Pra Gleep Bua Amulet with Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee
The Pra Pratan Gleep Bua Hlang Yant Trinisinghae Muan Sarn Sacred Powders amulet, was released after Buddha Abhiseka Blessing Ceremony at Wat Pradoo Chimplee in the year 2521 BE, blessed by the Great Luang Phu To who presided over the Grand Blessing Ceremony. This edition recieved 3 months of immersion in Holy Prayer Water with blessings from Luang Phu To throughout the whole Trimester. This model is rare for being in the much rarer Pong Gesorn Gae ANam Man oily pollens sacred clay.
The amulet was released in two ‘Pim’ (versions); Pim Yai (large, 22,875 amulets made), and Pim Lek (small, 20,805 amulets made). This amulet is in perfect condition, without any flaws or wear and tear, making it very eligible for show in competition.
This amulet is considered to be one of the more easily reachable (affordable) amulets of the Pantheon of Famous Classics, and is very popular amulet with middle and upper middle-class devotees of Luang Phu To, who seek an authentically blessed amulet of esteem and respectable value from this master, but that won’t necessarily cost them the deeds to their house to be able to afford. The Sacred Yant Trinisinghae is Embossed on the rear face of the Amulet for Metta Mahaniyom and Maha Lap Blessings.
The amulet is a Pim Yai large version measuring 3.5 x 2.5 Cm,, and is in pristine condition. The Muan Sarn Sacred Powders are made from Puttakun Yantra Powders of Luang Phu To, with Gesorn Pollens and Incenses. The powerful magic and spellcasting abilities of Luang Phu To are of course one of the major influential factors as to why his amulets have become such priceless Masterpieces, and his special Muan Sarn Sacred Powders are another highly influential aspect of their popularity and fame. The Yant Trinisinghae was often inscribed on Yantra foils for devotees who would bring a foil with them and Luang Phu would inscribe it. The devotees would then take the foil home for Bucha, or roll it into a Takrut to wear as an amulet.
This Yantra was first used on the rear face of an official amulet edition, with the first edition Rian Run Raek Guru Monk Coins. The Yant Trinisinghae is not only powerful for Maha Lap and Serm Duang (improve fate and destiny), but also for being highly effective against Black Magick, Ghosts and Demons.
Luang Phu To is said to have been able to grab the Sincana cord which monks use to attach to amulets in blessing ceremonies, and sense immediately which monks along the line of the Sincana cords had psychic powers, and which ones didn’t. Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets
Luang Phu To of Wat Pradoo Chimplee, Empowering Amulets
Above; Luang Phu To Wat Pradoo Chimplee performing Nang Prok Meditation for Empowerment of Amulets
This resulted in Luang Phu always choosing the best most powerful Masters to invite to attend his empowerment ceremonies to assist in the Blessing of amulets and Buddha Images. Luang Phu To remains to this day one of the top 10 Guru Masters in the recorded History of Thai Buddhist Amulet making, and most certainly one of the top 5 Monks of recent History, on an equal Par with the Great Luang Phu Tim (Wat Laharn Rai).His amulets belong to the Master-Class status category, and carry immense status in the world of the amulet appreciation society, for their Authentic Sacred Power, and the Purity of the Monk who Blessed them.
The amulets of Luang Phu To are famed and revered by devotees around the country and around the whole world, for the proven history of Metta Mahaniyom Maha Lap Klaew Klaad Kaa Khaay power to bless the devotee with lucky fortunes, safety, success and prosperity. Luang Phu To began to make Muan Sarn Sacred Powders amulets first in the year 2470 BE, using the main ingredient of Pong Lob, which is the residue chalks fallen from the inscription of five rounds of 108 Sacred yantra spells, to create five different concentrates of Sacred Powders.
These five powders are of course known as; Pong Bpathamang, Pong Ittijae, Pong Puttakun, Pong Trinisinghae, and Pong Maharach. It is also known that Luang Phu To would use broken up amulets from Wat Plab, and also broken up pieces of Pra Somdej Wat Rakang Kositaram of the great Somdej Pra Puttajarn (Dto) Prohmrangsri, are known to be present within the Muan Sarn Sacred Powders of Luang Phu To’s amulets.
Other Muan Sarn used for the amulets include Pong Puttakun from Por Tan Klai (Wat Hongs, Thonburi), and of course Luang Phu To would bless the amulets in Nam Montr Prayer Water, using a Clay Holy Water bowl in his Kuti Hut, with a Dragon design on the bowl.
He would immerse the amulets in the holy water bowl, and When devotees would donate flowers to Luang Phu, he float the flowers in the prayer water bowl and use the offering to empower the amulets further. This in fact, is one of the reasons that some amulets have different holy water stains on their surfaces than others, due to the different flowers Luang Phu would immerse in the holy water bowl where the amulets were soaking.
Luang Phu would empower the amulets for the time of the Rainy season retreat (3 months), and repeatedly empower and bless them throughout this time. Some amulets were also released without immersion in prayer water. Of the 28,875 Pim Yai amulets made, 10,000 of them were donated to Princess Julaporn, to distribute as a gift to the people who made merits donating to build the Sirirat Hospital.
The Pra Pratan Gleep Bua Pim Yai and Pim Lek amulets are very popular with Devotees, for they are made from precisely the same Muan Sarn Sacred Powders as was used for the Pra Pid Ta Jumbo 2 Traimas Masterclass edition, which can cost up to even 40 times the price of a Pra Pratan Gleep Bua. It is hence obvious why this amulet is such a popular amulet with the devotee of Luang Phu This Votive Tablet is an Absolute Rarity and Eternal Classic, and extremely sought after spiritual item.The perfect choice for aesthetic beauty, spiritual value, and magic power, and top choice for the Serious Collector.
This beautiful amulet is most definitely a very fine acquisition, as a Sacred Votive Tablet of Pra Niyom Preferred Classic Category, that has been well looked after and maintained in its original state, and is a very well-kept amulet, that is worthy of competition entry for its clear features.
Luang Phu To of Wat Pradoo Chimplee was one of the greatest Masters of the Last Century, and a Highly revered Monk around the whole Kingdom of Thailand. he was Respected and revered by His Majesty Our great King, who was a close friend and companion.
Luang Phu To Wat Pradoo Chimplee
This Great Monk achieved his status through his Great deeds and his great Diligence in his Patipatā (Practice of Purity and Renunciation), and in his Great Attainments in Dhamma Pariyatti and Dhamma Patipatā.
Luang Phu To was born on the 27th March 2429 BE in Ban Klong Bang Noi in Samut Prakarn and passed away on 5th March 2524 BE. His many honourable awards of status reflect his great practice and diligence.
Pra Gleep Bua Amulet Hlang Yant Trinisinghae Luang Phu To Wat Pradoo Chimplee
Takrut Tong Daeng Klaew Klaad Kong Grapan Chadtri from Luang Por Doon Adtulo, of Wat Buraparam (Surin). This powerful Takrut Tone on Yantra Foil made from Nuea Peek Krueng Bin, from the Great Luang Phu Doon, of Wat Buraparam measures 4 Inches long, and is bound with cord wrapping. Takrut from Luang Phu Doon are highly renowned for their Klaew Klaad and Kong Grapan Chadtri Protection.
The Takrut is made from a metallic Yantra Foil spell, which is rolled up to make a Takrut Tone scroll spell, for Klaew Klaad and Kong Grapan Chadtri Protection and Invincibility, and 'Krob Jakrawal' Universal Blessings, which include Increased Status and Promotion, Maha Amnaj Commanding Power and Influence, Metta Maha Niyom, mercy Charm, and Serm Duang Karmic Improvement. This Takrut is one of the slimmer Takrut and is less heavy to wear on a cord belt, than many of his heavy duty versions. This is due to the lightness of the aircraft wing aluminium alloy used to make the Yantra foil.
Luang Phu Doon is famous for his Dhamma Parable teaching;
"จิตที่ส่งออกนอก เป็นสมุทัย ผลอันเกิดจากจิตที่ส่งออกนอก เป็นทุกข์ จิตเห็นจิตอย่างแจ่มแจ้ง เป็นมรรค ผลอันเกิดจากจิตเห็นจิต เป็นนิโรธ"
"The Mind which looks Outwards, is Samutaya (cause of suffering and dissatisfaction), the Fruits of a Mind which looks Outwards, is Dhukkha (Suffering and Dissatisfaction), a Mind which sees the Mind Clearly, is Magga (the Path to the End of Suffering and Dissatisfaction), and the Fruit which is born of a Mind which can See the Mind, is Nirodha (Cessation of Suffering and Dissatisfaction)".
Luang Phu Doon Adtulo was born in Ban Prasat, in Tambon Chaniang, Surin Province on the 4th October 2431 BE, in the second Waning Quartal of the 11th Lunar Month. Luang Phu Doon was born as the second of four children. All of his other siblings died before reaching the age of 70, but it was Luang Por Doon who lived the longest, reaching an old age of 96 years Old.
Luang Phu Doon spent his early adult years working as an actor in the theatre, but after a few years began to repeatedly ask his parents for permission to ordain as a Buddhist Monk, for he was always attracted to the Dhamma, and spent a lot of his times in temples to learn the Dhamma and practice.
His parents would always refuse, saying that he was the older son and the main breadwinner of the family, and that also, if he did ordain, that they expected him to never disrobe, or at least, to reach the status of temple Abbot before disrobing. After years of repeatedly asking his parents for permission, they finally gave in, and so, Luang Phu Doon was ordained in the year 2453 BE, at the age of 22 years old, at Wat Jumpol Sutawas in Surin.
Pra Kroo Wimon Silaprodt (Luang Por Tong) was his Upachaya ordaining officer, Tan Pra Kroo Beuk was his Pra Gama Wājājārn (prompter), and Pra Kroo Rit was his Anusāwanājārn. He was given the Sangha name of 'Udtalō' which means 'Incomparable to Others', and hence became 'Pra Luang Phu Doon Udtalō Bhikkhu'
After ordination, Luang Phu Doon would travel some 10 Km to the temple of Wat Kor Ko, to learn Kammathana Vpassana practices with Luang Por Aeg as his first Instructor. In those days, Kammathana practice was done by adopting the views and methods of the Kroo Ba Ajarn who was teaching, and so Luang Phu Doon had to apply his practice exactly as Luang Por Aeg stipulated.
Luang Por Aeg would teach a method wheredy all that was practiced, was to light 5 candles, and to chant a prayer 'Khor Anchern Pra Pīti Tang Ha Jong Ma Ha Rao' (meaning 'I beseech the 5 Pīti Raptures to come to me'). Otherwise, no other applied methods were given, and so Luang Phu Doon would repeat this practice time after time, but would never get any of the 5 Pīti raptures to awaken within at all.
What is Pīti??
Pīti in Pali (Sanskrit: Prīti) is a mental factor (Pali:cetasika, Sanskrit: chaitasika) associated with the concentrative absorption (Sanskrit: dhyana; Pali:jhana) of Buddhist meditation. Pīti is a very specific joy associated with a state of deep tranquillity. It is often translated with the English words "joy" or "rapture" and is distinguished from the longer-lasting meditative "pleasure" or "happiness" (Pali, Sanskrit: sukha) that arises along with pīti. As the meditator experiences tranquillity (samatha), one of five kinds of joy (piti) will arise. These are:
Weak rapture only causes piloerection.
Short rapture evocates some thunder "from time to time".
Going down rapture explodes inside the body, like waves.
Exalting rapture "makes the body jump to the sky".
Fulfilling rapture - this seems to be a huge flood of a mountain stream.
Note; only the last two (Exalting, and Fulfilling Rapture), are considered specifically piti. The first four are just a preparation for the last one, which is the jhanic factor
Luang Phu Doon practiced and practiced repeatedly, but none of the 5 Raptures associated with the 5 candles came to him, and after a year or so, he became bored with the practice, which seemed more symbolic than practical and applied methods. Luang Phu Doon also began to practice fasting, and became very thin and wizened, but this too did not seem to bring any results in Enlightenment.
Luang Phu Doon remained a total of 6 years at Wat Kor Ko, practicing to no avail in his advancement of Enlightenment, but he remained diligent and true to the methods given to him. He was also selfless in the fact that he was often given tasks of helping to build ox carts, and look after the cattle in the fields, which is not the duty of an ordained monk, but he accepted these tasks just the same, selflessly. This was to be his first years of diligence and renunciation doing as he was asked, and was to form a basis which would bring him many fruits later.
After 6 years at Wat Kor Ko, Luang Phu Doon finally let go of any hope of the methods working, and went to study Paryatti Dhamma Theory at Wat Sutat Temple, in Ubon Rachathani, and became the first student from Ubon Rachathani to attain the Batchelor of Arts Degree in Dhamma Theory. Luang Phu Doon studied Pali Sanskrit Grammar, and became able to Translate Tripitaka Suttas from Pali to Thai.
Due to the fact that Wat Sutat was a Dhammayut Nikaya lineage temple, and Luang Phu Doon was a Maha Nikayta lineage monk, Luang Phu saw fit to ask to change lineages to become a Dhammayut Nikaya. And so in the year 2461 BE, he changed lineages, and remained at Wat Sutat.
Luang Phu Doon Practices Tudong with Ajarn Mun Puritadto
It was hereafter at Wat Sutat, that the Great Arahant Luang Phu Mun Puritadto came to visit, and Luang Phu Doon was able to listen to this great Attained Master Monk teach Dhamma. After one single Dhamma talk, Luang Phu Doon became so fervently faithful of the methods of Luang Phu Mun, that he beseeched his Metta to allow him to follow and practice with Ajarn Mun.
Luang Phu Doon then went on Tudong Forest Wandering with the great Ajarn Mun Puritadto, and remained practicing the Vipassanā Kammathāna methods as taught by the Great Master and Guru of the Thai Forest tradition Tudong Sangha lineage, Pra Ajarn Luang Phu Mun Puritadto.
Above Pic; Luang Phu Ajarn Mun Puritadto
After some years, the Bishops of Nakorn Rachasima asked Luang Phu Doon to return to Surin, to preside over the restoration of the temple of Wat Buraparam in Surin. Luang Phu then had to cease his Tudong Practice with Luang Phu Mun, and dedicated the rest of his life to diligently improving and administering the temple of Wat Buraparam.
It was then during his Years of Post Tudong mastery, where Luang Phu Doon began to release amulets to his Devotees, using the powers and Wicha he had developed in the forest throughout the many years he spent practicing under the great Master of all Forest tradition Sangha Monks, Luang Phu Mun Puritadto. Luang Phu Doon began to officially release amulets somewhere around the year 2470 BE onwards.
Luang Phu Doon is considered one of the Great Arya Sangha Ascended Masters and is a highly revered monk for Thai Buddhist Folk, wand even revered by many members of the Royal Family of Thailand.
Luang Phu Doon Passed Away on the 18th of December 2522 BE and was visited by many of the high members of the Royal Family, who travelled to Wat Buraparam to pay respects and to perform the Funeral Cremation Pyre lighting ceremony for Luang Phu Doon.
The amulets of Luang Phu Doon are all highly Sacred and Revered objects for Thai Buddhist People, and are extremely rare to find. Luang Phu Doon amulets are all highly esteemed classics and are members of the Pra Niyom Category, valid for entry in competitions of National Status.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
