An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Pra Somdej Gao Chan Hoo Bai Sri Hlang Bpam Yant Hmeuk, Buddha on 9 Tiered Dais Amulet, in Nuea Pong Puttakun, with Sacred Yantra Blue Ink stamp on rear face, from the great Olden Days Master, Luang Por Kee, of Wat Huchang, in Nontaburi.A Very rare Pim, of the various models he made, which was among a hidden batch, that was found in the Kuti Hut of Luang Por Kee after his passing, and so they were given the blue ink stamp of the temple, and released to the public after their discovery.
These Pra Somdej Pim Gaes Chaiyo Hlang Dtra Hmeuk amulets were released first in the year 2517 BE without the blue 'Dtra Hmeuk' Ink stamp, and Luang por then hid a certain number of them in a Sacred Kru in his Kuti Hut, (obviously knowing they would run out), and leave some to be discovered at a later date, so that devotees of following generations may obtain one. The fact LP Kee had stashed some away for later distribution, was not known about until their discovery, shortly after his passing, as some monks were cleaning his Kuti Hut. Once they were discovered, the temple then decided to stamp the rear faces with blue ink stamp Yantra, to differentiate them from the ones release in the 2517 BE Ceremony.
Luang Phor Kee of Wat Huchang (also spelled as ‘Luang Por Gee’, ‘Wat Hoo Chang’), was a highly renowned monk in olden days, for his purity of practice. LP Kee, was born in the year 2444 BE (Budhist Era), into a family who were mainly employed in the medical, or natural healing profession. He already knew the Wicha for making holy healing prayer water long before he became a monk, because of his experience with the family practice of healing.
Below; the rear face of the amulet has blue ink stamp with Sacred Yant embossed, and the name of Luang Por Kee, and the Temple 'Wat Huchang'
Luang Phor Kee was a Looksit of Luang Phu Ee, of Wat Sattaheeb, and usually used the wicha of LP Ee or the Wicha of his other Kroo Ba Ajarn Grom Jaab, one of the teachers of Luang Por Parn of Wat Bang Nom Kho. He taught all of his Wicha to the current abbot, also famous for Palad Khik, Luang Phor Tee, who was also extremely favored for Wicha Palad Khik, Taw Waes Suwan, Brahma amulets, and other talismanic charms such as the Bia Gae.
Below, Just some of the famous amulets of Luang Por Kee presented in encyclopedic works.
LP Kee is known to have spent a long time in the caves and mountains and forests, wandering, around thee land, and visit various masters and temples to exchange experience and seek out magical Wicha with other Masters. It was during this time that he came to know the Great Luang Por Ee, of Wat Sattaheeb in Chonburi, who was and still is considered by many as one of the top Masters of all time for Wicha Palad Khik.
Below Images; Macro Close Ups of Muan Sarn Sacred Powders of the Pra Somdej Gao Chan Amulet of LP Kee
LP Kee also accumulated a plethora of Magical Wicha from many other Masters, such as the Great Luang Phor Fak of Wat Nikom Prachasan, Luang Phor Hluea Wat Sao Chanoke, Luang Phor Glan of Wat Intarawat, LP Sawai of Wat Bridaram, LP Tim of Wat Laharn Rai, LP Yid of Wat Nong Jork, Luang Phor Ding of Wat Bang Wua, Luang Phor But, of Wat Prohm Wiharn, Luang Phor Soke of Wat Pak Klong Bang Krok, Luang Phu Maekh, and Luang Phor Kong of Wat Wang Sapparot.
Luang Phor Kee was constantly visited by masses of devotees daily in his time, for magical healing, amulets, removing curses and performing exorcisms. LP Kee was highly experienced in Wicha, for having received the secret teachings of the Great Luang Phor Ee of Wat Sattaheeb, Luang Phu Daeng of Wat Takian, The Great Luang Phor Parn, of Wat Bang Nom Kho, Jao Khun Bhodi, of Wat Chaiyapreuks Mala, and also practiced under Gong Jaab, Master Adept of the Samnak Wat Pradoo Song Tam in Ayuttaya, and teacher of some of the greatest Guru Monks of that Era, in Khom Agkhara and Spellcasting methods.
Even though Luang Por Kee is long since passed away, his amulets remain as popular today, as they were during his lifetime, as does the memory of his humility and diligent practice of purity, and the work he did helping the poor, healing the sick, and restoring and improving the temple of Wat Huchang. His Por ‘Khun Palad Khik’ were highly sought after even in his time, for his ritual that would make the Palad Khik rise up and stand up on their own when LP Tee would stroke the head of the Palad Khik, and chant “NA NA NA NA”.
The Palad Khik of Luang Phor Kee became very popular with bandits and gangsters, as well as amorous casanovas, who love nocturnal activities to seduce lovers, who would stroke the head of the Palad Khik three times and chant ‘NA NA NA” before approaching a lady or before confronting an enemy. Luang Phor Kee is often confused with Luang Por Tee, also of Wat Huchang, because both passed their magical tests at Wat Pradoo Song Tam. It is the tradition at Wat Pradoo Song Tam to grab the hand of the apprentice, and force his hand to inscribe the Khom Agkhara spells, in exactly the same way with all students.
And so the inscriptions of Luang Por Kee and Luang Por Tee, both famous for Palad Khik, and both attributed to the temple of Wat Huchang, are very similar, and takes an expert to separate one from the other. One easier way to tell, is that LP Kee has slightly more graceful handwriting than LP Tee, and that LP Kee made small, and medium sized Palad Khik mostly, whereas those from LP Tee were often much larger, ranging as large as up to 6 inches.
The Palad Khik of Luang Phor Kee, and Luang Phor Tee, are equally classed by most groups of aficionados, as one of the top 4 Palad Khik of all time The Palad Khik of Luang Phor Kee, and LP Tee, of Wat Huchang, are both highly esteemed on a National and Historical level, to the point where they can be mentioned among the list of the great Palad Khik of the greatest Masters in recorded history.
The Palad Khik, and other amulets, such as the immensely rare and preferred 'Pra Somdej Hlang Ma A U', Bia Gae, and Takrut of Luang Por Kee became very popular, because many market traders and other devotees who received one of his amulets, all recounted high business success and improvements in quality of life, or stories of gun-stopper magic, and evasion of deadly accidents.
Below; The macro close up image of the Muan Sarn Sacred Clay reveals a plethora of sacred ingredients, and immense character, and depth within in its study content
Luang Por Kee's amulets became hence, a common folk tale, not only with local devotees, but also throughout the country. This made the successes of devotees wearing his amulets well known, and LP Kee came to be recognised across the country, as a Master Monk of National Fame and Status, with Powerful Magical Prowess. He was often visited for help by devotees for his Wicha in healing illnesses and exorcising ghosts, demons and possessed people. His Coin and Sacred Powder Amulets, Takrut, Bia Gae, and Palad Khik remain amongst the hardest to find amulets, and of course, his World Famously Powerful Palad Khik. Of his Palad Khik, some hold a very much higher price for their rarity when carved in ivory or coral, instead of wood.
Luang Phor Kee remained Abbot of Wat Huchang serving his devotees, the comunity, the temple and contributing to Buddhism, as well as develping his Magical Powers throughout his trajectory, until his passing, on the 10th March 2522 BE at the age of 78. His amulets remain among the most popular with Thai Buddhist Devotees of Paklad Khik, Takrut, and those adherent to the great Wat Prasat 2506 Ceremony, for his Pra Somdej U A MA amulets.
