An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
One of the most highly sought after and extremely rare amulets of Luang Por Guay Chudintaro, of Wat Kositaram; the Singh Kor Yaw long neck Singha Himapant Lion cast metal statuette. This Pim is in Nuea Dtakua Sanim Daeng, sacred Alchemical Leaden Alloy with red rust 'Kraap', which is most preferred, for the fact that this series was cast by Luang Por Guay himself with his own hand. This particular exhibit is of immense beauty with the Sanim Daeng rusty Kraap Kru lending a deep lustre to the surface sheen. The Rachasri Lion is representative of Maha Amnaj Commanding Power and Intimidating Aura. The Paya Rachasri Phone (also called Rachasri Bpon Hyuea) amulet endows the wearer with Protection and Commanding Power, Social and Professional Status, and Good Chances of Promotion through the Aura of Respectability and Personal Power.
Mostly, the amulets were received from Guru Masters within the Ordained Sangha, and Lersi Sorceror Hermits, who were endowed with powerful Jhanic Meditation abilities and Psychic Powers to empower amulets with protective Magic. The Singha amulet is found in various forms, which can be separated into two main categories;
Those which are made from natural materials which are found to occur in Nature, such as those carved from ivory, bone, Lek Lai, tiger tooth, sacred wood, wild boar tusk, deer antler, bear tooth, amd fossilised stone, jade and other mineral substances, and cast metallurgical alloy based statues, coins and statuettes, which are made from man made substances, such as smelted metals like gold and silver, Chin Dtakua Mercurial Leaden alloy, as well as other alchemical magical sacred metals such as Nava Loha (9 Sacred Metals), Sadta Loha (7 Sacred Metals), Bpancha Loha (5 Sacred Metals), Maekasit, Maekapat, Parot and the like.
Luang Por Guay Chudtintaro (2448 BE - 2522 BE) was a powerful Sorceror Monk and Sak Yant Master with infamous powers of Kong Grapan Chadtri and Klaew Klaad Magic, whose large pantheon of Buddhist Votive Tablets and Krueang Rang Talismanic Occult Charms are amongst the fastest disappearing amulets of the Present Era, since a massive increase in faithful devotees in recent years, have depleted the ,ajority of his more well known and popular amulets from public circulation.
However, for those who seek his sacred blessings, there are many editions of amulets which Luang Por Guay blessed with other Masters at different temples around Thailand, many of them of a highly affordable price. But Niyom Class Preferred models such as the ultra-rare Singh Kor Yaw, are among the most difficult to encounter, and extremely prized by devotees and collectors.
The Singh Kor Yaw is one of the most highly praised talismanic metallurgical alchemy amulets, and one of LP Guay's most powerful Maha Amnaj Kong Grapan Serm Yos amulets, for promotion, commanding power, invincibility, and Gunstopper/Blade Stopper Magic, with Klaew Klaad Evasion Magic to boot.
Read Full Biography of Luang Por Guay Wat Kositaram
Luang Por Guay was one of the Great Sak Yant Masters of the 20th Century and was very well known in his time as one of the most powerful masters for Kong Grapan Chadtri and Klaew Klaad Invincibility and Evasion Magic, as well as Maha Ud Gunstopper and Serm Yos Promotion Magic, which resulted in him having many members of the Military and Police Force within the folds of his Looksit. One of the Greatest Sak Yant Masters of MOdern History, and one of the most popular monks for amulets of all time.
Kata Pluk Paya Rachasri (Singha Lion)
Putta Saetho Mahaa Naathang Wan Nago Singha Naa Tagang Putta Sirasaa Dtaechaena Maara Saenaa Bparaa Cheuyyang Chayya Pakawandtu Mae
The Singha Lion belongs to the category of Talismanic amulets known as 'Krueang Rang'. Some Krueang Rang are not limited to wearing on a neck chain, and can be worn or used in a variety of other ways;
Krueang Kard - To wear around the waist or head or arm in a cord string.
Krueang Suam - To wear attached to a oendant chain around the neck, or attached to ones clothing.
Krueang Fang - To wear inserted under the surface of the skin through surgical insertion.
Krueang Om - To hold the amulet or talisman under the tongue inside the mouth, such as the Look Om, or Takrut Look Om, and Lek Lai.
