An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Sivali Arahant with Miraculous power to quickly attract favor and riches. Presenting the Classic Pra Niyom Amulet 'Pra Pong Sivali Maha Thera Jao Pim Roop Khai' Arahant Amulet from the Top Guru Master of the Previous Generation, and maker of the most highly preferred Pra Niyom Category Amulets, Luang Phu To, of Wat Pradoo Chimplee
Made from Nuea Gesorn Sacred Pollens, thus model is Ongk Kroo, for the presence of a silver Takrut spell inserted within the base. The Pra Sivali series were made in white, beige and black powders, both with and without Takrut, the model with Takrut being the rarer of the two models. The front face features the Pra Sivali Arahant carrying a Yam monk's bag, and Glod umbrella, which signifies he is on Tudong Forest wandering.
The rear face has the Sacred Na with Unalome as is specific to this edition, and the words 'Luang Phu To Wat Pradoo Chimplee embossed upon the surface of the amulet'.
Pra Sivali is always featured with this posture and imagery, for it is said that Pra Sivali was the cause of Lucky Fortunes of the Bhikkhus who travelled through the forest with the Buddha.
It is said that it was Pra Sivali (along with Pra Sangkajjai) who were always called upon to travel along when the monks were forced to travel through thick jungles and forests, where few villagers were in the area, and there was little chances of any devotees being iin the area to come and donate food to the Bhikkhus.
The Buddha himself is reputed to have said that Pra Sivali was the cause of being saved from starvation on various occasions when the Sangha were forced to travel through the wilderness.
Pra Sivali is hence the top Buddha Amulet for Maha Pokasap and Maha Lap Magic (along with the Pra Sangkajjai Arahant). Pra Sivali Maha Thaera is also imbued with powerful Serm Duang and Metta Maha Niyom for Mercy Charm and Karma Improvement. Sivali amulets possess only auspicious magic and to not have any kind of Dark Sorcery within them, and are hence not only Auspicious amulets for adults, but also completely recommendable amulets for children.
Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion. This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.
Luang Phu To was born on the 27th March 2429 BE in Ban Klong Bang Noi in Samut Prakarn and passed away on 5th March 2524 BE. His many honorable awards of status reflect his great practice and diligence, since beginning to study the Dhamma Vinaya at Wat Pradoo as a Samanera Novice monk, through to become the Bishop of the Ta Pra Municipality (2463 BE), to becoming awarded the charge of being the Pra Kroo Sangka Wichit for the Abbot of Wat Maha Tat in 2457 BE.
In 2463 BE, Luang Phu To became ascended to the status of Pra Kroo Sanya Badtr Chan Dtri (Third Level, tantamount to Batchelor of Arts in Dhamma). In 2497 BE, Luang Phu then became promoted to Pra Kroo Sana Badtr Chan Toe (Second Level, tantamount to a Doctorate in Dhamma), of Royal Category. In the year 2500 BE, Luang Phu was then given the additional status of Upachaya Ordaining Officer. In the year 2506 BE, Luang Phu attained the status of Pra Kroo Sanya Badtr Chan Ek (tantamount to a Masters Degree in Dhamma).
In 2510 BE Luang Phu To was given the charge of being the Gammagarn treasurer of the Temples of Ta Pra Minicipality. Then, in 2511 BE, Luang Phu To was promoted once more to Pra Kroo Chan Kroo Pised (tantamount to an Honors degree in Dhamma).
In 2516 Luang Phu became Pra Racha Kana (Royal Appointment Sangha Comittee) and head officer of the General Affairs of Vipassana Practice. In 2521, Luang Phu To received the status of Pra Racha Kana Chan Rach (tantamount to being an Archbishop of the Royal Decree). His Blessings are believed to possess the most powerful protective power, and to increase success and prosperity.
His amulets are both highly revered for their sacred Power of Protection and Prosperity, but also as a connection and Buddhanissati reminder of the Great Guru master, tto beseech his blessings through the amulet. One of the most highly sought after Pra Niyom Category Amulets, which is seen to grace the pages of any and every important amulet encyclopedia, and the highly prized and jealously guarded talisman of the high end collector and devotee.
Kata Pra Sivali
Ahang Wantaami Siiwaliitaadtuyo Ahang Wantaami Sappaso
Kata to Bucha Pra Sivali
Iminaa Saggaaraena Siiwalii Thaerang Apibpuchayaami
(When you chant this whilst making Bucha to Pra Sivali, then say in your inner heart silently the following words;
Bpuchidtang Sappalaapang Bprasitti Mae Thaerassa Aanupaawaena Sappa So Thee Pawandtu Mae
Kata Pra Sivali (from Luang Por Guay - Wat Kositaram)
Siiwalii Ja Mahaa Thaero Bpajjaya Laapa Buchidto Manusso Taewadtaa Into Pramaayamo Yagkha Waa Bpidtassa Nirandtarang Bpana Laapa Saggaarae Aanaendti Nijjang Siiwalii Thaerassa Laapo Saggaaro Hodti Siiwalii Mahaa Thaeranja Buchagassa Sataawaabi Kaatanja Sangwadt Dtanassa Laapo Ja Saggaaro Hodti Thaerassa Aanupaawaena Laapo Mae Hodtu Sappataa Aedtaena Sajja Wachaena Laapo Mae Hoedtu Sappataa
Kata for chanting when going on Business trips
Na Chaa Liidti Bpasitti Laapaa
Kata Hua Jai Pra Chimplii (heart Mantra of Pra Chimplii)
Saatu Siwalii Ja Mahaa Thaero Na Chaa Li Dti Bpasitti Laapaa Bpasanna Jidt Dtaa Sataa Hondti Bpiyang Ma Ma Sappae Chanaa Pahu Chanaa Sappae Tisaa Samaa Kadtaa Gaala Pochanaa Wigaala Pochanaa Aakaj Chaaya Aakaj Chaahi Bpiyang Ma Ma
Short Kata Pra Sivali
Siiwalii Ja Mahaa Thaero Chay Ya Sitto Mahit Tigo Thaerassa Nupaawaena
Katas for Pra Sivali for each day of the week
Sundays (Chant 6 times) - Chimpalii Ja mahaa Naamang Sappa Laapang Pawissadti Thaeras Saanupaawaena Sataa Hondtu Bpiyang Ma Ma
On Mondays (Chant 15 times) - Yang Yang Bpuriso Waa Idthii Waa Turaehi Waa Sami Bpaehi Waa Thaeras Saanpaawaena Sataa Hondti Bpiyang Ma Ma
On Tuesdays (Chant 8 times) - Chimpalii Ja Mahaa Thaero Soho Bpajjayaa Timhi Chaeya Laapo Mahaa Laapo Sappa Laapaa Pawandtu Sappataa
On Wednesdays (chant 17 times) Tidt Dtidt Tha pa Wae Rachaa Biyaa Ja kara Dtu Mae Yae Saaradt Dti Niran Dtarang Sappa Sukhaa Wahaa
On Thursdays (Chant 19 times) - Chimpalii Ja Mahaa Thaero Yagkhaa Taewaa Pi Bpuchidto Soraho Bpajjayaa Timhi Ahang Wantaami Sappataa
On Fridays (Chant 21 times) - Chimpalii Ja Mahaa Thaero Taewadtaa nara Bpuchidto Soraho Bpajjayaa Nimhi Mahaa Laapang Garondtu Mae Laapaena Udt Dtamo Hodti Sappa Laapang Pawandtu Sappataa
On Saturdays (Chant 10 times) Chimpalii Ja Mahaa Naamang Intaa Prahmaa Ja Bpuchidtang Sappa Laapang Prasitti Mae Thaeras Sanupawaena Sataa Sukhii Bpiyang Ma Ma
