An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Presenting a Sacred Classic that was for over a Century only available in our dreams, and to the Wealthy, that has returned to Grace the World Stage of the Amulet World; The Pra Somdej Wat Rakang Banju Kru Wat Sadter Ayuttaya of Somdej Pra Puttajarn (Dto) Prohmrangsri.
The Pra Somdej Wat Rakang Kositaram Kru Wat Sadter amulets were found buried in the Putta Sayaas (Sayasana Reclining Buddha) statue, at Wat Sadter in Ayuttaya, and in the Chedi Stupa, which is recorded as having been built in the year 2414 BE, one year before the passing of Somdej Pra Puttajarn (Dto) Prohmrangsri (Wat Rakang Kositaram).
The amulets were made in remembrance of Somdej Dto's Parents, as was the Sayasana Buddha statue and Chedi Stupa of Wat Sadter.
The Pra Somdej Wat Sadter amulet is no longer in any serious need of doubt as to who made them when we study the History, Visual Aspects, and Documented Evidence, including confirmation by ex abbot of Wat Rakang Kositaram Luang Phu Nak, that the Pra Somdej Wat Rakang Kositaram found at Wat Sadter, were placed in the Buddha Statue and Chedi Stupa by Somdej Pra Puttajarn (Dto) Prohmrangsri himself, and are one and the same amulet with the Pra Somdej Wat Rakang Kositaram of Immortal Legend.
The Putta Sayaas reclining Buddha statue was built on the grounds of Wat Sadter from Bricks and Mortar with Cement sculpture in the form of a Buddha lying down on his side, with his head on his palm. The statue measures 52 Meters Long and 9 Meters Wide, with its highest point being 16 Meters High. The Buddha statue is hollow, and it was in the hollow chamber of the statue where the amulets were hidden.
The Pra Somdej Wat Sadter amulets were discovered in 2499 BE, when the Prime Minister came to pray to the statue at the temple, and saw that it was in disrepair, and so he called the Ministry of the Municipality Government Office and told them to organise for the repair work on the Pra Non Sayasana Buddha statue. And so, as the restoration works began, and the interior of the statue was opened, a variety of different Pim (models) of Pra Somdej amulets were discovered to be hidden within.
Because in that time, the Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri was not yet a world famous and priceless amulet, nobody paid overly much attention to the find as much as we do in the present day, and so the news of the find was not widely publicised around the country at all. So Thankfully, the batch slipped past the eyes of the speculators and the 'Sian Pra Niyom' Amulet Scene Leading Auctioneers, who monopolise such amulets by buying them all up, waiting for them to become inpossible to find, and then slowly release them at millionaire prices.
As a result, in the day and age when a true Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri would otherwise be impossible to find, or at least impossible to afford, the Pra Somdej Wat Rakang Kositaram Banju Kru Wat Sadter amulets are easily authenticated by any observant eye and diligent history student, who will add up the date of the building of the statue coinciding with Somdej Pra Puttajarn Dto's lifetime, the fact he built the statues, and the fact that the amulets were found within it, as well as the 'Nuea Ha' (visual content) being identical to the Pra Somdej Wat Rakang Kositaram of Immortal Fame we all know and revere (and wish for).
And so the amulets were randomly shared and distributed between important committee members who helped with the restorations, and the amulets were not known about by the general public. The amulets remained in the possession of a small group of people right up to the present day, until some years ago when students and historians, devotees and amulet aficionados managed to stitch the missing links together, and bring the necessary evidence to light. Then the owners of those amulets distributed came out iof the shadows, and the amulets came into visibility of the general public in Magazines and News articles.
In the year 2549 BE The Chedi Stupa of Wat Sadter temple was restored again, and Amulets were removed and released into Public Distribution, and again in the year 2552 BE, during the second restoration of the Sayasana Buddha, when the Committee decided to reopen the Kru Chamber within the Buddha statue again and remove more of the amulets for public distribution to raise funds, and allow the devotees to obtain such a sacred amulet of Master Class Status.
Points of Comparison
The Pra Somdej Amulets of the Kru Wat Sadter Hiding Place Find, were hidden in the Kru immersed below the water level for a very long time, which caused the original 'Rak' lacquer which covered many of them to wear out and detach from the surface of the amulets. This resulted in this series of Sacred Pra Somdej possessing their own inimitable appearance, which differs from the Pra Somdej Wat Rakang Kositaram, due to the long time period spent under different atmospheric conditions, with high moisture and humidity.
Below; Examples of Pra Somdej Wat Rakang Kositaram Kru Wat Sadter amulets
The result is a very eye catching and Sacred appearance which has only served to increase the depth of study content when examining the various features and aspects of the Muan Sarn Sacred Powders (ageing, contraction, ingredients, hardness, density, surface texture) The rear faces are found with varied appearance, depending on whther they were laid on a Mai Gradan (blackboard) which leaves ridged lines on the back face, or if they were laid on stone or other surfaces to dry after they were pressed, which leaves a smoother surface, or even a porous holed surface. Precisely these patterns are evident on the Pra Somdej at Wat Rakang Kositaram, and are found to be identical to those in the Pra Somdej Kru Wat Sadter amulet find.
The Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri which were kept at, and released through Wat Rakang, were never placed in Kru Burial, and hence maintained a clean surface appearance. But the Pra Somdej which Somdej Pra Puttajarn (Dto) Prohmrangsri took and buried in hiding chambers in temples around the country, were subjected to climatic changes, flooding, droughts and heatwaves.
This is the reason for the fact that the red, black lacquers found on the surface of the amulets found at Wat Sadter, are flaked off from exposure to water. The remaining bits of lacquer which can be found visible in lesser or greater amounts on the Wat Sadter amulets is extremely dry and hermetically attached to the surface of the amulets, from well over a Century and a Half in burial.
In the Wongarn Pra Niyom Amulet Aficionado circles, this is called 'Nuea Rak Dtaay' meaning 'the lacquer has passed away'. This is used to refer to the effect of the laquer breaking off leaving stains in a crackled pattern, that lends a marbled effect to the surface of the amulets, and only serves to enrichen its character and eye- pleasing effect. Some exhibits remain with highly evident lacquer traces, whereas others have been cleaned at some point (some devotees would clean the amulets, others would leave them in their natural state, according to personal preference).
On those exhibits whose surfaces have been cleaned of lacquer coating, the surfact of the clay has a marble-like crackled appearance, which the Amulet World calls 'Nuea Dtaek Lai Nga', which means 'Broken Ivory Markings'. These natural markings lend a subtle beauty and individual look to each amulet, not two amulets looking exactly the same. Note; The word 'Nga' means two things; 1. Ivory and 2. Sesame. It is clear that the reference is to Ivory, for the similar markings found on the surface of the amulets. it would not make sense to use sesame as an allusion).
The Muan Sarn is a wondrous thing to examine under the eye loupe, and with extensive perusal, will slowly but surelly reveal the inner secrets of the many ingredients within its Muan Sarn Sacred Clay, as the eye becomes ever more fine tuned to gazing into the depths beyond the surface with increasingly subtle insights arising regarding the composition of the Sacred Clay of the Pra Somdej Wat Rakang Kositaram amulet of Somdej Pra Puttajarn (Dto) Prohmrangsri. For the Group who revere the Wat sadter amulet as that of Somdej Pra Puttajarn (Dto) Prohmrangsri Wat Rakang Kositaram, we are beholding an Eternal Classic, and one of the most Sacred Amulets, which has blessed us by escaping the clutches of the speculative investors, and is affordable within the reach of most people who seriously seek the honour of wearing and revering what well studied aficionados accept to be a true Pra Somdej Wat Rakang Kositaram of the Great Somdej Pra Puttajarn (Dto) Prohmrangsri.
