An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
A classic Pra Niyom Category amulet that is extremely rare to encounter, and highly renowned for its Maha Amnaj, Klaew Klaad, and Kong Grapan Magic, the world famous Takrut Hnaa Bpaag Suea Tiger Takrut, of Luang Phu Nak (Pra Pimontam), of Wat Arun Rachaworaram. As a point of interest, Wat Arun is also known as the Temple of the Dawn, also known as 'Wat Jaeng', because both 'Arun' and 'Jaeng', mean 'the Dawn'). Luang Phu Nak was a Guru Master-Monk of immense Status in the eyes of the community, with Great Merits to his name, and was renowned for his powerful mind and meditative ability.
It is It is said that in olden days during Luang Phu Nak's time, his devotees would notice how when they passed a cowshed, even the Buffaloes would cower in fear at their sensing of the Magic of the fearsome Tiger emitted by the Takrut Hnaa Bpaag Suea of LP Nak. They would run to escape, as if a real tiger was hunting them.
Luang Phu Nak was extremely famous for various amulets, especially his Takrut, and above all, his Takrut Hnaa Bpaag Suea Tiger Forehead skin spell composed of Sinjana cord wrapped and lacquer covered skin of the forehead of a Suea Kroeng Tiger.
The Takrut Hnaa Bpaag Suea of Luang Phu Nak, is believed to posses immense Kong Grapan Chadtri Invincibility Magic of the Ancient Warriors, Maha Ud Gunstopper Magic, and Klaew Klaad Evasive Magic to Evade Death by Accidents, as well as powerful Anti Black Magic, and Metta Maha Niyom mercy Charm, with Maha Amnaj Commanding Power and Superiority Magic.
Biography of Luang Phu Nak (Wat Arun) Luang Phu Nak was born on the 3rd of January 2415 BE, in Ban Bang Poon, in the province of Pathum Thani. His father was named Mr. Nuan, and his mother was named Mrs. Luean.
When he was a young boy, he was sent to be educated by Pra Ajarn Kroo Forn, until he reached the age of 12 years old. At age 12, he was ordained as a Samanera Novice Monk at Wat Sarapat Chang. Pra Atigarn Hwang Tamma Chodti was his Upachaya Ordaining Officer Monk, who thereafter taught the young Samanera, who was to become the Great Gaeji Ajarn LP Nak, in the Dhamma Vinaya, until he came of age.
Luang Phu Nak was then reordained as a fully fledged Bhikkhu, through Pra Atigarn Hwang taking Luang Phu Nak to Luang Por Pra Tamma Warodom (Luang Por Daeng), of Wat Sutat in Bangkok (Royal Decree Monk and Abbot of the Temple at that time. This was the year of the Dragon in 2435 BE, when LP Nak was Ordained as a fully fledged adult Bhikkhun(Buddhist Monk) at the Great Temple of Wat Sutat.
He was Ordained by Somdej pra Wanaratana (LP Daeng) as Upachaya, and Pra Kroo Tamma Saree (Luang Por Hwang), of Wat Tian Thawaay in Pathum Thani as his 'Koo Suad' (Prompter, for one must memorize 45 minutes worth of Pali Language Chanting to Ordain, and cannot use the book to assist you, and therefore need a Prompting Officer to assist when you forget your lines). He was given the 'Chaayaa' (Monk's name), of 'Sumananaakoe' (Companion of the Nagas), and in fact, his common name of Luang Phu Nak, means 'Reverend Grandfather Naga' .
Once he was fully Ordained, he began to study the Dhamma Pariyatti (Theoretical Dhamma) in the Samnak of Somdej Pra Wanaratana (LP Daeng), his first Kroo ba Ajarn. He also studied at the Samnak Praya Dhamma Breechaa Tim, and became Genial in his knowledge of this aspect of the study of the teachings of the Buddhist Canon.
In the Year 2433 he translated the Pariyatti Dhamma from Pali to Thai reaching the level of Prayoke 4 9 (four paragraphs), in O-Level/College Degree Grammatical Accuracy (no mean feat at such an early stage). In the Year 2437, he translated the Pariyatti Dhamma from Pali to Thai reaching the level of Prayoke 6 University Entry level degree of Grammatical Accuracy, which was for Monks of that Era an Immensely Grand Achievement and proof of immense mental Intelligence. In the Year 2441, he translated the Pariyatti Dhamma from Pali to Thai reaching the level of Prayoke 7 in Grammatical Accuracy.
In the Year 2442, Luang Phu nak was awarded the status of Pra Racha Kana Tee Pra Racha Kana Kroo Sompoche (Royally Comissioned Advisor to the Abbot and Sangha Comittee) of Somdej Pra Wanaratana Luang Por Daeng. In the Year 2461 BE he was elevated to status of Pra Racha Kana Chan Rach Pra Racha Suree. In the Year 2464 BE, he was Royally Beseeched to become the Abbot of Wat Arun Racha Woraram, and Awarded status of Pra Upachaya (Able to Ordain others - a status given only to those monks who can recite the 1 hour long Patimokkha from memory).
In the Year 2467 BE, he was awarded the Royal Name and Status of Pra Tama Dilok. In the Year 2476, Luang Phu Nak was awarded the Name 'Pra Upasika Kunupamajarn' as a mark of national respect. In the Year 2482, he was raised once again in status to have the title of 'Pra Racha Kana Chan Hiranyabadtr Pra Pimon Tam'.
Luang Phu Nak was hence a Genius in both the Pariyatti Dhamma (knowwledge of all the teachings of the Buddha), as well as the Practical side of Vipassana Kammathana Internal Undirected and Directed Mindfulness Practices, and Samatha Meditation, and Jhanic Kasina directed Meditations. He was also highly learned in the Wicha Puttasart and Saiyasart Buddha magic and Occult Sorcery, and was seen to possess the ability to empower amulets through his Vipassana Kammathana practices.
He learned most of his initial Wicha from Luang Por Hwang of Wat Tian Thawaay, who is the Master who initiated Luang Phu Nak into the secrets of the Wicha Takrut Hnang Hnaa Bpaag Suea, and the Wicha Long Yant Pha Prajiad Daeng (red Yantra Cloth Sacred Geometry magic), which was the most famous Wicha of Luang Por Hwang. There were many stories of guns refusing to fire upon those who wore these amulets, which only served to increase the faith of the devotees in the power of Maha Ud Kong Grapan Chadtri maha Amnaj within the Takrut Hnang Hnaa Bpaag Suea tiger forehead skin Yantra scroll spell, and the red Pha Yant Prajiad Yantra cloth.
In the year 2475 BE, Luang Phu Nak reached the age of 60, and the Sangha and Devotees, decided to make some Roop Tai Ad Grajok Khaw Hlaam Dtat(glass sealed photos in rhombus shape), as an official edition of amulets, to protect and increase the wealth and wellness of the local devotees and those near and far. In truth, Luang Phu Nak himself never issued the order or intention to make any amulets in his own image, and told the Devotees and the Committee that, if they were to do so, he didn't want anything to do with it, and that they should go and see Pra Ajarn Pa of Wat Rakang, to ask him for advice and assistance in the making of the amulets.
Pra Ajarn Pa hence assisted, and issued them in the year 2471 BE. Once the amulets were made and blessed at Wat Rakang, the Devotees took the batch of amulets to Luang Phu Nak, who then performed empowerment over them, for distribution during the 50th ordained anniversary (60th Birth year) of Luang Phu Nak. Before the Ceremony of release and final Putta Pisek Blessing Ceremony, Luang Phu Nak made some hand made inscribed Takrut Hnaa Bpaag Suea Tiger Forehead Skins, bound and lacquered with gold leaf (some with, some not).
He only made a limited number, for handing out to his closest Devotees, which is one reason why the takrut Hnaa Bpaag Suea Luang Phu Nak is so rare to find, and therefefore, also highly valued. Luang Phu Nak would not hand these Takrut out frivolously, and would choose carefully who he gave one to, and would only issue them in small numbers. This was because the Wicha Takrut Hnaa Bpaag Suea he had inherited from Luang Por Hwang of Wat Tian Thawaay, required the Takrut to be made and completed on occasions of 5th Lunar Saturdays only, which are rare, and therefore made it impossible to make his Takrut in any large numbers.
The Devotees of the time would go to buy Tiger skin from the Jao Grom Ber shop in fromt of Wat Sam Plerm, as in those days, hunters and collectors of animal hides, bone, teeth and the like would take their wares to sell through this shop. (hides and parts, many of which are now prohibited to sell, but which in those days was common to see on the market). Luang Phu Nak would usually make his Takrut somewhere between 1 to 2 Inches long, which allowed for only a few Takrut to be made from one forehead skin, which was why his Takrut were rarely seen over 2 Inches long.
He would first immerse the forehead skin in holy water to soften the dry skin, and then scrape off the fur, to leave bare skin, and then use the skin to wrap into Takrut scrolls, which he would inscribe and empower with Wicha Maha Ud. He would also then once the skin was soft through immersion, inscribe further Khom Agkhara Sanskrit spells, to invoke the spirit of the tiger, using the Wicha Akarn 32, and the Wicha Hnun Taat 4, to reanimate the power and spirit within the tiger forehead. Luang Phu would then tie the wrapped Hnaa Bpaag Suea hide scroll with holy Sinjana cords, to prevent the scrolls from unwinding as they dried over the decades. The Takrut are seen to be lacquered, many with flakes of gold leaf visible. Most will have the Sinjana cord wrapping, but there are also some exhibits which do not have the Sinjana cord binding too (rarer).
Once the Takrut had been made on a 5th Lunar Saturday, Luang Phu would then keep them to empower in his Kuti hut until the next 5th Lunar Saturday occurred (however long that may be). And then, he would give a final Buddha Abhiseka empowerment and blessing to the Takrut, and issue them to his devotees thereafter one at a time during visits. The Takrut Hnaa Bpaag Suea of Luang Phu Nak Wat Arun, os a very rare amulet to behold in this day and age, and is one of the most preferred Maha Ud Kong Grapan amulets of all time.
Pra Pimon Tam Luang Phu Nak passed away in the year 2485 BE during the reign of his Majesty King Rama 5 at the age of 72 years and 6 months. Luang Phu Nak remains perhaps the most well remembered and respected, and revered monk of Wat Arun in the minds of Thai people of the last Century.
