An early-mid era example of Luang Por Pina’s most Sacred and Powerful Daw Nai Pan Nai Pon Star Amulet – Sacred Karma Improving Lucky Star for Protection, Wealthy Fortunes, Status Increase, Promotion, and Auspicious Fate. This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm. The five sided star face is painted red, and the eight sided star side is painted silver. This exhibit is especially desirable to collectors for the fact that this exhibit has almost a full set of Ploi Sek Gemstones on both sides, which is rare to see in this early-mid era model, for most examples of this Pim, are found without gemstones.
This is the two sided 5 and 8 Pointed Pentacle version, in red/silver painted Muan Sarn Sacred Powders wth Ploi Sek Maha Pokasap Gem inserts. This particular example has special Necromantic Powders stuffed into the edge of the amulet, and, as a Pim lek model, is not only suitable for men, but also a very recommendable model for lady devotees due to the smaller size.
It is very hard to find Daw Nai Pan Nai Pon amulets in a suitable size for ladies to wear.. It is in any case extremely difficult to find one of these amulets in any circumstances, but to find one with an almost complete set of gemstones is doubly lucky.
This exhibit is a Pim Lek (small size) measuring 2.5 x 2 Cm, and is a very early era model in pure muan sarn, made from a very highly concentrated admixture of sacred Necromantic and Magical powders.
The Daw Aathan Hnun Duang has different stars on each side, one as a 5 pointed star similar to the Military Star, and one in 8 pointed Pentacle similar to the Police Force star. Despite their importance for the meaning which is attributed for the Military and Police force, which was of course intentional, there are deep spiritual meanings imbued within the symbolism of each star design.
This amulet is commonly know for its Wealth Increasing Maha Lap Magick, but in truth, the amulet possesses an massive repository of attributed Buddhist Blessings of very sacred and Auspicious Influences on the Forces of Karma.
The amulet is recommended to be encased with,with the pendant ring at an angle, which is a tradition with the Dao Nai Pan Nai Pon, as was originally decreed with the first edition Mae Nuea Horm (Perfumed Mother) Lucky Star (‘Mae Nuea Horm’ 1st edition, was differentiated being somewhat Larger with a crescent moon below the star).
The base of the amulet has a special code stamp embossed into it by Luang Por Pina. The powers of the Daw Nai Pan Nai Pon are manyfold, but has a special ability given by Luang Por Pina which Luang Por Pina would say goes like this; ‘whoever is not straight with you and cannot be trusted, will be spotted and exposed by the Dao Nai Pan or the Mae Nuea Horm, if you wear it at an angle like this’
When understood, the meanings within the sacred Lucky Star Pentacle amulets of Luang Por Pina, are very extensive and comprehensive, and aligned to the focal points of Advanced Buddhist Vipassana Kammathana Practices, with the accompanyiing Miraculous Power of transformation that comes with the 40 Kammathanas.
Luang Por Pina is the deceased Abbot of Wat Sanom Lao in Sra Buri and was said to have possessed Abhinya Powers, and to have Mastered the 10 Kasina Powers of Elemental Magical Dominion.
It is said that he was able to read the minds and intentions of other Humans, and bring amulets to life with is Empowerment Methods, and that his amulets were able to give signs and also can be beseeched and prayed to for wish fulfilment (Sarapat Neuk). There are many stories of Miraculous Events occurring through his amulets.
The Daw Nai Pan Lucky Star is made from a mixture of Highly Sorcerous Ingredients, Herbal and Prai Necromantic Powders, which are both incredibly difficult to find and obtain, and also very easy to recognise their presence within the sacred Muan Sarn Powder mixture.
Those who have had an authentic Daw Aathan before their eyes, will be able to see instantly that this amulet is a very recognisable and distinguished exhibit with the clear to see presence of Luang Por Pina’s Sorcerous Muan Sarn Sarn Powders.
Below is a different model (Namely the Mae Nuea Horm First Edition Amulet), for you to enjoy looking at and for study.
The holes in the amulet also have meaning, some of the daw Nai Pan Nai Pon can be found to have gemstones (Ploi Sek) embedded within the indentations, which are even rarer to find.
This particular exhibit is a Classic Pim from the Early period of Making (Circa 2500), and also one of the highly Preferred ‘Pim Niyom’ Master Models and can be considered ‘Ongk Kroo’ (Teacher Reference Model) for a perfect reference comparison of authenticating other less recognisable Star amulets of lesser preference.
‘Ud Mai Gon Fa Pa’ (Wood from a tree that was truck by Lightning), and many Sacred Relics within its Sacred Powder Muan Sarn. Luang Por Pina’s Daw Nai Pan, exspecially this model above others, is now extremely rare and sought after.
Its price is constantly rising, because only a few hundred Daw Nai Pan are assumed to have been made in the early Era, and they are mostly all already in the possession of the Devotees, many of whom are high ranking Policemen, Army Officers and Top Doctors and Medics.
This model is an early edition which is evidend by its extreme dryness and the texture of the Muan Sarn Sacred Powders which reveal its age, and the authenticity of the amulet
The title of ‘Ongk kroo’ is fitting for this amulet, is for its easily recognisable features and Muan Sarn Powders allow one to easily distinguish the authenticity of any other exhibit when held side by side for comparison, making it a Master Key for teaching the eyes to recognise Luang Por’s famous Sacred Powders, as well as the effects of aging over the years, as to how discoloration and surface mildews should appear in a true authentic example of the Daw Nai Pan. Despite being a painted model, the edges of the amulet are highly visible to reveal the Muan Sarn Sacred Powders content and aging characteristics, and the true appearance of the Muan Sarn used by Luang Por Pina for these inimitable and famously powerful amulets
Luang Por Pina is known to have performed strange Magical feats in front of the eyes of his disciples many times, especially when devotees would ask him for an amulet. He would ask the devotee to lay down and open their eyes, and would take a handful of sand and pour it over their face, as they would hold the amulet in the hand.
But the sand would bounce back before it hit their eyes, and no matter how much was poured on the face, not a single grain of sand would be able to enter the eyes of the devotee, becoming repelled as if by a force field before it touched the eyes.
Kata Luang Por Pina
Light 5 sticks of Incense, and chant the Maha Namasakara 3 times before chanting the special Kata for Luang Por Pina Bpiyataro
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Then chant the Kata for Luang Por Pina (3 times);
Ahang Sukhadto Pina Bpiyataro Naamadtae Aajaariyo Ma Pandtae Hohi
Kata Pluk Khong (Call the power within the amulet)
Puttang Gandtang Saranang Haa
Puttang Gandtang Saranang Hae
Puttaaa Namo Ya
Kata Pra Som Hwang (Fulfilment of Wishes)
Chant the following for as many repetitions as your age (for example, if you are 35 years old, then chant the Kata, repeatedly for 35 times)
Nadtae Sudtae
The last repetition, change the words to
Mahaa Sudtae Nachaa
As an example, let us pretend a four year old were to recite the mantra, which would result in four lines like this;
Nadtae Sudtae, Nadtae Sudtae, Nadtae Sudtae, Mahaa Sudtae Nachaa
We invite you to listen to the podcast below, and be amazed at the depth of meanings within the Star Amulet.
Below; The remains of Luang Por Pina in the Sussaan Pina, as he requested to be unpreserved Unmummified, and left to rot naturally according to the laws of Nature, without a grand funeral ceremony or chanting, and forbidden to be cremated.
Paya Krut Nga Gae, Sacred hand carved ivory garuda Bird Deity with hand inscriptions of the Kata NA CHAA LEE DTI' For Serm Duang, Maha Lap and Metta inscribed on rear face. Hand carved from one of Luang Por Derm's more highly accomplished artisans, the garida has clear cut details and extremely fillgrain detail to its relief. An Extremely rare Master-Class hand Carved Amulet made from Nuea Nga Ancient Ivory,hand inscribed, empowered and Blessed by the Great Luang Por Derm of Wat Nong Po, in Nakorn Sawan.
The Garuda is the National Protective Deity of Thailand, and the national mascot of State Entities and Revered by all State Officials, and those in Professions where Promotion and Status exist as part of the line of career trajectory. The Garuda Deity endows the werer with Maha AmnajCommanding Imposing Power, and Serm Yos Raising of Status and Promotion of Position in both Career and Social Ladder Climbing.
Garuda as a Deity in itself is represented as the4 steed of Pra Narai Vishnu Avatar, and is depicted as a Guardian of heaven in Buddhist Cosmogeny. Garuda is reputed to have fought and beaten the Naga Serpent Deity (In Hindu Myth the many headed serpent Kaliya), who is the most powerful and invincible deity, but who is only scared of and underdog to the Garuda. This is related to garuda's dislike for serpents, due to his mother's co-wife the Goddess Kadru had an argument with them. Garuda is also known to eat evil humans as recounted in a Brahman legend, but was enchanted by a Brahman Priest who caused garudas throat to burn and spit out the man and woman he had swallowed.
Luang Por Derm was Born on Wednesday 6 February 2403 BE and Died on Tuesday 22 June 2494 BE. He was one of the Greatest Masters of Thai Buddhist History, whose amulets, and famous 'Mitmor' ritual spirit knives are legendary around the whole wide world, for their authentic power, and Master Class Status. The Wicha of Luang Por Derm is continued to this day through his Looksit of the various Master Lineages.
Free registered airmail shipping worldwide is included with this item. HIs carved ivory, Horn, and wooden amulets are rare items, for they were made by individual Artisans who were Initiated and had received the Wicha, and 'Korb Kroo' Ritual Empowerment as permission from Luang Por Derm himself. Only such Lineage Master Initiates were allowed to perform carving or knife forging for Luang Por Derm, and even to this day after his passing, all the Posthumous Editions of amulets which derive from Masters who are Initiates of Luang Por Derm, must use only amulets and Artisanry which has been made by an Initiated Artisan.
This great Master and Abbot of Wat Nong Po, is believed to have chosen to be born on Earth in the village of Nong Po, to lighten the sufferings of Buddhist People, and to bestow them with Blessings to lead them on their way towards Happiness, and Alleviate their Sufferings, and Poverty.
Legend tells that Luang Por Derm is believed to have been born once before with the same parents in Nong Po Village, but he died at an early age. The mother and father were so sad, and at the burial, it is said that they took a ritual knife, and made some marks on the feet of the corpse of the child.
The mother and father then prayed for him to be reborn with them, and that if this miracle would truly happen, that the newborn return of the child, would be marked on the feet with these marks. It is said that when Luang Por Derm was born, that he had the very same lines marking his feet, exactly where his parents had made marks on the feet of their deceased son. It is hence believed that this was the first Miracle of Luang Por Derm.
Luang Por Derm did not study much at school during his childhood, but after he ordained into the Sangha as a Buddhist Monk, he gave intense efforts and great interest to learn Bariyatti Dhamma (Theoretical Dhamma) with Luang Por Chom the then Abbot of Wat Nong Po at that time. He never stopped practicing and studying the various aspects of Dhamma Practice, Vinaya, Wicha Akom (Sorcery) and Laekh Yant Agkhara Khom, which He studied with Nai Pan Choo Pan, who was an Adept Sorceror who was resident within the enclave of Wat Nong Po Temple. Nai Pan was a direct looksit of Luang Por Tao of Wat Nong Po who was an ancient Master Sorceror and Abbot of Wat Nong Po.
He studied for seven years with this Master Sorceror, until his passing.. When his teacher Nai Pan passed away, Luang Por Derm then continued to practice and study Wicha with Luang Por Mee at Wat Bang Bon, another temple of the district in Nakorn Sawan, where he remained for a period of 2 Years. He also learned Tripitaka with Luang Por Num of Wat Khao Tong.
He also learned with Ajarn Yaem (a Lay Master who was Genius at both Dhamma Sermon Giving, and Wicha Akom). Luang Por Derm learned how to Preach Dharma, until he became an expert Preacher of Dhamma, and became recognised for his Immense Ability to interpret the difficult Dhamma Lessons and simplify them to explain to the Local Folk. Devotees would beseech him from all around the Province to come and Preach Dhamma to them.
Luang Por spent many years performing Preaching. until one day he stopped, and said that every time he would go to tell others how to practice, and they would give donations, that he thought it would be better to stop, and focus on teaching himself. he would send his apprentices who had learned well from him in his stead.
Luang Por Derm then retired from Sermon (Tamma Tesana) practice, sometime around his eleventh year of ordination. he then focused on developing Vipassana Kammathana methods of self transformation, and dedicated himself extrememly diligently to develop the causes of enlightenment (Arahantship). he became famous for his ability to sit erect for many many hours, beyond the ability of other Masters.
It was here that Luang Por's ability in Wicha Akom began to ascend to a very high level, and his magical abilities began to take form and become extremely powerful.The fruits of his practice and studies which began with Nai Pan, and the many Kroo Ba Ajarn who had passed Wicha on to him flourished.
Luang Por still continued throughout this time to study with many other Masters, most of whose names are not known, for Luang Por Derm never really told others about his secret Masters, nor did he brag about the things he had learned and the places he went too leanr them. It is however known that Luang Por did learn intensive Wicha Akom Saiyawaet with Luang Por Saban and Luang Por Taes of WQat Sap Tale, and Luang Por Wat Khao Nor.
Luang Por's powers became famous for his ability to empower amulets with Metta Maha Niyom, Maha Lap, Kong Grapan Chadtri and Klaew Klaad effects. His powers were famous for their ability to banish demons and evil forces, and that his amulets were able to invoke Miracles of many kinds.
His Wicha was so powerful that its' superiority over that of other Great Masters of the time, became so famous that Devotees from around the whole region flocke to Wat Nong Po, to beseech all kinds of Blessings and amulets. The vast number of different kinds of Wicha and amulets which people would ask for, is indeed a mark of his great abilities, which seemed to know no boundaries. Some would ask for images or statuettes, other would ask for a Photo with a Yant inscription, others would ask for See Pheung or Metta Oil.
They would ask for Paeng Talk empowered by him, Pha Yant, Takrut, or Holy Water. One of the most desired and requested amulets requested would be the Whaen Ngern Long Yant, which was a ring with Yantra and the image of Luang Por Derm sat meditating on the head of the ring. As the Burapha Asia war time began, many more devotees began to appear, filling the temple, in immense numbers. In this time it became popular for devotees to bring a 12 inch piece of Prajiad Cloth with them, and ask Luang Por Derm to imprint his footprints in ink on the cloth, to be used for Bucha and Protection.
Some people would ask for a single footprint, others wold ask for both feet. This is why some Pha Yant have one foot print, and others have two. Luang Por Derm's feet became permanently stained with the prolonged practice of inking the Cloths. Some devotees would even ask Luang Por to spit on their heads. Many students of Magic then began to approach Luang Por Derm to beseech bestowal of Wicha, which Luang Por wold agree to when he saw the student to be worthy. he wold always warn the students though, that once they had learned to empower things properly, that they would no longer be able to think of themself and their own pleasure.
What he meant by this, was that once they became powerful Masters themselves, they would recieve no peace from the villagers, and become as pestered by devotees as Luang Por derm himself had been throughout his life. He meant by this, that the successful manifestation of magical power, is not something that is desirable for ones own self, and that great renunciation is necessary to perfect this practice.
Use the Traditional Thai Buddhist Method for Bucha;
1. Chant Maha Namasakara (3 Times)
2. Chant the Trai Soranakom (3 Times)
3. Chant Kata Aaraatanaa Pra Krueang (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Trai Soranakom
Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami
Kata Aaraatana Pra Krueang
Puttang Aaraatanaanang
Tammang Aaraatanaanang
Sangkang Aaraatanaanang
Puttang Prasittimae
Tammang Prasittimae
Sangkang Prasittimae
