An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A pristine exhample of a very highly rated and extremely sought after Pim Niyom amulet, from an all time classic edition of Historic Importance, the Pra Somdej Gaes Chaiyo Pim Jet Chan Wat Gaes Chaiyo Run Sang Khuean 2495 BE. The amulet features a Buddha seated on 7 Tiered Dais, and is a Master-Class Category Votive Tablet, from the 2495 BE 'Sang Khuean' reservoir fund edition, released at Wat Gaes Chaiyo. This exhibit is a Pim Niyom in Nuea Hlueang, golden tone with extremely well kept pristine features, for the amulet has suffered almost no wear and tear since its release in 2495 BE. This amulet comes with micro-chipped certificate of authenticity of the Pra Tae Mueang Siam Original Amulet Society, and is registered as a Pra Somdej Gaes Chaiyo Sang Khuean Edition 2495 BE Authentic Amulet.
The surface features of this Masterclass amulet are simply stunning, with all the desired aspects of authenticity present. Rare it is to encounter such a pristinely well looked after exhibit of such fine quality. The Buddha Abhiseka Blessing Ceremony of this Historic and Highly Preferred (Niyom Sung) edition, saw a large number of great masters attending, amongst these were; Luang Phu Suang, of Wat Chee Ba Khaw (Singhburi), Luang Por To of Wat Saket (Ang Tong), Luang Por Pae of Wat Pikul Tong (Singhburi), Luang Por Wara (can also pronounce as 'Worn') of Wat Gaes Chaiyo (Ang Tong), and Luang Por Jun of Wat Tham Yai (Lopburi)
Wat Gaes Chaiyo is an ancient temple which stands on the banks of the Chao Praya river, which floods up to shoulder height every year almost without fail. In the decade leading up towards the year 2500 BE, the floods were particularly damaging to Wat Gaes Chaiyo temple, and so the committee of the temple decided to organise funds to build a reservoir and dam to protect the municipality from floods in future years. And so the Pra Somdej Gaes Chaiyo Sang Khuean edition was created to distribute to devotees who helped with donations and volunteer work.
Below; the small split overlapping line on the bottom edge of the inner border frame which traverses the lines of the two inner borders is a mark of authentication to take note of, for its presence means Pim Niyom category, and of course, authentic.
And so it was, that Pra Ajarn Wora, the abbot of Wat Gaes Chaiyo, and the Gammagarn Committee of the temple gathered together a repository of Muan Sarn Sacred Powders and broken ancient amulets from the Kru chamber in the Chedi at Wat Gaes Chaiyo from Somdej Pra Puttajarn (Dto) Prohmrangsri.
The powders were then mixed up with a host of other Muan Sarn Sacred Powders from a large number of the great masters of that Era and their foregoers. With this powerful and rich mixture of Muan Sarn, they pressed the Pra Somdej Wat Gaes Chaiyo Jet Chan and other models, as well as pressing some metallic coin amulets, rings and other sacred items of Bucha.
Below; the fine line of cement which flows parallel to the inner arch is a mark of authentification to take note of. This line is more or less noticeable in all authentic models of the Pim 7 Chan Niyom, but can vary greatly as to how visible it is to the naked eye. In the case of this exhibit, a Macro lens was needed to catch the light to find the mark of authenticity. This also shows how diligently one must study the visual aspects, when using eye loupe, and hold the amulet at various angles under the light to throw shadows, so that one can find the required markings if present or not
.
The Buddha Abhiseka Blessing and Empowerment was held in grand fashion at Wat Gaes Chaiyo Worawiharn, in Ang Tong. Apart from inviting many of the great living masters of that Era to come to assist with the Blessings, a special ceremony was made to invite the Kroo Ba Ajarn of Pra Somdej, Somdej Pra Puttajarn Dto Prohmrangsri.
This invocation ceremony was performed to invite and beseech the presence of the spirit and mind of Somdej Pra Puttajarn (Dto) Prohmrangsri of Wat Rakang Kositaram, to attend and lend his empowerment to the amulets. The ritual involved attaching Sinjana cords from the brazen image of Somdej Pra Puttajarn (Dto) Prohmrangsri within the shrine down to the amulet horde, and wrapping them around the amulets in their receptacles.
The Pra Somdej Wat Gaes Chaiyo Pim Jet Chan 2495 BE Sang Khuean Edition amulet is almost identical in features to the original ancient Pra Somdej Gaes Chaiyo of Somdej Pra Puttajarn (Dto) Prohmrangsri, with its wide border frames. The chest is 'Ok Dtan' with half split tapered torso. The ears are 'Hoo Bai Sri' elongated curved ears, and the topknot of the head of the Buddha is 'Pragaes Yaw' elongated. The head of the buddha is shaped similar to the head of a matchstick.
The Sang Khuean reservoir fund edition was pressed using the ancient methods, by hand, and with the strict rule that all assistants who helped to press the amulets had to wear white, and take the vow of five precepts, and eat Vegetarian before touching any of the clay or apparatus for pressing amulets. All assistants who pressed the amulets had to perform chanting of Buddhist Mantras, Prayers and Kata throughout the whole time the pressing was being performed until their completion.
When examined under eye loupe, a tiny thin line between each tier of the dais is visible, which is a 'Dtamni' point of reference for authentication. The Muan Sarn Sacred Powders of the Pra Somdej Gaes Chaiyo Jet Chan Sang Khuean amulets were ground to a very fine powder and have a generous quantity of Nam Man Dtang Iw (Tang Oil) mixed into the clay.
This is what results in the Pra Somdej Wat Gaes Chaiyo amulet having a much more golden colour than Pra Somdej Wat Rakang Kositaram or Wat Bang Khun Prohm. Some exhibits may have a more white appearance and some even whitish-pink, but it is the golden toned exhibits which are the most highly preferred. The golden tone of the sacred clay is part of what is expected to be seen in a Pra Somdej Wat Gaes Chaiyo amulet, and is an aspect which makes the authentication process easy on the eye.
