerful Wicha Kumarn Tong from Khmer Sorcerors of the Lay Tradition, and was the direct Wicha inheritance Master apprenticeship holder of Luang Por Ta, of Wat Paniang Dtaek, and Luang Por Chaem, of Wat Ta Gong. He was present on many of the Greatest Blessing Ceremonies of amulets in Great templs around the country, almost always invited for his Powerful Wicha. He was regarded as the world's number one top master of his day for Wicha Kumarn Tong.
In the early years, Luang Por Te made mostly 'Krueang Rang' Talismanic Amulets and Occult Charms, such as the Takrut Hnaa Phaag Suea tiger forehead skin scroll spell, See Pheung, and the like.
But as he came to be abbot of Wat sam Ngam, he saw there were many robbers and thieves in the province, and so began to make and distribute Kumarn Tong using the Khmer Wicha he has mastered under his Khmer Lersi Guru. He distributed his now so very world famous and legendary Kumarn Tong to the devotees to protect their households and shop stalls, and a miraculous change came to the life of the local folk, as the effect of the Kumarn Tong was excellent.
Robberies and Burglaries reduced to an almost unnoticeable level. But Luang Por Te did not only empower the Kumarn Tong for Protection; The powerful Metta Mahaniyom Maha Sanaeh Maha Lap Magic of the Kumarn Tong also brought the municipality and indeed the province of Nakorn Pathom to increasing prosperity as the local traders and market sellers experienced incredible increase in profits, customers, and even lucky fortuenes with lottery.
Thus it began, that the legend of the Kumarn Tong Luang Por Te was begun. Although Luang Por Te was and continues to remain world famous for his powerful wicha Kumarn Tong, Luang Por also made a vast array of other amulets, almost all of which are popular and considered very powerful by the devotees of this Legendary Master.
He made many types of Takrut (especially famed for the Tiger Forehead Takrut), See Pheung and Nam Man Prai, Sacred Powder amulets, metal coins, occult charms, Pha Yant (Yantra Cloths), and Bucha statues. His power of Kong Grapan Chadtri, Klaew Klaad, Maha Lap, Kaa Khaay, Maha Pokaap and Maha Amnaj, also enjoys legendary status and world wide fame.
LP Te would make amulets in various manners using different methods, mostly during the Second World War. Every single edition or type of amulet he made was the cause of miraculous events which have become legends that are still told of to this day.
He never really focused much on finding artists or developing any kind of fine Buddhist art out of the amulet design, rather focused entirely on the empowerment and gave little importance, or at least second place, to the elegance of design or features of his own hand made amulets. However the 2505 BE Edition, and the Monk Coins which were designed by Qualified Artisans, reflect a very high standard of Artistry, and are Important works of Miniature Thai Buddhist Art.
His Kumarn Tong statues and other amulets are worshipped by devotees from all continents on the planet, and the large number of people who claim to have had overturning success after making Bucha to his amulets is a further proof of the effectivity of his amulets and of his ability to empower them properly. He was intensely aiming for the highest concentration of Puttakun Power for people to have some portable form of protection to carry with them, and to make Bucha statues for their homes and business establishments. Luang Por Te presided over the temple of Wat Sam Ngam, for many years performing meritorious deeds for the folk of Nakorn Pathom, and was extremely beloved.
Luang Por Te passed away on the 25th December 2524 at the age of 80 years old, 6 months, 10 days. It was his 59th year of Ordination as a Bhikkhu. His remains are currently held on display for his Devotees to worship at the temple of Wat Sam Ngam.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
