An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Presenting a very rare old Black and White Blesséd Yantra Photograph of the Great Luang Por Noi of Wat Dhamma Sala, in Nakorn Pathom, from 2505 BE, for Klaew Klaad & Kong Grapan Chadtri Protection, Maha Lap Lucky Fortunes, Serm Duang Karma Improvement, and of course, Guru Worship of this Great Master Monk of Yesteryear.
The Photo is on old black and white photographic paper and was blessed by Luang Por Noi in 2505 BE, and is a rare opportunity to have a magical tool of connection with the Guru, in such pristine condition.
The rear face of the photo reveals true age and authenticity; the surface is highly porous in texture, and has developed the typical bulges and texture that is ubiquitous with this particular kind of black and white photographic paper, and which is one of the reference points for identification and age estimation of the amulet.
Biography of Luang Por Noi (Wat Dhamma Sala)
Luang Por Noi was a resident of Dhamma Sala Municipality from birth. He was born in the 12th May 2426 BE, as the son of Mr. Saeng, and Mrs. Orn. When he was still a very young child, his father took him to the temple, and he spent most of his childhood years learning to read and write and other schooling, with Luang Por Nuam, the Abbot of Wat Dhamma Sala.
When he reached the age of 15, he ordained as a Samanera Novice monk at the temple of Wat Sam Graber Phueak. Luang Phu Noi would constantly travel between his temple and the temple of Wat Dhamma Sala where he had grown up during his childhood under tutelage of Luang Por Nuam.
After some time, Luang Por Noi's Mother became old and weak, and he disrobed to help her at work, as she was having difficulty. When his mum retired and he reached the age of 20, he re-ordained at Wat Dhamma Sala, on the 28th May 2446 BE.
Pra Atigarn Luang Por Tong, of Wat Lamud was his Upachaya Ordaining Officer, with the Abbot of Wat Dhamma Sala as his Gammawajajarn. , and Luang Por Saeng of Wat Mai, was his Pra Anusawanajarn (Witness). He recieved the Ordained Pali name of 'Intasaro', and was from then on truly known as Luang Por Noi Intasaro.
After his second Ordination, this time as fully fledge Bhikkhu in the Buddha Sasana, he began to study and practice the Dhamma Vinaya Buddhist Canon of Ordained Life with great exertion and diligence. He also began to beseech and study the practice of Wicha Akom Buddha Magic with many great Masters of the time, including Luang Por Tong of Wat Lamud, Luang Por Nuam his old Kroo Ba Ajarn of Wat Dhamma Sala, Luang Por Jaeng, Luang Por Saeng, and many other great Masters.
He was able to absorb and master the many spells and formulas of the Wicha given to him, because he had learned how to read and write the Sacred Khom Agkhara script since a very young age with Luang Por Nuam. Luang Por Noi's powers and abilities to enter deep Medidative States became highlyt adept, and his prowess soon came to be known by his Mentors, who gave him ever increasingly difficult to Master Wicha, which he seemed to absorb instantly and Master with ease.
Luang Por Noi was known for his well kept and diligent manner of self conduct, and restraint, and that he would never let his watchfulness of his own behaviour slip, always remaining within the rules of Ordained Monks, with mild manners and compassionate openness. He became a symbol of faith for the local devotees of the Province.
He showed compassion to animals in need, and liked to seek solitude and silence, remaining in the peace of stillness, which he radiated outwards to those in his presence, stilling the troubled hearts and bringing them some peaceful respite from their daily sufferings.
In the year 2495 BE, Luang Por finished the construction project for the public primary school building of Wat Dhamma Sala for the local children to get some education. In 2501 BE, Luang Por built the Uposatha Shrineroom.
Luang Por Noi built a concrete bridge for local market traders and folk to travel across the river easily and save them many miles of traveling distance. This improved the trade and economy of the municipality greatly, for which the local folk became ever more filled with faith for Luang Por Noi.
In 2505 BE, Luang Por built a second school building for secondary school education. In 2510 BE, Luang Por built a Chapana Sathan Funeral Crematory for the local folk at the temple, and in the year 2511 BE, he finished the building of a Kuti Songk Sangha Dormitory Building. In 2512 BE, Luang Por Noi funded the construction of a new Hor Rakang (Temple Bell-House).
The Amulets of Luang Por Noi of Wat Dhamma Sala, are amongst the top 5 of all time Great Masters of Nakorn Pathom Province. When one considers that Nakorn Pathom has produced many of the greatest masters of the last century, and that the amulets of Nakorn Pathom Masters are of the most collected and sought after by amulet aficionados. It is then obviously difficult to achieve such a high ranking as that of Luang Por Noi. We can safely say that the pantheon of amulets of Luang Por Noi is amongst the most highly sought after of all.
Two Luang Por Nois in One Province
One curious fact is that Nakorn Pathom Province enjoys having had two famous Guru Monks with the name of Luang Por Noi, both of whom are extremely famous for their amulets. This sometimes causes confusion with students of amulets who are still developing their knowledge, and so we define who is who here, for your information;
Luang Por Noi of Wat Dhamma Sala, and Luang Por Noi of Wat Srisa Tong, are both Masters of Nakorn Pathom Province. Both Masters have enjoyed similar fame and recieved the same great respect from their faithful devotees.
Luang Por Noi of Wat Dhamma Sala was often invited to the most important Buddha Abhiseka blessing ceremonies because of his great prowess in empowering amulets. He had (and still has to this day) a large following of devotees, who sought his protection and blessings. But Luang Por Noi did not officially make an edition of amulets, until the year 2494 BE, when a large number of devotees gathered and asked Luang Por for permission to bless a series of coin amulets, to distribute to his devotees to worship with.
Luang Por Noi was approached and asked, but in truth, he did not reply, and remained silent. This however was taken as a yes by the devotees, who then commissioned am artisan to create a design for the coins, with the image of Luang Por Noi, within a Sema (shield shaped) coin.
The first edition coin had a cameo image of Luang Por Noi (head and shoulders) on the front face, with the words 'Luang Por Noi. The rear face had the Yant Na Bpathamang.
This first edition coin is less known by common people as the later released Rian Hnaa Suea, which in itself is a very rare and expensive amulet (reaching into the 2-3000$ range in good condition), but it is this Rian Sema 2494 BE which is in truth the first edition he ever made, and is even rarer, and can often fetch an even higher price than the Rian Hnaa Suea.
Below: Rian Hnaa Suea Luang Por Noi
Above; Rian Hnaa Suea Luang Por Noi
