An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Takrut Sangwal 18 Dork eighteen scroll spells on red cord necklace, from legendary deceased Lanna Guru Master Monk of the Thai Lanna Historical Legends; Kroo Ba Pad (2468 - 2550 BE).
This Takrut compendium is a very rare exhibit indeed, and can be considered to be a highly desirable acquisition for Bucha from a monk of immensely high status, whose legend increased even more after his passing, due to both the Kong Grapan Chadtri miracle of his fireproof corpse, which refused to be burned in his Cremation ceremony, as well as for the fact that his mortal remains turned to 'Pratat' relics after the funeral, and are placed in the shrine at the temple of Wat Sri Don Moon, for devotees to revere and beseech blessings.
Kroo Ba Pad was one of the nine top monks of Thai Lanna History, extremely famed for his diligent works in developing the ancient 500 year old temple of Wat Sri Don Moon, creating facilities for the Samanera and Bhikkhus of the region, and improving the quality of life for the local folk of Tambon Chompoo, in Amphoe Sarapee, Chiang Mai Province.
His Takrut amulets are what he became most famous for, especially his Takrut Maha Ga Saton Glab, and his Takrut Hua Jai Puttakun 108 amulets, which carry legendary status, and are extremely rare amulets to find anywhere at all.
Kroo Ba Pad has preserved the Lanna tradition by rebuilding the temple and install many new installations, including many Halls and an Uposatha shrine room, and Sacred Statues. Kroo Ba Pad was born in the year 2468 BE, in Amphoe Sarapee in Chiang Mai.
He was ordained in the year 2483 BE, and began to diligently study the various Magical Wicha of the Dtamra Lanna, and master them. He travelled for many years in solitary through the forests of the region, staying far away from human company, meditating, and developing his Vipassana Kammathana practices.
He later returned to Wat Sri Don Moon, and was elected to become the Abbot of Wat Sri Don Moon in the year 2493 BE.
In ancient times, hundreds of years ago, Wat Sri Don Moon was a temple full of Buddha Images in the forest, where herds of wild elephants who came in throngs to graze in the surrounding forests. It was due to the presence of the many elephants, that their grazing habits caused the land to subside, and some ancient Buddha statues began to become damaged and overgrown with forest.
Later, as the Burmese began to attack Thailand, the Ruler of Chiang Mai managed to defend and chase the Burmese out of the region. The Ruler of Chiang Mai then sent his Generals to try to chase the Burmese out of the neighboring City State of Chiang Saen, but they were unsuccessful.
So the Generals returned to Chiang Mai, bringing the Thai Lanna Folk of Chiang Saen back to refuge in Chiang Mai. Many of these Folk came to reside in Sarapee, in Tambon Chompoo, where the made their homes, and as a show of thanks, they began to restore and repair the temple which was semi destroyed from the elephants, and restore it to Glory.
The temple was then given a new name, which is the name we know it by today 'Wat Sri Don Moon'. This name was given because of three factors; 1. There was a'Sri Maha Po' tree (Bodhi Tree) standing in the temple grounds. 2. The temple was on top of a small hill (called 'Don' in Lanna language), and 3. the current Abbot at that time (the third Abbot in lineage of the temple), went by the name of Luang Por Moon. Hence the temple was given the name 'Sri Don Moon'
Kroo Ba Pad was truly a sincere and humble practitioner, and a truly attained master, whose grace and humility was extremely noticeable through his silent manner and stillness.
When he spoke, it was instantly clear that he had no disturbance within, distorted feeling or any kind of opinions or attitudes towards the world outside of his own experience.
He was highly attained in remaining disentangled from being distracted from his practice, and his voice would emanate Metta, and reveal his mercifulness in his mannerisms.
Kroo Ba Pad was the Kroo Ba Ajarn to the Great Kroo Ba Noi, current abbot of Wat Sri Don Moon, who inherited the Wicha of Kroo Ba Pad, and who was the monk who was able to beseech Luang Phu Kroo Ba Pad's corpse to allow itself to be cremated.
It was Kroo Ba Noi, who took the crystallised relics of Kroo Ba Pad to be enshrined for reverence. The Funeral of Kroo Ba Pad is said to have produced a Miracle.
The Miracle of Kroo Ba Pad
The funeral of Kroo Ba Pad was an event which for his devotees, is a statement of proof of the Magical and Spiritual Attainments of the Great Kroo Ba Phad, as his corpse proved impossible to burn to ashes in the funeral pyre.
You can enjoy the story of this event in the below documentary video, originally shown on Thai TV Channel, and now subtitled into English by Ajarn Spencer Littlewood for the Buddha Magic Project.
