An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Standing version of aan amulet that is immensely rare, and immortally famous Animist Spirit Charm amulet; The World Famous Hun Payont Hyaa San Mad Daay Daeng Akom Dtua Kroo (Dtua Yern - standing on guard version) of Ajarn Loi Po Ngern (Ayuttaya Master and direct lineage continuance of the Wicha of Luang Por Glan of Wat Prayatigaram (Ayuttaya). This version is a large Dtua Kroo, measuring 6 x 4 Cm, and is in pristine condition. The Hun Payont of Ajarn Loi (lovingly known as 'Mor Loi'), are said to be the number one Hun Payont amulets of all time, and are the most sought after and desired items by devotees of this kind of amulet.
Unfortunately, the amulets of this great olden days Master, inheritor of the Wicha of Luang Por Glan Wat Prayat, and Luang Por Bpaen of Wat Sao Tong Mai, are so very hard to find in the present era. This exhibit has a hole drilled in the front of the casing, for dripping droplets of liquor to empower, or to offer a drop of consecrated oils once in a while for Bucha, and strengthening the power of the Hun Payont, and its emanating magic.
Ajarn Loi was born in the month of February 2454 BE, in Nakorn Sawan, but later moved to live in Bang Prahan in Ayuttaya. He became a Novice Monk when he came of age, and the apprentice of Luang Por Glan of Wat Prayat. After the passing of LP Glan, Ajarn Loi continued his practice of Magic with Luang Por Bpaen of Wat Sao Tong Mai in Ayuttaya. Ajarn Loi learned many Wicha with Luang Por Bpaen, who was not only well versed in Wicha Saiyasart, but was also Adept in Artisanry of the Chang Sip Moo Fine Arts level of prowess. He thus taught Ajarn Loi all of his Wicha, and methods of weaving the spellbound Hun Payont, Takrut and other amulets in the finest fashion.
One must say that Ajarn Loi's Hun Payont, and other amulets all attract the eye with their fine artisanry and filigrain attention to detail and ritual accuracy. LP Bpaen was alsop the Kroo Ba Ajarn of Luang Por Suang of Wat Chee Ba Khaw, who was also a close friend of Ajarn Loi. After the passing of LP Bpaen, Pra Ajarn Loi moved to stay at Wat Panan Cherng. Ajarn Loi knew many methods of Astrological Foretelling, Spiritual healing, and Powerful Amulets and Spells.
Because of this, he soon became the object of jealousy from the other monks, which he could sense strongly that he was making them feel inferior. So he moved away to not cause any inauspiciousness, and disrobed to become a Lay Master, and moved to stay at Wat Jeen temple. He later moved to Wat Suwandaoraram, where he remained practicing his path, and serving his devotees up to the day of his passing.
The Hun Payont (or 'Hun Payont'), is an ancient reanimated Golem effigy, with far back reaching roots. Its name comes from the word 'Payont' which means an effigy that has been brought to life by Sorcerous Magick. Hun Payont may be made in various forms, such as the form of a Human, or some other Magickal creature, or animal, depending on the needs of the user and intended uses of the Adept who makes them.
Hun Payont are made from various substances, such as the Hun Hyaa Saan (Hay/Straw), Hun Gan Bai Mai an (leaves), Hun Thao Wan (magical vines), Mai Phai (bamboo), Hun Dtakua (mercurial lead), Hun Khee Pheung (wax), Bai Mai Ta (leaves), Hun Gae Salak (carved wood), Hun Daay (cord wrap), Hun Pha (cloth bound), Hun Din (molded clay), Hun Din Phao (baked clay), Hun Hin (carved stone), Hun Krabueang (ceramic), Hun Poon (cement), Hun Ngern/Tong (silver or gold), Hun Loha (metallic), Hun Mai (wood), Hun Hin (stone), Hun Nga Gae (Ivory), Graduk (bone), and so on.
The Hun Payont, is an amulet that is found to date back to the times of the Kassapa Buddha. The Kassapa Buddha, is said to have made a Payont effigy, to protect his Relics, before he himself passed into Nibbana. 200 Years Later, King Asoka opened a shrine, to remove and preserve the relics, but the shrine was inhabited by a Hun Payont. King Asoka was forced to invoke and summon the God Indra, who manifested as a Brahman, and performed Incantations, enabling King Asoka to enter and remove the Saririkadhatu Relics.
In the world of Sorcery, all lineages believe in the existence of different kinds of spirits, which can imbued within effigies or controlled, or beseeched to perform a multitude of tasks. There are many Animist and Necromantic amulets which use different types of spirits which are Hoeng Prai Ghosts, Devas, Bhuta, Kumarn Tong, Rak Yom, In Jantr, Phu Some, In Gaew, Mae Takian, Ma Hoeng Prai, and many others such as Yaksa Monsters, to inhabit an effigy. Great Adepts are the only ones able to create Hun Payont Golem Effigies, which are then brought to life with Necromancy and imbued with any of a number of kinds of spirits, depending on the nature and needs of the devotee, or the intentions of the master.
All Hun Payont Golems, must be empowered by an Adept, who has Mastered the Wicha Akarn Sam Sip Sorng; 32 invocations of the 32 elements within a living being, to make the effigy able to displace itself (move around), and to emit Magical powers, protecting wealth and possessions within its enclave. If intruders enter, the Hun Payont will create illusions that drive the thieves away, and will also scare away all kinds of demons and ghosts that enter the household to cause any havoc. Hun Payont are very protective of the belonging within the home and for this reason excellent guards.
The Hun Payont is used by those who believe, in the household, place of business, and even carried as an amulet or placed in one's vehicle, to keep away alll dangers and inauspicious events and malicious entities. Hun Payont should be rewarded or appeased through Bucha with the Piti Gruad Nam Water Pouring Ceremony, in the same way as seen by Thai Buddhists after giving alms to the Monks, except that it is you who makes the prayer.
Alternatively, one can also use sacred or aromatic oils for consecration, or even liquor if wish to use for powerful Magic for Gambling and other matters of high risk. This is done, by laying down the amulet flat, and putting a few small drops of liquor or Prai/Aromatic Oil through the small hole drilled into the center of the window of the front of the casing, to fall onto the Hun Payont.
Kata Riak Hun Payont (Summoning Spell)
Om Na Ma Pa Ta Jaedta Phuudto Maha Phuudtang Hun Payondtang Nimidtang Gang Ruubpang Bpiyang Ma Ma Aehi Aehi Na Mo Put Taa Ya (chant 7 Times)
Kata Pluk Huan Payont (Invoke)
So Sa A Ni So Sa A Ni Sa A Ni So A So A So Ni Ni Sa A So Ni So A So A Ni Yo Sa A A Ni So Sa Sa Ma Su
Kata Khor Porn Hun Payont (ask for blessings)
Bprasitti Kātā Sitti Gammang Sitti Garisang
Kata Hun Payont Ajarn Loi
Om Pluk Mahaa Pluk Guu Ja Pluk Por Hun Payont Duay Ahang Tugang Na Ma Pa Ta
